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B96 VP/GM out

Re: B96's solution to ending the "Kalle" threat:

> >> The know what is going on... they may not have viable
> options.
>
> (Refering to B96)
>
> They have options, and viable at that.
>
> One viable option is to take B96 all Reggaetón, or a slight
> variation of it, and clean WVIV's clock out with a full
> signal.

There is quite a bit known about the size of the reggaetón audience. It is almost average age 27, and almost all 12-39. It appeals to the bilingual Hiispanic predominantly. So, of roughly 1.1 million Hispanics in Chicago, only the bilingual percentage of 12-39 is going to be interested in a reggaetón format. Quantified, that is about 250,000 persons in total.

Start with the fact that the B 96 cume right now is nearly the same as the total Hispanic population, or over one million, this move would be disaster for B-96.
>
> Now, that would depend if they could bill the same or higher
> than they do now, and that does not seem likely.

Very unlikely. They go from a cume potential of over a million to less than 25% of that.

> So.....
> their dropping in ratings, especially their target demos, is
> more visually shocking than it actually will be in their
> sales.If the erosion stops, and they can maintain and not
> knee jerk to the drop, they will be fine in the long run.

This is likely what they are working on.
>
> Worst thing that can happen is a mainstream dance outlet
> surfaces and further eats their numbers.

After recent experiments in markets like Miami, Denver and SF, this is very unlikely
>
 
Re: B96's solution to ending the "Kalle" threat:

> > Worst thing that can happen is a mainstream dance outlet
> > surfaces and further eats their numbers.
>
> After recent experiments in markets like Miami, Denver and
> SF, this is very unlikely

We agree on most points, but You & I both know, research or not for the sake of this thread, if somoene was to launch mainstream dance radio in Chicago, whether it was Hispanic or Euro targetted, or a hybrid which can and has worked in this market, even if it was a total failure, taking a 1 share away from B96 what has already been taken away by Kalle, would bring out the grim reaper, in many ways. Period.

And in all honesty, your pointing out a dance "experiment" is weak. Chicago is not Denver (not a good market for a niche format like dance), Miami was a poor attempt to run it on the cheap, 2 years after launch still jockless and spinning a lot of the same songs from when they lauched the format, and SF is doomed firing the PD over personal differences, not job performance. The station was still growing considering the flea power signal. I hope losing all those numbers *after* the PD and a seasoned one at that, was shown the door is well worth it for the owner/GM of KNGY.

Your experiment theory is like saying that Univision's Passion in Chicago was a failure and would be everywhere it is launched. Unfair statement. <P ID="signature">______________

"Z"
Music Coordinator/Technical Support</P>
 
Re: B96's solution to ending the "Kalle" threat:

>
> We agree on most points, but You & I both know, research or
> not for the sake of this thread, if somoene was to launch
> mainstream dance radio in Chicago, whether it was Hispanic
> or Euro targetted, or a hybrid which can and has worked in
> this market, even if it was a total failure, taking a 1
> share away from B96 what has already been taken away by
> Kalle, would bring out the grim reaper, in many ways.
> Period.

But, since this is not going to happen, and a dance listener is not likely to be a B-96 listener, the point is moot.
>
> And in all honesty, your pointing out a dance "experiment"
> is weak. Chicago is not Denver (not a good market for a
> niche format like dance), Miami was a poor attempt to run it
> on the cheap, 2 years after launch still jockless and
> spinning a lot of the same songs from when they lauched the
> format, and SF is doomed firing the PD over personal
> differences, not job performance.

I really find it amusing, if not hilarious, that the reason every real dance format is a failure is always the PD, the lack of jocks, the wrong jocks, the lack of promotion, the lack of Euro, too much freestyle, not enough trance, too mcuh trance, too much repetiton, not enough play of the hits, etc., etc. The real reason is that the format is not appropriate anywhere int he Western Hemisphere, especially in the USA. No matter how it is done, it is not a viable format.

> The station was still
> growing considering the flea power signal. I hope losing all
> those numbers *after* the PD and a seasoned one at that, was
> shown the door is well worth it for the owner/GM of KNGY.

Actually, the signal is pretty good at covering the area where non-Hispanic whites live. Dance has little Mexican appeal, so covering Hispanic areas is useless (the dance station in Mexico City is not even top 30 on a 120 kw signal), and it still does poorly, even in the area it covers.
>
> Your experiment theory is like saying that Univision's
> Passion in Chicago was a failure and would be everywhere it
> is launched. Unfair statement.

Pasion changed format from gold based AC starting in November. It had been a failure. It is now the Recuerdo music without the Recuerdo name.
>
 
> David,
>
> Where are your sources on all this data? Numbers are good
> and I agree with what you are saying to a point, but
> couldn't it also be that B 96 is just a stale sounding wreck
> of a station that is turning listeners away?
>Brian, that is the point I have been trying to make to David the entire time. You can't solely blame a Reggaeton station for the demise of B96. There are other things involved like, the music, the promotion, some of the DJ's who have been on there for too long (i.e., Eddie and Jobo) and some of the new on-air personalities who aren't that great in the first place (i.e., Stylez and Roman). Besides B96 has been on the decline WAY BEFORE WVIV Reggaeton arrived on the scene. If B96 just retooled itself, brought back some dance cuts, played LESS hip-hop, added better mixes with some better DJ's and maybe went on a better ad campaign, they would probably go up in ratings. Even if a radio station has competition, if a format is executed well, it will make things hard for your competitor. I really also think that Cavanah and Bradley need to be shown the door. If they aren't scared about their jobs, they should be.

