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40 years of 91X

Michael, do you recall why 13K went away? It lured me away from KOGO. I'd see plenty of 13K bumper stickers around town, it seemed to be popular, then suddenly it was gone...
13K peaked in the summer of '80 with a 5.4, third overall in the market. In September, XTRA became The Mighty 690. It debuted in the fall 1980 book with a 4.7. in seventh place, knocking 13K to ninth with a 4.3.

The winter '81 book saw 13K in 8th with a 4.0. From there it was 3.7-2.7-1.7 and a 1.9 before becoming KCNN in March of 1982.

Given that there wasn't any solid FM CHR in the market at that time (B-100 was really AC), the short version is the Mighty 690 killed 13K.
 
Another uniqueness about 91X not yet mentioned is the fact with the exception of overnights, they still do a live, local on air presentation. Compared to Audacy's nationalized VT'ed Alt, the difference is noticable.

Being live and local is becoming a rarity.
So is 91X jockless overnight or does one of their staff voice track?
 
They need to fix the stream. When I listened both yesterday afternoon and this morning, a commercial played right in the middle of a song. When the commercial ended the song continued.
 
They need to fix the stream. When I listened both yesterday afternoon and this morning, a commercial played right in the middle of a song. When the commercial ended the song continued.
I have experienced that too when streaming the station using TuneIn (and yes, it is annoying). I think that 'may' be a TuneIn inserted ad, and not a 91X placed ad. Did you listen via the station's website, or via a radio streaming app?
 
Stream is also sounding very low in volume compared with other streams. I must put my volume button on my speaker open to hear it.
 
From the standpoint of a music nerd, I enjoy the format for what it is just like stations like 97.5/Phoenix, 100.3/Chicago, 105.7/St. Louis etc etc, as it's something different on the U.S. terrestrial "dial" in an otherwise vast wasteland of similarity.

They're backselling currents with a liner stating "good new music on 91X."

I almost thought The Cure released their new stuff earlier than anticipated.

Wouldn't be hard to add the two words "that was" to the beginning of the liner.

For instance, just now: "Good new music on 91X" into Dexy's Midnight Runners "Come On Eileen."
 
From the standpoint of a music nerd, I enjoy the format for what it is just like stations like 97.5/Phoenix, 100.3/Chicago, 105.7/St. Louis etc etc, as it's something different on the U.S. terrestrial "dial" in an otherwise vast wasteland of similarity.

They're backselling currents with a liner stating "good new music on 91X."

I almost thought The Cure released their new stuff earlier than anticipated.

Wouldn't be hard to add the two words "that was" to the beginning of the liner.

For instance, just now: "Good new music on 91X" into Dexy's Midnight Runners "Come On Eileen."
That's effin halairious 😂😂😂 A future past track
 
I'm noticing a better variety of 90s alternative on 91X lately. The selections blend well with the other material the station plays. Overall, the station sounds more balanced than it did in early to mid summer. An enjoyable station for me music wise.
 
As someone who’s Gen Z and always was into and remember radio as far in 2005 down in San Diego (LOVED 94/9 in 05-08), and 91X was always one I loved too, even if the alternative landscape hasn’t been at its best on the corporate side (and 91X always had a mix of playing more indie artists as well as commercial acts), 91X always had a balance and an ear for new music. It’s why I stuck around and would argue with someone who thinks they fell off and aren’t as good as they used to be in the 80’s and 90’s.

They were always a station that was a bit of a tastemaker, and gives love to local bands with the Loudspeaker show, has a kickass new music show, and does have a great library of songs old and new, the issue was always how much they underutalize that library, old and new songs that are never played anymore that were relevant at one point in the station, and were well received.

So, for most of the week you had the new music play a lot but the older stuff was always the same few hits (Dead Man’s Party, a Nirvana tune, Pearl Jam), so when I heard the announcement of the station following the amazing XYZ event, I was hyped. I was hoping 91X would finally show what they’ve always been capable up, flex a library of old and new songs that would keep listeners entertained while also showing them new music, and letting the djs just go crazy with it.

Then I read what the REAL direction was, and that’s when I got disappointed, and when I saw what the library would become after the event. The same 800 songs on replay while new music that’s AWESOME and them doing their usual new music magic that iheart and Audacy will never play, but only 1 new song per hour so half the audience doesn’t even know they play new music. As well as reading a lot of Reddit comments of people jumping off ship because it got even more repeitive (and a lot of San Diegans seem to joke they’ve always kinda played the same stuff for 40 years). And while those classic songs are great, it’s not fun hearing them constantly every two days, ESPECIALLY when the same artists (Sublime, Nirvana, Smashing Pumpkins, Foo Fighters, Pearl Jam, Stone Temple Pilots) get SO MUCH airplay every day, all of those same 5-10 songs by them, every two hours, spots that are more deserving to new music, to a classic alt song that they used to play Gen X’ers would LOVE hearing, 2000’s-10’s stuff that was good, yet they never get out of that comfort zone, the same comfort zone that makes their ratings stay at 1.8, they had a 3.4 when they did XYZ, it immediately went down once people caught the patterns of the playlist and that new music is kinda gone.

