• Get involved.
    We want your input!
    Apply for Membership and join the conversations about everything related to broadcasting.

    After we receive your registration, a moderator will review it. After your registration is approved, you will be permitted to post.
    If you use a disposable or false email address, your registration will be rejected.

    After your membership is approved, please take a minute to tell us a little bit about yourself.
    https://www.radiodiscussions.com/forums/introduce-yourself.1088/

    Thanks in advance and have fun!
    RadioDiscussions Administrators

Spotify Is Struggling

A few years ago, YouTube instituted a no ad-blocker policy. Contrary to all intentions and faster than you can say Streisand Effect, ad blocker use suddenly exploded from geek kid add-on to mainstream standard To the point it was self-defeating for Google to carry on fighting.

The policy is still there. But it's extremely difficult, costly and fruitless to enforce with all the evolving VPNs, anonymizers and other tools available to high skilled users.

And enforcing the YouTube ad-blocker ban was having the ugly side effect of making highly skilled Firefox/Opera users out of what were once low-skilled cheap Chrome/Edge wanderers. And with the advertising delivered in infinite other ways in those browsers, Google especially doesn't want to lose them.

Google can't ban the other browsers either. They would never hear the end of it. Internationally.

It's tough all over.
 
And yet, we in radio lose money to digital. Some of the most easily blocked or ignored advertising there is.
And also some of the oldest, with many well known examples of radio ads dating almost all the way back to the beginning of commercial radio broadcasts in the 1920s.

c
 

Part of the problem here is that, prior to the arrival of digital media, when you purchased physical media (album, CD, cassette) from a record store, it was yours to do as you wanted to with it. Yes, the recording industry screamed bloody murder about people (like myself) who put songs on to blank cassette tapes (this, despite the U.S. taxes on blank cassette tapes that benefited that very industry--they had some gall!) but there wasn't anything they could really do about it.

Along comes digital media and the recording industry, fearing for its life, creates an intellectual property rights treaty which is turned into law (the 1998 Digital Millenium Copyrights Act or DMCA). And now the music industry not only gets to legally go after groups (like Napster) who allowed end users to download music without charge) but charge legitimate businesses (such as radio/Internet simulcasters and Internet-only webcasters) exorbitant per song per listener fees that have driven many, especially in the latter category, out of business. Under this scenario, Spotify will never be able to become very profitable no matter what it does.
 
Spotify will never be able to become very profitable no matter what it does.

It depends. The music royalty situation makes it incumbent on these companies to diversify, and not simply be distribution systems for music. Spotify has begun doing that by adding a podcasting element.

One thing that helps Spotify is that it's a worldwide music service, and music royalty costs are different in every country.
 
The record labels' goal is to take 100 percent of the profit from streamers, and it seems they have accomplished that. They want to do the same with broadcast radio too, if they finally bribe enough lawmakers in Washington to pass their wet dream royalty bill.
 
The record labels' goal is to take 100 percent of the profit from streamers, and it seems they have accomplished that. They want to do the same with broadcast radio too, if they finally bribe enough lawmakers in Washington to pass their wet dream royalty bill.
And how much of that profit goes to the artists.
 
And who audits that? Who verifies the industry's numbers?

Because these are people with a track record of pure motives and impeccably honest business practices. Right? Right?
I keep hearing from bands that Spotify pays the worst. So who is getting the money.
 
And who audits that? Who verifies the industry's numbers?

The Copyright Royalty Board. But anyone can challenge the numbers. There have been numerous royalty disputes over the years.

I keep hearing from bands that Spotify pays the worst. So who is getting the money.

Spotify, Apple, Amazon, and major streamers have negotiated separate deals. My understanding is that artists can opt out if they don't like the rate. I recall The Beatles kept their music off Apple for a long time. I believe Garth Brooks has also opted out of Apple Music.

 
The Copyright Royalty Board. But anyone can challenge the numbers. There have been numerous royalty disputes over the years.
Who can challenge royalty?
Spotify, Apple, Amazon, and major streamers have negotiated separate deals. My understanding is that artists can opt out if they don't like the rate. I recall The Beatles kept their music off Apple for a long time.
That's a special case. It wasn't just about the royalty rate. The remaining living Beatles, and the estates of the deceased ones, had a residual hostility towards Steve Jobs and Apple Computer for the way they unilaterally broke the original agreement not to expand into music. Apple had originally agreed to stay on their side of the wall, and with the iPod and the music store they broke that contract (in the eyes of the Beatles and Apple Records).
 
That's a special case. It wasn't just about the royalty rate. The remaining living Beatles, and the estates of the deceased ones, had a residual hostility towards Steve Jobs and Apple Computer for the way they unilaterally broke the original agreement not to expand into music. Apple had originally agreed to stay on their side of the wall, and with the iPod and the music store they broke that contract (in the eyes of the Beatles and Apple Records).

However that dispute was settled in 2010


AFAIK, Garth Brooks hasn't settled, and has an exclusive streaming deal with Amazon.
 
And yet, we in radio lose money to digital. Some of the most easily blocked or ignored advertising there is.

An acquaintance of mine was spending $500-1,000 a month on digital advertising when he launched his business. He decided to experiment one month and cut it back to $100. He saw no significant change in sales or traffic. I haven't run into him in several years, but I assume he hasn't kicked the digital spending back up. He was debating dropping it altogether, and it's been a long time since I've seen or heard one of his ads.

AFAIK, Garth Brooks hasn't settled, and has an exclusive streaming deal with Amazon.

Bob Seger is another who was a longtime hold out, though some of his movie songs were available last I'd checked. When I saw Garth in concert in 2019, he mentioned a website either of his own or with a partner that had his music available for download. Far as I know, he'd never made any of his music available digitally before then.
 
The one thing that should keep the recording industry executives up at night. Petty soon there will be no need for their services. Someone will sell artists and bands an A. I. program that will be able to do promotions and keep track of distribution and sales.
 
When I saw Garth in concert in 2019, he mentioned a website either of his own or with a partner that had his music available for download. Far as I know, he'd never made any of his music available digitally before then.

You're talking about "GhostTunes." That was short-lived idea that he replaced with Amazon.
 


Back
Top Bottom