> I am sure La Ley lost some listeners to WVIV too.
>
> B
>
>
>
> > > >
> > > Well if B96 is supposedly losing all of these ratings to
>
> > > WVIV, then why aren't they (WVIV) higher in the ratings
> > than
> > > they currently are?
> >
> > WVIV took a poercentage of the Hispanic quarter hours from
>
> > B-96. When WVIV went Reggaetón from pop, it entered direct
>
> > competiton with WBBM-FM.
> >
> > Since WVIV is a Spanish station, it only took, first,
> > Hispanics, and then, those who are Spanish speaking. But
> it
> > was enough to knock over a point off B-96.
> >
> > > Besides, WVIV doesn't even have all
> > > that great of a signal.
> >
> > It covers most of the Hispanic population with its two
> > signals, and it did take a large chunk off B-96. The issue
>
> > there is not to beat B-96 but to be a reggaetón station
> for
> > bilingual Hispanics, which is the station target.
> >
> > > I am not saying that SOME of the
> > > listeners have gone to that station, but to say that is
> > the
> > > sole reason for B96's demise, I don't buy it.
> >
> > "Demise" means something has gone away. Since Kalle
> > launched, that signal has increased by _more_ than what
> B-96
> > has lost. However, the fact that there is a very strong
> > sharing relationship between the two by Hispanics shows
> how
> > large a correlation there is. The loss by B-96 is almost
> > 100% due to Kalle.
> >
> > > I think it is
> > > for all of the reasons I have named. Also, what you are
>
> > > forgetting is B96's audience ISN'T solely hispanic. It
> is
> >
> > > white, black, etc.
> >
> > When you run the numbers by ethnicity, B-96's losses are
> > almost entirely in Hispanics.
> > > >
> > > Another thing, if you claim the reggaeton station is
> > taking
> > > away all of these ratings from B96, then why don't they
> > add
> > > more reggaeton?
> >
> > For the same reason Power in LA does not. Reggaetón is in
> > _Spanish_ and would drive away the Black and non-Hispanic
> > white listeners like mad. And gain them nothing.
> >
> > > BECAUSE again, that isn't the sole reason
> > > why B96 is losing listeners.
> >
> > No, it is about 90% of it.
> >
> > > I think the audience is
> > > alienated because there is too much hip-hop being played
>
> > and
> > > the trend is starting to turn again.
> >
> > It's because a large percentage of Hispanics left. B-96
> has
> > lost about a point since Kalle came on, but that was only
> > about 25% of its listening. The rest is still there.
> > Including lots of Hispanics who don't like reggaetón and
> do
> > like hip-hop.
> > >
> >
>
 
> >
> > >Nobody was screaming at you David, I only put the words
> in
> > caps so you could see my response. It isn't that big of a
>
> > deal.
>
> On the internet, all-caps means screaming. It is also very
> hard to read.
> >
> > >Okay, that may be true, but the point you are missing is
> > B96 has been losing listeners BEFORE this station even
> came
> > on the air.
>
> No, it was not. Until Kalle, which was a 80 day transition,

I don't know what ratings you have been reading over the past few years, but ever since B96 started playing less dance and more hip-hop, the audience did decline. I take that back, B96 initally stayed stabled, but then around 2002 their numbers began to swing lower.

> by the way, not a format flip, B-96 had 5 books with only a
> 0.1 variance. that is the most stable CHR I have ever seen,
> I think. Usually CHRs wobble as much as 0.6 up and down from
> book to book, yet B 96 was as flat as the Iowa landscape.
>
> > You CANNOT attribute that to one station. It
> > is from them alienating their listeners over the years.
> > True enough, you have to keep up with trends, but if the
> > trends are no longer working you have to try something
> > different. That's the bottom line.
>
> The Bilingual Hispanics jumped because they were what in
> research is called "settlers" meaning they settled for WBBM
> FM as the best possible station for lack of what they really
> wnated. Kalle arrived, and, boom, they left or reduced thier
> usage.

> But the point you are missing is, B96 didn't ONLY cater to bilingual hispanic listeners. They were supposed to be a station for ALL the young urban listeners of Chicagoland.

> Arbitron has a ton of addtional features that show audience
> shareing, source and destination, where th elisteners were 6
> months prior, etc. Also, stations do their own research for
> programming which is proprietary, but which I can say shows
> that about 99% of Kalle's growht came form WBBM FM.

> > > In all fairness, how do you know that for sure? You realize when stations do their own "research" they are totally off from what the listening audience really want. If they don't go to the listening public and ask their opinion, all the "research" will not help them. All "research" is the corporate suits. That is just like asking an alcoholic should they sell more liquor in a liquor store. My point is, corporate "researchers" is going to tell them (corporate) what they want to hear, not truly what audience's want.

> > > Totally different scenario. B-96 can not protect the
> > > Hispanic bilingual listener. Kalle has cultureally
> > stronger
> > > bonds with this group, and B-96 can do absolutely
> nothing
> > to
> > > compete, as they would lose the remaining 75% of their
> > > audience if they did.
> >
> > > Well, if you say they (B96) is competing for SOME of the
>
> > same listeners, I don't see why they wouldn't be able to
> > compete.
>
> To compete, they would have to play more Spanish langauge
> music, and speak Spanglish. That would cause the to lose the
> 750,000 listeners they have who are not Hispanic.

>Okay, they have before in the past with certain music, so what's the problem? Chicago is a very diverse market, it comes with the territory. This isn't Des Moines, Iowa. Rhythmic radio with one sort of demo SHOULDN'T sound exactly like Rhythmic radio (with a different demo) in Chicago.

> > To me, the scenarios aren't that different, you
> > just have to come up with a different strategy to execute
> > the idea. It is really not that much different with a
> > heritage Urban that has been around for years and someone
> > new comes along with a different strategy and bites away
> > from the heritage station.
>
> Urbans are nearly always 85% Bloack and up. So there is no
> issue of pleasing non-African Americans. If they come or go,
> it is a bonus, but the stations look almost entirely for
> African Americans.

>I was actually using Urban as an example, the same could go for any other format as well.

