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Late Show ending May 2026

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It took me 20 years to get the central joke of Green Acres. They tell the story in the theme song—-Oliver wants the country life. Lisa wants to stay in Manhattan.

They move. There are all these bizarre characters. A pig named Arnold.

Lisa treats it all like it’s perfectly normal. She’s fine there. It’s Oliver who’s on the verge of a stroke in every episode, and who would be a lot better off in New York.
It was several notches above Beverly Hillbillies on the absurdity scale, even more absurd than Petticoat Junction, which featured some of the same characters. In short, Green Acres was to The Beverly Hillbillies what The Gong Show was to Ted Mack's Amateur Hour -- a basic concept taken to an absurd extreme. I loved both Green Acres and The Gong Show, and of course Monty Python, too.
 
Never have. My only image of West 57th is Jane Wallace and Meredith Viera in their late 20s running up the stairwell and walking down the hall with great intensity:

At that time, there were two CBS offices on W57th street. 60 Minutes and West57th were across the street in a much nicer building.
 
I'm sure you old dogs remember The Smothers Brothers Comedy Hour and how they were cancelled and replaced by Glen Campbell for being too political. I suspect Colbert is smart enough that he saw this coming.
 
In talking about this show, we're mainly focusing on the broadcast TV show. But there are also a number of digital properties that are based around the show. I just got a press release about one of them:

 
I'm sure you old dogs remember The Smothers Brothers Comedy Hour and how they were cancelled and replaced by Glen Campbell for being too political.

Glen was the Smothers Brothers' summer replacement. His show was already slated and in production when CBS blew up Tom and Dick in April of '69. The fall season replacement for the brothers was...Hee Haw.

I suspect Colbert is smart enough that he saw this coming.

Of course, and not just because of politics. If your $100 million show is losing $40 million even with $30 million in tax credits, you know you're on thin ice.

CBS renewed his contract in 2023 to go through the 2025-2026 season. In May, CBS' George Cheeks told advertisers and press at the upfront that they were negotiating with Stephen, but there were hazard lights flashing in what he said.

"...talk of [Colbert's] future on the network seems to be on hold for another day.

“We have another year on [his] deal,” Cheeks says of Colbert, who hits 10 years at The Late Show desk this fall. “We have not had that conversation, but we really like our hand.”

That doesn't sound like "we're thrilled and we're sure we'll be able to reward him commensurately. What it sounds like is "we think we can grind him", and now, with word that the show was losing $40 million a year, that makes a whole lotta sense.


I've suspected that Jon Batiste's departure from the show three years ago (at the beginning of this contract cycle) was an economy move, and it's very possible that the "hand" CBS thought it had---politics aside---might have asked Stephen to give up more than he would have been willing to.

Until Bill Carter writes the book, we may not know.
 
You old guys keep pointing out the declining audience for broadcast TV. Only a minority of you use it now. It's not good business to piss off half of what's left. I'd bet CBS would like to be out of his contract ASAP. They are giving him time to hang himself. And I'm betting he will be defiant.
 
You old guys keep pointing out the declining audience for broadcast TV. Only a minority of you use it now. It's not good business to piss off half of what's left. I'd bet CBS would like to be out of his contract ASAP. They are giving him time to hang himself. And I'm betting he will be defiant.

And...again...that overlooks the fact that Colbert isn't a lone wolf but is responsible for the employment and benefits of more than a hundred (today's reporting indicates 200) people, who he paid out of his own pocket during the writer's strike.

As I put it yesterday:

Colbert is a class act. Remaining one, doing the best show possible under the circumstances (and those circumstances are just his and his staff's emotions---the budget for a full season of big shows is there), is a great way to have your reputation shine and make CBS/Paramount/Skydance look like assholes by comparison.

I think now, the guest list is going to be really impressive. He'll be able to book anyone he wants, and the last week or two of the show will probably be as close to the Carson goodbye parade of stars as American television in 2026 gets.
 
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But my point is that SNL never hit a "cultural" button with me. When I was able to see it, in the brief time I was with Metroplex in Miami, I had previously spent most of my adolescent and adult years in Latin America. Like Seinfeld, I just did not "get it". Whether it flew over me or just flew by me, it just did not hit any spots that amused me.

I didn't get the Rocky Horror Picture Show, either. These are not politically but culturally based perceptions. My wife, who immigrated with her family as a teen but grew up in a very Hispanic household and worked in Spanish language media has the same reactions... culturally based.
I've never seen the Rocky Horror Picture Show all the way through. It has it's own culture, with dressing up and throwing rice at the screen.
I did like Seinfeld but it was an acquired taste. I am anything but a New Yorker, never even been there, but a group of 4 totally selfish people getting into all kinds of trouble is relateable enough to me.

I had never seen The Big Bang Theory until I met my wife. I thought, "'Friends' but they're nerds. I wasn't the least bit impressed, but after my wife watching the network run and the reruns for years, I get it and and not its biggest fan. but I enjoy it now. I do like "Young Sheldon", often with stories that Sheldon told about his family, but softened up a bit. The child actors, now teenagers, will go far if they want to. The newest spinoff I'm not that impressed with.
 
And...again...that overlooks the fact that Colbert isn't a lone wolf but is responsible for the employment and benefits of more than a hundred people, who he paid out of his own pocket during the writer's strike.

As I put it yesterday:
The Americans on the right are not watching his show and they aren't coming back. Colbert's fans will think he caved in if he tones down the politics.

Maybe he will go out with a big bang. We'll see.
 
The Americans on the right are not watching his show and they aren't coming back. Colbert's fans will think he caved in if he tones down the politics.

Nobody says he has to tone down the politics. I'm sure CBS didn't like being accused of paying a bribe, but Stephen's already made that point.

I expect him to do the show that he's been doing and not go off on his CBS bosses beyond what's considered the usual fair game. Same with the politics.

IF the administration squawks, CBS can say "he's on his way out". They've done it, and Trump has made his pleasure known:

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Meantime, CBS has at least eight figures worth of advertising booked for a full new season of Late Night with Stephen Colbert. They don't want to give that money back. And cutting the season short means slashing the tax credit. Factor in severances, lawsuits, union contracts and the like, and CBS is better off honoring the commitment for the season and losing the expected $40 million.
 
I had to jog quite a few brain cells before it clicked that was Jane Wallace in those pictures.😊

I was quite happy to stay home on Monday nights and let Jane inform the living daylights out of me.



Meredith, too.





(top photo is Jane. bottom photo is Meredith.)
 
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I had to jog quite a few brain cells before it clicked that was Jane Wallace in those pictures.😊

It's hard work to do callback punchlines on someone who essentially disappeared from TV 30 years ago. In the course of that, this descriptor for an article behind a paywall popped up in Google:




Screenshot 2025-07-21 at 8.03.17 AM.jpeg




If that was profound indifference, imagine if she'd applied herself.
 
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