The Wall Street Journal has this analysis about Spotify
People want music for free with no advertising.
People want music for free with no advertising.
A few years ago, YouTube instituted a no ad-blocker policy. Contrary to all intentions and faster than you can say Streisand Effect, ad blocker use suddenly exploded from geek kid add-on to mainstream standard To the point it was self-defeating for Google to carry on fighting.The Wall Street Journal has this analysis about Spotify
People want music for free with no advertising.
And also some of the oldest, with many well known examples of radio ads dating almost all the way back to the beginning of commercial radio broadcasts in the 1920s.And yet, we in radio lose money to digital. Some of the most easily blocked or ignored advertising there is.
The Wall Street Journal has this analysis about Spotify
People want music for free with no advertising.
Spotify will never be able to become very profitable no matter what it does.
And how much of that profit goes to the artists.The record labels' goal is to take 100 percent of the profit from streamers, and it seems they have accomplished that. They want to do the same with broadcast radio too, if they finally bribe enough lawmakers in Washington to pass their wet dream royalty bill.
And how much of that profit goes to the artists.
And who audits that? Who verifies the industry's numbers?According to the terms of the DMCA, artists get 49% of the royalties collected.
I keep hearing from bands that Spotify pays the worst. So who is getting the money.And who audits that? Who verifies the industry's numbers?
Because these are people with a track record of pure motives and impeccably honest business practices. Right? Right?
And who audits that? Who verifies the industry's numbers?
I keep hearing from bands that Spotify pays the worst. So who is getting the money.
Who can challenge royalty?The Copyright Royalty Board. But anyone can challenge the numbers. There have been numerous royalty disputes over the years.
That's a special case. It wasn't just about the royalty rate. The remaining living Beatles, and the estates of the deceased ones, had a residual hostility towards Steve Jobs and Apple Computer for the way they unilaterally broke the original agreement not to expand into music. Apple had originally agreed to stay on their side of the wall, and with the iPod and the music store they broke that contract (in the eyes of the Beatles and Apple Records).Spotify, Apple, Amazon, and major streamers have negotiated separate deals. My understanding is that artists can opt out if they don't like the rate. I recall The Beatles kept their music off Apple for a long time.
That's a special case. It wasn't just about the royalty rate. The remaining living Beatles, and the estates of the deceased ones, had a residual hostility towards Steve Jobs and Apple Computer for the way they unilaterally broke the original agreement not to expand into music. Apple had originally agreed to stay on their side of the wall, and with the iPod and the music store they broke that contract (in the eyes of the Beatles and Apple Records).
And yet, we in radio lose money to digital. Some of the most easily blocked or ignored advertising there is.
AFAIK, Garth Brooks hasn't settled, and has an exclusive streaming deal with Amazon.
When I saw Garth in concert in 2019, he mentioned a website either of his own or with a partner that had his music available for download. Far as I know, he'd never made any of his music available digitally before then.
Joe Rogan is getting a big chunk$ for his podcast and oddly is also available on other podcast platforms including Apple's Podcast App.I keep hearing from bands that Spotify pays the worst. So who is getting the money.
I think there is an exclusive window that Spotify has.Joe Rogan is getting a big chunk$ for his podcast and oddly is also available on other podcast platforms including Apple's Podcast App.