> B-96 was a coalition stations, that was, in 2004, 25% Black,
> 40% Hispanic and 35% Other (non Hispanic white). A station
> came thaat better served some of hte Hispanics, and it took
> audience that can not be retrieved by B-96 without offending
> or rejecting the other listeners, including the English
> dominant Hispanics.

>I somewhat disagree with the 25% Black percentage. More African-Americans in the 90's listened to B96 than you think. Back in the day, they were actually giving GCI a run for their money. Why do you think GCI was rotating certain House songs on their playlist? Elroy Smith isn't exactly a "House Music" friendly PD, he only does it because he has to. Elroy has been known to not want House Music on GCI at all, but since B96 was drawing a lot their core audience away at the time, he didn't have a choice.

> > When that happens you have to
> > find a way to compete. Besides, there are stations that
> > have Reggaeton and Hip-Hop formats combined and they seem
> to
> > work.
>
> Almost all Hispanic reggaetón stations play some Hip hop and
> a bit of Spanish pop. But they have Spanglish presentations.
> I do not know of any gneral market stations that play any
> Spanish reggaeton as anything other than an occasional
> novelty item.
>
> > I am not saying that B96 should go this direction,
> > but obviously it has been working in other markets.
>
> No, actually, it hasnn't. Any general market station that
> has briefly added spansih reggaetón has been whupped in its
> call out research and they have stopped instantly.
>
> > Maybe
> > B96 should consider having a Reggaeton show on certain
> > nights of the week.
>
> Yeah, let's put on a token show for the listeners who
> already left that will smack of panedring, and then piss off
> the 750,000 non-Hispanic listeners who are still there.
> Horrible idea, man.

>I don't think so, if you claim all of these listeners are listening to it, don't you think B96 should provide some form of it? Besides, I don't think Reggaeton is a very creative music to me and it will not last very long. It ALL sounds alike. That's why B96 should a minimal commitment to it without losing their shirts.

> > Besides, I don't see how hispanics are
> > that much different of an audience. If they like what
> they
> > hear, they will listen, even if they speak little or no
> > english.
>
> They like reggaetón better. It was a choice they did not
> have before, and now they do. That is fragmentation. the
> fact is that the core reggaeton listener would much rather
> have a stations that is mor culturally in tue with them,
> speaking Spanglish and not English and identifying with the
> Latino 100%.

> >How do you know that for sure? You are making a blanket statement for a community and that isn't right. I don't care how many "numbers" you have. I think they like more than just Reggaeton.

> > > > B96 IS LOSING ITS NUMBERS BECAUSE OF A NUMBER OF
> > FACTORS,
> > > > NOT JUST ONE RADIO STATION.
> >
> > >David, if I were a programmer of B96, I wouldn't SOLELY
> be
> > looking at WVIV, that would just be ridiculous.
>
> I would not be either, as there is no way to get those
> listenrs back.
>
> > I would
> > look at every station biting at my numbers: WGCI, WKSC,
> > WPWX, etc.
>
> B-96 has never had more than 25% Black numbers, and at
> present they are at the high end. If thy go more that way,
> they lose non-Hispanic whites. All they can do is try to be
> consistent and hold the course and offer a product that,
> simply, may not appeal to as many people today as before.
> There is not much room for a CHR to mover around in in a
> competitive market.
>
> > It is called smart programming. What is the
> > audience I am losing getting from these other stations
> that
> > I either am not providing enough of or not providing it at
>
> > all. Is my station out in the streets enough at the right
>
> > events, do I possibly need to tweak the amount of
> > commericals and music, are even my voice drops STRONG
> enough
> > for this station, etc. This is what I am meaning by
> "number
> > of factors." You don't just look at one station if that
> > isn't the only one taking away your numbers.
>
> I am sure they do as much research as Kalle and GCI do...
> and thy know what they can and can-t do without breaking the
> station totally. Stations spend, sometimes, hundreds of
> thousands a year in internal, propietary research. The know
> what is going on... they may not have viable options.

>Again, they are doing internal research, not anything EXTERNAL. Which never works.
How do suits know what the listening public wants.

> > ethan


> > > I can tell you, but just on Arbitron evidence, the only
> > > reason for WBBM losing share is Kalle.
> > >
> > Also because they need to make some programming changes,
> > bottom line.
> > It looks like we aren't going to see eye to eye on this
> > issue, so let's just agree to disagree.
>
> Unfortunately for your point, Arbitrond data totally
> disagrees, and listener research done with real ex-BBM
> listeners does, too.
> >
>
I don't see how, there are a lot of people that want the old B96 back when it played EVERYTHING: Dance, Pop, Hip-Hop, and R&B. THAT is a true rhythmic. That's the problem with your argument, you say listener research disagrees, but what listeners? They don't necessarily have to be listeners of B96. Like I said before, I think corporate is trying to tell people what they think they should hear, not what they TRULY want to hear. when the ratings are in decline corporate wants to blame everything and everyone except themselves.
 
Re: Misunderstanding of radio.

>
> I don't know what ratings you have been reading over the
> past few years, but ever since B96 started playing less
> dance and more hip-hop, the audience did decline. I take
> that back, B96 initally stayed stabled, but then around 2002
> their numbers began to swing lower.

I was referring to the Fall 2003 and all four 2004 books. As I said, the 5 books before Viva began to transition to Kalle had the flattest CHR numbers I have seen in the last decade... all within 0.1 of a share.

I happen to read the Arbitron ratings as a subscriber, and have access to Arbitrends, Maximiser and PD Advantages as well as Tapscan, X-Trends and a number of analytical tools.

Prior to this period, one can speculate on the impact of WKSC and other changes in the market. The fact remains that nearly ALL ongoing stations in all markets are at lower levels today than in 2001 or 2202 due to ongoing fragmentation. So the issue right now is what took B'96 from a very flat and stable 2004 to the 25% decline suffered in 2005.
>
> > But the point you are missing is, B96 didn't ONLY cater to
> bilingual hispanic listeners. They were supposed to be a
> station for ALL the young urban listeners of Chicagoland.

