> Six months to build studios? You've got to be kidding right? What a lame excuse!!!! Its called inept management and thats it! [allisonmarie]
> No...the studios haven't taken that long. Only been on that about 2 months. Original kick off was supposed to be as soon as the A's were done...but all talent and other employees of the station are not yet in place. It will be soon. Don't criticize yet. Give it a chance. [Blackhole]
>
> You sound very close to the situation... Good luck to you.
> I hear the studios are AMAZING (and no, I'm not joking or
> being sarcastic). [RadioEnginerd]
>
Blackhole is correct. Several things glitched Infinity right from the very beginning, meaning, while the sale itself was still in play, the first of which was the announced departure of Howard Stern. It became something a thread that "we have to replace Howard," starting with the Infinity brain trust. They quickly got over that hump, but apparently, somebody forgot to tell the applicants because many of them have sounded like Stern wannabes.
The station has set a high standard for what it wants on the air, at least according to their vision --that might not fit yours Allison, and that's okay, but while your criticism has a degree of merit to it, it might be a little harsh to compare these guys to an Amador Bustos. There's a hope here to achieve something that's driven more by creativity than the bottom line --something that, admittedly, hasn't always been a strong suit in corporate radio. Here, the leash is a bit longer, and when things aren't that black and white, it's not as easy to find what you're looking for (hence the hiring hang ups); further, when the pressure is on to deliver (and it is), you're not going to be flippent and say, "Oh, well, put Mancow on." I just think they figured it would be easier than it's been.
True, as the clock ticks and the brass says, "so, how's it going?" you start to think, "okay, maybe I'll give those Doghouse guys an audition after all." And then you have to hope you're not compromising on what you hope to accomplish. I'm not defending management or trashing it; it's just to give you an idea of where things are at for these people. It's a fine line, but they're trying. Maybe they'll succeed.
As for the studios... state of the art, though some of the logistics are a little slippery (visibility between the screeners and the studio, for instance). And the view out the studio window: nothing special. Then again, it's not like there's much to see on Battery or any of its side streets.
I suppose they could've chosen to build studios at the top of the TransAmerica Building if not for those damned terrorists.