What do you mean by that? Can you name specific songs? I've never heard the term "American rejects" applied to radio music programming before.At least the eagle hasn’t played all American rejects like they used to
What do you mean by that? Can you name specific songs? I've never heard the term "American rejects" applied to radio music programming before.At least the eagle hasn’t played all American rejects like they used to
What do you mean by that? Can you name specific songs? I've never heard the term "American rejects" applied to radio music programming before.
Now it makes sense. Why is this particular release critical in evaluating KEGL?Allow me to translate:
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IIRC, the Eagle did play their 2008 smash "Gives You Hell" a number of times in the late 10's and early 20's. It never charted on Active Rock but did chart on Alternative. It was absolute gangbusters on Pop and Hot AC radio.Now it makes sense. Why is this particular release critical in evaluating KEGL?
They just played 30 Seconds To Mars - THE KILL. The song never charted on any format in the U.S. - and topped 35ish in the UK on the alt chart there.At least the eagle hasn’t played all American rejects like they used to
They just played 30 Seconds To Mars - THE KILL. The song never charted on any format in the U.S. - and topped 35ish in the UK on the alt chart there.
But according to the biga and eduardo, this is perfectly fine as long as other stations nowhere close to Dallas play it.
It seems right now KEGL is trying to dodge part of the issue by hardly playing any currents at all; they have exactly four recurrents on the playlist and nothing that has been released as a single so far this year.
That is surprising to me because I never heard them get airplay on AOR when they broke in 1986/87 nor did they have any rock cred. I only heard them on CHR back then. Now suddenly they are rock artists.
I said the music sounds pretty good, but there are duds here and there and Sabotage was an example.
Kramer worked a number of years in rock radio, including some time at the very station we are discussing. I think he most likely possesses a decent amount of knowledge on the format and the DFW rock audience.
Reading the Facebook page when B&S debuted at the remote tells you that no one likes it, and no one is loyal to it - because it doesn't fit.
Years ago, I was trading in my car and was looking for a specific model and color. They had the model, but it was not my choice color. It was the end of the prior model year, so I could not order the color I liked. The sales manager said, "I'm not running a museum here. If you move your color choice, I'll move my price a lot".
This is why rock radio stations are built around talk instead of music. I call it Goldilocks syndrome. She was the one who complained about the porridge being too hot or too cold. Rock fans complain: The music is too old. The music is too new. These songs are burned to a crisp. These songs never charted. Over and over and over.
Stop looking at individual songs. Look at the bigger picture. They play an unfamiliar song followed by Whole Lotta Love or Californication. They're playing EVERYTHING THAT ROCKS! This isn't Top 40 rock. Stop quoting the charts. There's a base of rock fans who hate popular rock. They want deep cuts. They want oh wow songs. In other words, they want what you say doesn't work.
As I said: FORGET ABOUT THE PAST!!!!!! The old Eagle is dead. Their listeners are gone. This station is starting from scratch. It's playing different songs. But it's also playing some familiar stuff. That's what a format is.
ONCE AGAIN: There is NO radio format that will EVER satisfy everyone 100% of the time.
You're wrong on so many levels. I'm not arguing with you any more. It's a waste of time. You're flat out wrong.