Yes, but they lost a specific segment in 2005. They lost bilingual Hispanics, who went to Kalle. I know this because I have reaserced the source of Kalle listeners in the 90 to 120 day period following its full reggaetón debut.
>
> > Arbitron has a ton of addtional features that show
> audience
> > shareing, source and destination, where th elisteners were
> 6
> > months prior, etc. Also, stations do their own research
> for
> > programming which is proprietary, but which I can say
> shows
> > that about 99% of Kalle's growht came form WBBM FM.
>
> > > > In all fairness, how do you know that for sure?

without revealing al the results, but since it is past history, I know because I conducted the street and market research into the launch and growth of Kalle pre and post launch. The new listeners almost 100% came from B'96.

> You
> realize when stations do their own "research" they are
> totally off from what the listening audience really want.

That is not true at all. Well designed research done by a professional research company is very accurate in determining anything from what songs a group wants to hear to finding out what group of listeners is not well served.

If radio research was not good and effective, stations would not spend tens and tens of millions a year on it.

> If they don't go to the listening public and ask their
> opinion, all the "research" will not help them.

Huh? Research _is_ going to the listeners and asking them for thier opinion. Research can only be conducted with consumers, otherwise it is not research.

> All
> "research" is the corporate suits.

That sentence does not make sense.

Radio research is talking to listeners. Period.

> That is just like asking
> an alcoholic should they sell more liquor in a liquor store.
> My point is, corporate "researchers" is going to tell them
> (corporate) what they want to hear, not truly what
> audience's want.

Research in radio involves determining what is needed to be found out (goals), who needs to be talked to (recruit specifications) questionnaire design, field work, tabulation and interpretation.

Just to test a music library costs between $30 thousand and $60 thousand. A full perceptual might go for $40,000 to $100,000. Call out could be $100,000 to $125,000 a year if done often enough.
>
> >Okay, they have before in the past with certain music, so
> what's the problem?

They have played one or two crossover songs, ones that make it into the general market. Such hits have happened since the 50's. Playing any more than an occasional Spanish song would alienate the non/Hispanic listeners.

> Chicago is a very diverse market, it
> comes with the territory. This isn't Des Moines, Iowa.
> Rhythmic radio with one sort of demo SHOULDN'T sound exactly
> like Rhythmic radio (with a different demo) in Chicago.

That makes no sense.
> > B-96 was a coalition stations, that was, in 2004, 25%
> Black,
> > 40% Hispanic and 35% Other (non Hispanic white). A station
>
> > came thaat better served some of hte Hispanics, and it
> took
> > audience that can not be retrieved by B-96 without
> offending
> > or rejecting the other listeners, including the English
> > dominant Hispanics.
>
> >I somewhat disagree with the 25% Black percentage. More
> African-Americans in the 90's listened to B96 than you
> think.

I am referring to the last several years. And I went back to the late 90's, and the percentages are even less Black. In 1998, in a four book average, B-96 was only 11% Black. Today, it is over 20% Black. I used Maximiser and the Audience Compostion / Ethnic option on WBBM-FM. You, on the other hand, are obviously guessing because your statement is exactly opposite the truth.

> Back in the day, they were actually giving GCI a run
> for their money.

But with a totally different listener group. What you are saying is that because WGCI is often close to WGN, WGCI is therefore giving WGN a run for its money. That is, of course, absurd. Thee stations, also have different listener groups. Having similar shares does not mean you are competing for the same people. In fact, WGCI has a totally different average age... WGCI averages 31 or 32, while B-96 is around 24 to 25 from book to book. Totally different targets and listeners.

> Why do you think GCI was rotating certain
> House songs on their playlist?

Probably because they found thier listeners liked them.

> Elroy Smith isn't exactly a
> "House Music" friendly PD, he only does it because he has
> to. Elroy has been known to not want House Music on GCI at
> all, but since B96 was drawing a lot their core audience
> away at the time, he didn't have a choice.

I doubt it has very much to do with B-96, whose audience is 80% non-Black.
> >
> > Yeah, let's put on a token show for the listeners who
> > already left that will smack of panedring, and then piss
> off
> > the 750,000 non-Hispanic listeners who are still there.
> > Horrible idea, man.
>
> >I don't think so, if you claim all of these listeners are
> listening to it, don't you think B96 should provide some
> form of it?

Again, let me see if I get yur point... to get back 100,000 in cume, you drive away 750,000 non Hisppanic listeners? that is senseless.

> Besides, I don't think Reggaeton is a very
> creative music to me and it will not last very long. It ALL
> sounds alike. That's why B96 should a minimal commitment to
> it without losing their shirts.

Reggaetón has been around since the late 80's in Puerto rico, gradually expanding year after year. Half the top 10 in Chile is reggaeton. It is big in Spain, Argentina, Colombia has 100% reggaetón stations, etc.

Since it sounds alike to you, you have made the point about why B-96 can not play it... non bilingual Hispanics find it unappealing, even hateful. ut those who like it love it and find it has incredible variety. I know I do. It's great, but I grew up in Latin America so I relate to it. You don't and just proved my point!
> >
> > They like reggaetón better. It was a choice they did not
> > have before, and now they do. That is fragmentation. the
> > fact is that the core reggaeton listener would much rather
> > have a stations that is mor culturally in tue with them,
> > speaking Spanglish and not English and identifying with
> the
> > Latino 100%.
>
> > >How do you know that for sure?

By talking over the last year to thousands of reggaetón listeners from LA to San Juan.

> You are making a blanket
> statement for a community and that isn't right. I don't
> care how many "numbers" you have. I think they like more
> than just Reggaeton.

