They might try Classic Rock instead to compete with KLOS… IHeartMedia in Seattle has an Adult Hits, Classic Hits, and Classic Rock station on their portfolio so they might do that.
They (Audacy) invested heavily in their 'branding' of "KNX News 97.1 FM" from the get go, and let's note that they jettisoned all of the ole'1070 stuff. They don't even acknowledge the AM's existence. I wish they had asked Lotus for the KFWB calls for 97.1. Nicer sound to it. "KFWB News 97.1". They may not even need to say "FM"..... But, I’m starting to get a gut feeling knx is only on 97.1 until audacy figures out what they really want to do with 97.1
In the case of KROQ, a great signal wouldn't do much to mitigate mediocre on-air content.
KROQ has pretty much an equal siignal range as all the Empire State Building stations. It has nearly the same population coverage as KYSR which has a higher power but lower antenna height. Neither is on Mt Wilson.There’s nothing more Audacy can do for 106.7. They’ve tried everything. Anything they could do on that signal has potential to eat away listeners from other signals. I didn’t understand why they wouldn’t switch kroq to the stronger 97.1 signal and move knx to 106.7, so kroq’s could actually compete with 98.7.
LA is a decreasingly rock-oriented market. You find a much lower percentage of Asians, Hispanics and Blacks as well as first generation immigrants who listen to any kind of rock, and the market is only about 20% non-Hispanic white "born here" people.They might try Classic Rock instead to compete with KLOS… IHeartMedia in Seattle has an Adult Hits, Classic Hits, and Classic Rock station on their portfolio so they might do that.
We are forgetting that the station, for all its issues, is still a significant and profitable biller.I still think they should consider going Sports. Audacy already has a share of the Rams on Jack, so there’s at least team to anchor themselves to. How long before the PBP rights are available for the Dodgers and/or Lakers? I would think those teams might want to have an FM flagship.
I see what you‘re saying. But have ratings/revenue actuslly increased since the simulcast? News stations have left fm to return to am beforeThey (Audacy) invested heavily in their 'branding' of "KNX News 97.1 FM" from the get go, and let's note that they jettisoned all of the ole'1070 stuff. They don't even acknowledge the AM's existence. I wish they had asked Lotus for the KFWB calls for 97.1. Nicer sound to it. "KFWB News 97.1". They may not even need to say "FM".
didnt someone here say kroq lost 80 percent of their billing post Kevin and BeanWe are forgetting that the station, for all its issues, is still a significant and profitable biller.
No. That was someone's guess.didnt someone here say kroq lost 80 percent of their billing post Kevin and Bean
I don't see how it's any more "mediocre" than any of the other Audacy alternatives, including KITS or KVIL. I also don't see how it's any worse than KYSR.
My take is that people are still pissed that the station isn't what it used to be, and therefore refuse to listen regardless of what they do.
Good thing you're not...If I was his Boss
I certainly agree that a lot of former listeners are not fond of the station's current sound.
We'll have to agree to disagree on your first point. An entertaining, funny morning show would bring the listeners back.
Playing more of the music KROQ's listeners grew up with might help, too.
On the second point, east coast and Midwestern markets air two or three hours of lame, pre-recorded content
But much of that can be attributed to the Mark & Brian syndrome where the audience got older and was not replaced by younger demos. And, at the same time, attempts to update the music were met with rejection or lower TSL by the existing and heritage listeners.Based on what? This is an audience that started tuning out when they still had Kevin & Bean.
And, just as what was "the rest of the story" with oldies stations where lots of the songs gradually grew tiring and turned negative.How much more older music can they play? That's part of the problem. The old music resonates, but it alienates the younger fans.
And the older listeners miss the familiar... but gone... morning show and don't like any new one.So you get into Goldilocks mode again, where the music is either too old or too new. You can't build a radio station strictly around music. That makes it too easy for people to turn it off.
What is the explanation for keeping the show on those stations? "Dozen" works great at Krispy Kreme, but not a good number when counting down-trending stations.He's live on Alt 96.1 in Spokane and getting killed by a local morning show. He's live in almost a dozen west coast markets, and is losing in all of them. People listen to Woody in LA because it's NOT on 106.7.
But much of that can be attributed to the Mark & Brian syndrome
What is the explanation for keeping the show on those stations?