They have the right people behind the station, I genuinely believe this. Garett Michaels is a cool dude and I liked talking to him on the phone call I had with him in July 2022, he’s the same PD behind working with Halloran during 94/9 at its PEAK, but 94/9 did so much cool stuff that was engaging that them playing classics wasn’t boring, they had Big Sonic Chill, they had Halloran constantly doing cool stuff, they had a show where listeners can play stuff for an hour, they were geniunely about the music. So why with 91X is none of that happening? Just some cool events like Block Party Weekend on 2 days of the year, and they did a wonderful Top 20 weekend on 4th of July last year, wherw they played the top 20 songs of every year since their inception in 1983. They forgot some years (2009, 2010) on accident but it was still a fun event since so much songs i never hear on the radio anymore I DID as a child returned. It was great, it was fun, same when they did the first 3 hours of 91X on the anniversary of the 40th year this year. Garett and Halloran were electric with their chatting and it felt like old times. But for most of the days of the year, it’s just rinse and repeat, outside of good new music adds and once in a while someone will request something good. Here’s a resurrection classic we play every week or so, followed by 2 songs that get rotated every day ALSO from the 80’s-90’s, new music, IMMEDIATELY follow the new music with the same grunge song, then maybe you’ll get 1 or 2 of the same 2000’s songs, break time, here’s 6 old songs after, break time, then it goes back to the 7 songs of that pattern. Late at night its 2 new songs but who’s listening late at night to catch any of that? I don’t even think half the audience knows Resurrection Sundays, Loudspeaker and Planet Nu Nu even exist, which are good (also Church of Bob), but outside of Sundays, I feel more stuff can be done. Not everyday, but with a massive music library that 91X has, surprise the listener more. Play a deeper cut, play a popular song that never plays anymore, play new music more, just do something interesting so the playlist is like 4 unique stuff, 3 of the same ol, a balance is needed.

It’s insane how even with how repetitive they can be, they still played WAY MORE NEW MUSIC than Iheart and Audacy stations across the country. 94.9 kept playing the same old Powfu, Cannons, Vance Joy and Imagine Dragons song in 2022, with some other new music but not compared to 91X, who had so much new music additions (about 140, plus the new music shows adds that to maybe 600), that it shows how much potential 91X has to show the corporate radio that we’re doing something the audience who thinks radio is boring now and just stream (which is understandable because as much as I am a radio nerd, we are in dire straits because of how repetitive we are) or listen to public radio (who’s ratings are going up because they actually PLAY NEW MUSIC and not major label stuff like BoywithUke, Imagine Dragons and AJR), but instead the potential gets squandered because “actually the data says these same 300 songs that we play the most is what the audience and advertisers like and people past 25 are more comfortable with the old songs of their youth (even though half the audience is bored and left to do other things and a lot of their songs from their youth never get played)”. It’s flawed, it’s not gonna do 91X good id they continue to do this. The alt landscape has potential, there’s so much cool acts out there right now. 91X knows who they are and plays them on new music shows. They rotate them 1 time a day, up the new music, it might show the audience that new music is still good, and is what alternative is supposed to be. Mix classic and new like the purpose was supposed to be. Be local, listen to your audience, do fun events again. It’s different for every market, but the San Diego market obviously wants more.

I have dreams meeting the 91X crew. I love them, even with my gripes with the station. I like to call in requesting, I hit them up a lot, they tolerate me and are very kind people. I hope for the best for them, and maybe they will once again just be 91X, and not classic oldies only. The oldies are fantastic, but many of the XYZ playlist still hasn’t got played, and a lot of good stuff still exists. KROQ is Audacy hell now, time to be the station the industry focuses on.
 
How bout playing codoroy by Pearl jam instead of even flow or black. The same tunes you always here. Or the dead milkmen with punk rock girl. But I will put them on and here whip it by devo. Yes room for improvement for sure.
 
I think it'd be cool seeing I Got ID, Given to Fly and stuff return. I mean, that's 90s and beloved Pearl Jam stuff, hell I'd take a newer cut because I know they did well on top 91s. Just something if you're gonna play Pearl Jam so much as they are a good and important 91x staple.

I'd recommend checking out the top 91 lists on the 91x website, as well as the new music and loudspeaker playlists. There's a lot of gems in there.
 
That's awesome it's ashame you don't really hear it on the radio today. All you here is daughter even flow Jeremy and black for the most part 😭😭😭
I track Tunegenie a lot and Curdoury is on rotation, just very little compared to Jeremy, Alive, Better Man and Daughter.

I think Even Flow or Black (I forget) is off the rotation for now.
 
As a classic alternative station in a major market, I find 91X to have a fairly deep playlist.

Some of the tunes played on 91X in the last 2+ hours during regular play:

Sublime "40 oz. to Freedom"
XTC "The Mayor Simpleton"
Utah Saints "Something Good"
RHCP "The Zephyr Song"
Midnight Oil "Beds are Burning"
Depeche Mode "Enjoy the Silence"
POD "Alive"
David Bowie "Modern Love"
Bad Religion "Sorrow"
Dramarama "Anything, Anything"
Blink 182 "Dammit"
Devo "Gates of Steel"
Blondie "Rapture"
Alice in Chains "Would?"
Sugarcubes "Hit"
Siouxsie & The Banshees "Cities in Dust"

A mixture of harder stuff, female artists, straightforward alternative, new wave, 90s rock, even a dancy track.

AFAIK there is no other commercial FM station in the United States with anything near this depth and breadth of classic alt.

Mixing in more currents that are in the same groundbreaking vein as the classic alt songs played would be advantageous.
 
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