But they like reggaetón best. Every 18-34 listens to at least 3 stations. In the case of the Kalle listeners, they have made it one of thier choices, and 100,000 of them make it thier first choice.

By the way, the figures come from interviewing listeners.
>
> >Again, they are doing internal research, not anything
> EXTERNAL. Which never works.
> How do suits know what the listening public wants.

there is NO SUCH THING as internal research in radio. All radio programming research is done with listeners... current, past or prospective listeners.
> >
> > Unfortunately for your point, Arbitrend data totally
> > disagrees, and listener research done with real ex-BBM
> > listeners does, too.
> > >
> >
> I don't see how, there are a lot of people that want the old
> B96 back when it played EVERYTHING: Dance, Pop, Hip-Hop, and
> R&B.

I would bet that B-96 does a ton of research. And if there were more potential with what you want, they would do it. However, they don't. And I think they are pretty smart folks there, and they are not going to go against what the audience wants.

> THAT is a true rhythmic.

Who cares what the label is? Most listeners know a station does one of two things... it is good or it sucks.

> That's the problem with your
> argument, you say listener research disagrees, but what
> listeners? They don't necessarily have to be listeners of
> B96. Like I said before, I think corporate is trying to
> tell people what they think they should hear, not what they
> TRULY want to hear.

If I had a week, I could describe how research is done to see how to get P2 listeners to become P1, how to protect P1's, how to increase cume, how to defend a hill, etc. That would assume you had a degree in statistics and had worked in radio research for a decade or two.... oet me know if you qualify.

> when the ratings are in decline
> corporate wants to blame everything and everyone except
> themselves.

In this case, there is probably, proven by research, little they can do as the most recent assault has taken Hispanics who like a Spanslish alternative and B 96 can do nothing to react.
 
Re: Misunderstanding of radio.

> >
> > I don't know what ratings you have been reading over the
> > past few years, but ever since B96 started playing less
> > dance and more hip-hop, the audience did decline. I take
> > that back, B96 initally stayed stabled, but then around
> 2002
> > their numbers began to swing lower.
>
> I was referring to the Fall 2003 and all four 2004 books. As
> I said, the 5 books before Viva began to transition to Kalle
> had the flattest CHR numbers I have seen in the last
> decade... all within 0.1 of a share.
>
> I happen to read the Arbitron ratings as a subscriber, and
> have access to Arbitrends, Maximiser and PD Advantages as
> well as Tapscan, X-Trends and a number of analytical tools.

>Radio (or any other business) is NOT all analytical, it is also personal as well. You have to know what your listening audience wants rather than hide behind general data. That is too much of the problem with radio nowdays. Since a few companies have a monopoly over a lot of the industry, they don't listen to the average listener anymore. They have to realize there is competition not necessarily from just other general market stations. You also have competition with devices like IPOD, Music Choice cable and satellite, as well as XM and Sirius Satellite Radio. Whenever I am riding the EL train or the bus, what do most people have as the musicial preference, it ISN'T radio, it is IPOD. People have more choices now than ever to hear what they want, they don't have to depend on a general market station. I think corporate radio needs to realize that. But I guess you will try to say I am wrong about that as well.





>
> Prior to this period, one can speculate on the impact of
> WKSC and other changes in the market. The fact remains that
> nearly ALL ongoing stations in all markets are at lower
> levels today than in 2001 or 2202 due to ongoing
> fragmentation. So the issue right now is what took B'96 from
> a very flat and stable 2004 to the 25% decline suffered in
> 2005.
> >
It really doesn't matter how much competition you may have,
> > > But the point you are missing is, B96 didn't ONLY cater
> to
> > bilingual hispanic listeners. They were supposed to be a
> > station for ALL the young urban listeners of Chicagoland.
>
> Yes, but they lost a specific segment in 2005. They lost
> bilingual Hispanics, who went to Kalle. I know this because
> I have reaserced the source of Kalle listeners in the 90 to
> 120 day period following its full reggaetón debut.
> >
> > > Arbitron has a ton of addtional features that show
> > audience
> > > shareing, source and destination, where th elisteners
> were
> > 6
> > > months prior, etc. Also, stations do their own research
> > for
> > > programming which is proprietary, but which I can say
> > shows
> > > that about 99% of Kalle's growht came form WBBM FM.
> >
> > > > > In all fairness, how do you know that for sure?
>
> without revealing al the results, but since it is past
> history, I know because I conducted the street and market
> research into the launch and growth of Kalle pre and post
> launch. The new listeners almost 100% came from B'96.
>
> > You
> > realize when stations do their own "research" they are
> > totally off from what the listening audience really want.
>
>
> That is not true at all. Well designed research done by a
> professional research company is very accurate in
> determining anything from what songs a group wants to hear
> to finding out what group of listeners is not well served.
>
> If radio research was not good and effective, stations would
> not spend tens and tens of millions a year on it.

>That isn't necessarily true either. Corporations tend to spend millions of dollars on ideas or products that don't work. The most current example would be Ford Motor Company and their layoff situation. One of the reasons why they are having to layoff so many workers is because of a bad idea, too much SUV production. They spent so much time on that one aspect of automaking, they didn't look at other ideas of cars they could promote. Now since the gas has gone sky high, no one really wants a gas guzzling SUV. I know what you are probably going to say and that is they were just suppling a demanded item, which is true. BUT Ford knows that the U.S. virtually depends on oil from one source and if something happens to it, gas goes up. My whole point is, companies don't ALWAYS get things right. You think just because they are a corporation they can do no wrong or make mistakes? If you think that, remember Enron and get back at me?
I don't care how many millions of dollars these radio people are spending on these so-called "researchers", it is obvious some of it isn't working.
> > If they don't go to the listening public and ask their
> > opinion, all the "research" will not help them.
>
> Huh? Research _is_ going to the listeners and asking them
> for thier opinion. Research can only be conducted with
> consumers, otherwise it is not research.
>
> > All
> > "research" is the corporate suits.
>
> That sentence does not make sense.

