Any idea what floor WLS was located on (360 North Michigan Ave)?
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Fifth floor. They were still there as late as my first visit to Chicago in 1985, but 13-year-old me couldn't talk my way past the front door.Any idea what floor WLS was locate on (360 North Michigan Ave)?
Didn't they know who you were?Fifth floor. They were still there as late as my first visit to Chicago in 1985, but 13-year-old me couldn't talk my way past the front door.
I do not recall if that was the 1962 location when I visited. They let me sit in the lobby and get each jock’s autograph as they arrived or left their shift. I was 15 at the time.Fifth floor. They were still there as late as my first visit to Chicago in 1985, but 13-year-old me couldn't talk my way past the front door.
WLS moved from the Prairie Farmer Building at 1230 W. Washington Boulevard to the 5th floor at 360 North Michigan Avenue in August of 1960I do not recall if that was the 1962 location when I visited. They let me sit in the lobby and get each jock’s autograph as they arrived or left their shift. I was 15 at the time.
Stone Container building Michigan & Wacker Dr.. WLS used to have visiting hours every Saturday around 10AM to 2PM. Used to be able to see who ever was on the air through the glass panels of the visiting area.I do not recall if that was the 1962 location when I visited. They let me sit in the lobby and get each jock’s autograph as they arrived or left their shift. I was 15 at the time.
Then that was where I visited, as I definitely would have remembered the Prairie Farmer building!WLS moved from the Prairie Farmer Building at 1230 W. Washington Boulevard to the 5th floor at 360 North Michigan Avenue in August of 1960
WXIL Parkersburg WV was a Mall. They had a window looking at the on air and production studios. I always questioned that selection because how many sales "decision makers" where at the stores in the Mall?I wonder how many stations had a window that you could sit there and watch the DJ like you would watch monkeys at the zoo. Only one station I was at had that but you had to come into the lobby to look at the DJ through a big plate glass window. At least they gave us curtains to close so you could have some privacy. I felt bad for the receptionists, there were some really strange looking people coming in to watch you and there was nothing between her and them except a desk. Guess if they started any weird crap she could have conked them with the big ass phone on her desk.
I believe WDAI was on the 4th floor where Paul Harvey and the ABC Radio Network's Chicago studios were located.Personally, I would have been more interested in seeing the WDAI section of the 5th floor, during the AOR era.
Never knew that. I haven't seen Tom Graye in a long time. I'll ask him.I believe WDAI was on the 4th floor where Paul Harvey and the ABC Radio Network's Chicago studios were located.
The "Radio Reloj" stations in all the major markets in Colombia had studios facing the street and live DJs 24/7. The format was hit Colombian music and time checks after ever song and both before and after every commercial break. The studios had a metal rail in front of bullet proof glass windows and people would lean on the rail and watch the DJ for a while.I wonder how many stations had a window that you could sit there and watch the DJ like you would watch monkeys at the zoo. Only one station I was at had that but you had to come into the lobby to look at the DJ through a big plate glass window. At least they gave us curtains to close so you could have some privacy. I felt bad for the receptionists, there were some really strange looking people coming in to watch you and there was nothing between her and them except a desk. Guess if they started any weird crap she could have conked them with the big ass phone on her desk.

Pretty neat. I'm pretty sure nowadays you'd never find them at street level, bulletproof glass or not. Any stations that still or did have them, probably moved the DJ or whomever was in there to a more secure location. Too many crazies out there that'd try to shoot them up or something because you wouldn't play their "Rubber Duckie" song request or something equally stupid.The "Radio Reloj" stations in all the major markets in Colombia had studios facing the street and live DJs 24/7. The format was hit Colombian music and time checks after ever song and both before and after every commercial break. The studios had a metal rail in front of bullet proof glass windows and people would lean on the rail and watch the DJ for a while.
Here is the Radio Reloj station in Medellín in a picture I took in 1963.
View attachment 8179
Wonder how many Shakira requests they play…Pretty neat. I'm pretty sure nowadays you'd never find them at street level, bulletproof glass or not. Any stations that still or did have them, probably moved the DJ or whomever was in there to a more secure location. Too many crazies out there that'd try to shoot them up or something because you wouldn't play their "Rubber Duckie" song request or something equally stupid.