>Why doesn't that sentence make sense? Maybe it is the way you are interpreting it. What I meant was all these corporations do is hire these so-called research groups to tell them what they want to hear. How come I have never been asked my opinion on a radio station? Most people I know or have met have NEVER been in these research studies you talk about. I mean come on David, I have even been involved in studies when television networks want to test a new sitcom or drama and people give their feedback on that. I never hear anything about radio stations offering people the opportunity to give their feedback about what they like or dislike about their favorite station.

> Radio research is talking to listeners. Period.
>
> > That is just like asking
> > an alcoholic should they sell more liquor in a liquor
> store.
> > My point is, corporate "researchers" is going to tell
> them
> > (corporate) what they want to hear, not truly what
> > audience's want.
>
> Research in radio involves determining what is needed to be
> found out (goals), who needs to be talked to (recruit
> specifications) questionnaire design, field work, tabulation
> and interpretation.
>
> Just to test a music library costs between $30 thousand and
> $60 thousand. A full perceptual might go for $40,000 to
> $100,000. Call out could be $100,000 to $125,000 a year if
> done often enough.
> >
> > >Okay, they have before in the past with certain music, so
>
> > what's the problem?
>
> They have played one or two crossover songs, ones that make
> it into the general market. Such hits have happened since
> the 50's. Playing any more than an occasional Spanish song
> would alienate the non/Hispanic listeners.
>
> > Chicago is a very diverse market, it
> > comes with the territory. This isn't Des Moines, Iowa.
> > Rhythmic radio with one sort of demo SHOULDN'T sound
> exactly
> > like Rhythmic radio (with a different demo) in Chicago.
>
> That makes no sense.

Maybe to you it doesn't, but to me it makes no sense that you think all Rhythmics in EVERY city should sound the same.

> > > B-96 was a coalition stations, that was, in 2004, 25%
> > Black,
> > > 40% Hispanic and 35% Other (non Hispanic white). A
> station
> >
> > > came thaat better served some of hte Hispanics, and it
> > took
> > > audience that can not be retrieved by B-96 without
> > offending
> > > or rejecting the other listeners, including the English
> > > dominant Hispanics.
> >
> > >I somewhat disagree with the 25% Black percentage. More
> > African-Americans in the 90's listened to B96 than you
> > think.
>
> I am referring to the last several years. And I went back to
> the late 90's, and the percentages are even less Black. In
> 1998, in a four book average, B-96 was only 11% Black.
> Today, it is over 20% Black. I used Maximiser and the
> Audience Compostion / Ethnic option on WBBM-FM. You, on the
> other hand, are obviously guessing because your statement is
> exactly opposite the truth.
>
> > Back in the day, they were actually giving GCI a run
> > for their money.
>
> But with a totally different listener group. What you are
> saying is that because WGCI is often close to WGN, WGCI is
> therefore giving WGN a run for its money.

Once again you are missing the point. I was not comparing two stations of OPPOSITE formats. I was comparing those of somewhat similiar formats. For most of the 90's the two biggest contemporary music stations in Chicago were B-96 and WGCI. You don't think GCI is going to compete with a contemporary music that is on their heels, PLEASE. I don't care if the station is another Urban or a Rhythmic, it is still a threat. Why do you think B-96 started to get more rhythmic in the first place back in 1989? WBMX had disappeared the year before and WGCI was pretty much the only younger skewing Urban left in Chicago. B-96 began to realize a lot of the audience they used to have began going to GCI. With House and Hip-Hop beginning to get more and more popular in larger circles, it wasn't an accident that B-96 began redesigning their billboards, bumper stickers and monikers. When they even first started doing mixes, where did the mixers come from, WGCI and WBMX. So please don't play me for stupid.
That is, of


> course, absurd. These stations, also have different listener
> groups. Having similar shares does not mean you are
> competing for the same people. In fact, WGCI has a totally
> different average age... WGCI averages 31 or 32, while B-96
> is around 24 to 25 from book to book. Totally different
> targets and listeners.
>
> > Why do you think GCI was rotating certain
> > House songs on their playlist?
>
> Probably because they found thier listeners liked them.

> David, once again not necessarily. When Elroy Smith first came to Chicago in late 1991 to program GCI, he DIDN'T want House Music on GCI. He didn't like the music. If it were not for people like Armando Rivera constantly telling him about the impact of House Music in Chicago, it wouldn't be on the air. Club 107.5 was a four-hour House mix show on Friday nights. Soon after Elroy came into town, he cut the mixes down to three-hours, only one hour of it was House. The listeners wanted House Music then, why wasn't he providing it? I spoke to Armando Rivera myself (since he was hosting the show at the time) and he told me that he was having a hard time getting Elroy to give House Music more air time. When Elroy finally gave Club 107.5 five hours of air time, it was NUMBER ONE in its time slot on Friday nights beating B-96 and V-103 consistantly. But guess what David, when the show was still doing well, Elroy cancelled it. The listeners bombarded the station with e-mails, snail mails, phone calls, etc. There were a lot of upset people. But it didn't matter to Elroy, he wanted to take it off and he did. So PLEASE don't tell me that programmers don't ignore listeners, because they do. Oh, and guess what, the show he put in place of it, barely lasted six months before he had to change it again. Nights at GCI have never been the same.

> > Elroy Smith isn't exactly a
> > "House Music" friendly PD, he only does it because he has
> > to. Elroy has been known to not want House Music on GCI
> at
> > all, but since B96 was drawing a lot their core audience
> > away at the time, he didn't have a choice.
>
> I doubt it has very much to do with B-96, whose audience is
> 80% non-Black.

> > >News flash David, House Music is NOT necessarily only "black" music, it is for ALL people who like to party. That is one of the themes of House Music. If you know Chicago, House Music is THE soundtrack of the streets, I don't care what race or color you are.

> > > Yeah, let's put on a token show for the listeners who
> > > already left that will smack of panedring, and then piss
>
> > off
> > > the 750,000 non-Hispanic listeners who are still there.
> > > Horrible idea, man.
> >
> > >I don't think so, if you claim all of these listeners are
>
> > listening to it, don't you think B96 should provide some
> > form of it?
>
> Again, let me see if I get yur point... to get back 100,000
> in cume, you drive away 750,000 non Hisppanic listeners?
> that is senseless.

>Well it is also senseless for you to say that B96 is losing all of these listeners to WVIV, but they shouldn't find any way to compete against them? You are contradicting yourself. If you think it is such a bad idea, then what is your suggestion?

> > Besides, I don't think Reggaeton is a very
> > creative music to me and it will not last very long. It
> ALL
> > sounds alike. That's why B96 should a minimal commitment
> to
> > it without losing their shirts.
>
> Reggaetón has been around since the late 80's in Puerto
> rico, gradually expanding year after year. Half the top 10
> in Chile is reggaeton. It is big in Spain, Argentina,
> Colombia has 100% reggaetón stations, etc.
>
> Since it sounds alike to you, you have made the point about
> why B-96 can not play it... non bilingual Hispanics find it
> unappealing, even hateful. ut those who like it love it and
> find it has incredible variety. I know I do. It's great, but
> I grew up in Latin America so I relate to it. You don't and
> just proved my point!

> > >But for every one person that doesn't like it, there are probably three that do.
Besides David, in all fairness, you say you grew up in Latin America, correct. So how can you say you know so much about Chicago? Do you even live here? I just moved back to Chicago, but I have spent close to twenty years visting here. I even had a brief living stint here fifteen years ago. My point is, I KNOW this city like the back of my hand. I know the culture, the likes, the dislikes and of course, the radio stations. I think you are judging what people want in Chicago radio as an outsider. That is another thing too many stations do, they hire PD's and MD's who have know working knowledge of the market. They think they can do the same thing in the current market like they did in the previous one that they were in. It doesn't work that way.

> > > They like
reggaetón better. It was a choice they did not
>
> > > have before, and now they do. That is fragmentation. the
>
> > > fact is that the core reggaeton listener would much
> rather
> > > have a stations that is mor culturally in tue with them,
>
> > > speaking Spanglish and not English and identifying with
> > the
> > > Latino 100%.
> >
> > > >How do you know that for sure?
>
> By talking over the last year to thousands of reggaetón
> listeners from LA to San Juan.
>
> > You are making a blanket
> > statement for a community and that isn't right. I don't
> > care how many "numbers" you have. I think they like more
> > than just Reggaeton.
>
> But they like reggaetón best. Every 18-34 listens to at
> least 3 stations. In the case of the Kalle listeners, they
> have made it one of thier choices, and 100,000 of them make
> it thier first choice.
>
> By the way, the figures come from interviewing listeners.
> >
> > >Again, they are doing internal research, not anything
> > EXTERNAL. Which never works.
> > How do suits know what the listening public wants.
>
> there is NO SUCH THING as internal research in radio. All
> radio programming research is done with listeners...
> current, past or prospective listeners.

> > >Again, why is it I haven't gotten word of any of this "research?"
> > > Unfortunately for your point, Arbitrend data totally
> > > disagrees, and listener research done with real ex-BBM
> > > listeners does, too.
> > > >
> > >
> > I don't see how, there are a lot of people that want the
> old
> > B96 back when it played EVERYTHING: Dance, Pop, Hip-Hop,
> and
> > R&B.
>
> I would bet that B-96 does a ton of research. And if there
> were more potential with what you want, they would do it.
> However, they don't. And I think they are pretty smart folks
> there, and they are not going to go against what the
> audience wants.

>But they are and that is why they are slipping. There have been quite a few people who have e-mailed, called, or written B96 about this and it hasn't worked.
> > THAT is a true rhythmic.
>
> Who cares what the label is? Most listeners know a station
> does one of two things... it is good or it sucks.
>
> > That's the problem with your
> > argument, you say listener research disagrees, but what
> > listeners? They don't necessarily have to be listeners of
>
> > B96. Like I said before, I think corporate is trying to
> > tell people what they think they should hear, not what
> they
> > TRULY want to hear.
>
> If I had a week, I could describe how research is done to
> see how to get P2 listeners to become P1, how to protect
> P1's, how to increase cume, how to defend a hill, etc. That
> would assume you had a degree in statistics and had worked
> in radio research for a decade or two.... oet me know if you
> qualify.

>You know what, I don't have a degreee in statisitcs, but I DO have one in Media Communications (BA). It is obvious my university wouldn't give me a degree if I didn't understand radio.

> > when the ratings are in decline
> > corporate wants to blame everything and everyone except
> > themselves.
>
> In this case, there is probably, proven by research, little
> they can do as the most recent assault has taken Hispanics
> who like a Spanslish alternative and B 96 can do nothing to
> react.
>
 
Re: Misunderstanding of radio.

> >
> > I happen to read the Arbitron ratings as a subscriber, and
> > have access to Arbitrends, Maximiser and PD Advantages as
> > well as Tapscan, X-Trends and a number of analytical
> tools.
>
> >Radio (or any other business) is NOT all analytical, it is
> also personal as well. You have to know what your listening
> audience wants rather than hide behind general data.

You asked where I got the quantitative data, and I told you.

Stations also do extensive perceptual research, which means talking to listeners with either open ended questions (focus groups, intercepts, one on ones, etc) or in highly structured half-hour interviews that usually cover 400 to 600 listeners or potential listeners based on a screener.

> That
> is too much of the problem with radio nowdays. Since a few
> companies have a monopoly over a lot of the industry, they
> don't listen to the average listener anymore.

Sure they do. Clear Channel owns tow research companies, and very good ones. Alan Kepler's Broadcast Architecture and Carolyn Gilbert's Critical Mass Media are fine companies, and do everything from focus groups to perceptuals to music testing.

Major stations do not remain major if they do not test the listener reactions to their offerings frequently. The major step of marketing is product design, and that is what research is part of... satisfying listener needs.

> They have to
> realize there is competition not necessarily from just other
> general market stations. You also have competition with
> devices like IPOD, Music Choice cable and satellite, as well
> as XM and Sirius Satellite Radio.

We know this, but most radio stations are first interested in holding or increasing the share of audience, as advertising is bought by medium, and we compete for radio dollars.

Everyone in the industry is aware of outside competition for leisure time. We have been since the 78 rpm record was invented.

> Whenever I am riding the
> EL train or the bus, what do most people have as the
> musicial preference, it ISN'T radio, it is IPOD. People have
> more choices now than ever to hear what they want, they
> don't have to depend on a general market station. I think
> corporate radio needs to realize that. But I guess you will
> try to say I am wrong about that as well.

Radio is radio, and is advertiser supported. Our job is to satisfy two clients with different interests... listeners and advertisers. We can not directly compete with a personal iPod. We have to do the best with our product to make it a viable choice for people, but can not compete with non-commercial media directly. Radio will depend more and more on entertainment, and iPods are music storage devices fundamentally. Sure there are podcasts, but many are just delayed radio shows. Radio will become more involved here as the new media becomes commercially viable.

> > If radio research was not good and effective, stations
> would
> > not spend tens and tens of millions a year on it.
>
> >That isn't necessarily true either. Corporations tend to
> spend millions of dollars on ideas or products that don't
> work. The most current example would be Ford Motor Company
> and their layoff situation. One of the reasons why they are
> having to layoff so many workers is because of a bad idea,
> too much SUV production.

The main reason for layoffs is competitive challenges from Asian car makers, and a cost structure that is much higher than competitors. We have been through evolutionary changes in the auto industry since the 20's. Ford has high expenses and cars that do not meet the price/value expectations of consumers. They also have had a quality issue for decades.

> They spent so much time on that
> one aspect of automaking, they didn't look at other ideas of
> cars they could promote. Now since the gas has gone sky
> high, no one really wants a gas guzzling SUV. I know what
> you are probably going to say and that is they were just
> suppling a demanded item, which is true. BUT Ford knows
> that the U.S. virtually depends on oil from one source and
> if something happens to it, gas goes up.

Your analogy fails because Ford sells cars to consumers. Radio gives its products to consumers, and sells it to advertisers, called bimodal marketing.

Further, most imported petroleum in the US comes from Canada, Mexico and Venezuela. It does not come from the Middle east.

> My whole point is,
> companies don't ALWAYS get things right.

As Randy Michaels said at a seminar I attended a couple of years ago, I would rather try 100 new ideas and fail at 97 of them than to never try any new ideas.

Even genius marketers like Proctor and Gamble know that they have to throw out many new products to find the ones that are blockbusters. They research, they try products in test markets, and they fail often. But they pull the home runs because they go to bat so often.

> I don't care how many millions of dollars these radio people
> are spending on these so-called "researchers", it is obvious
> some of it isn't working.

Just like P&G. Take the research, design a product, and you take a risk. But do it without research, and you seldom win.

> > > All
> > > "research" is the corporate suits.
> >
> > That sentence does not make sense.
>
> >Why doesn't that sentence make sense? Maybe it is the way
> you are interpreting it. What I meant was all these
> corporations do is hire these so-called research groups to
> tell them what they want to hear.

Wrong. Stations hire researchers for either insurance for a successful stations or to rebuild a failing one. Stations want to get the holy grail from research sometimes, ignoring the fact that the art and implementation are critical, and many programmers do not know how to interpret research.

> How come I have never
> been asked my opinion on a radio station?

Reserch is based on a sample of the universe, not a census. Just like a blood test does not drain all the blood out of your body, a poll gets a balanced croiss section of the universe you wish to study. This is why Arbitron can measure LA, 12+ population of nearly 11 million, with 7,500 diaries per survey.

All polls begin with a screener, where only "parties of interest" are allowed in, meaning people who listen or might listen.

> Most people I
> know or have met have NEVER been in these research studies
> you talk about.

That is to be expected. I work with three of the top 6 25-54 stations in LA, and the cume of the three is over 2 million. We have talked with maybe 3000 listeners or potential lsiteners in the last year, and our ratings in all three cases are up because we used a valid sample designe to poll our listeners.

> I mean come on David, I have even been
> involved in studies when television networks want to test a
> new sitcom or drama and people give their feedback on that.
> I never hear anything about radio stations offering people
> the opportunity to give their feedback about what they like
> or dislike about their favorite station.

Most radio research is not branded. No one says, "I am calling from B-96." They say they are form "Chicagoland Radio Associates" or something like that and only ask questions if you are in the demo they want.

Your chances of being surveyed by Arbitron are something like once every 82 years if you never move, never chnge your phone and never change your name.

> > > Rhythmic radio with one sort of demo SHOULDN'T sound
> > exactly
> > > like Rhythmic radio (with a different demo) in Chicago.
>
> >
> > That makes no sense.
>
> Maybe to you it doesn't, but to me it makes no sense that
> you think all Rhythmics in EVERY city should sound the same.

I do not think that. What I disagree with is that you think you know. Actually, nobody knows untill you poll a representative sample of listeners.

> > But with a totally different listener group. What you are
> > saying is that because WGCI is often close to WGN, WGCI is
>
> > therefore giving WGN a run for its money.
>
> Once again you are missing the point. I was not comparing
> two stations of OPPOSITE formats. I was comparing those of
> somewhat similiar formats.

B-96 and WGCI are light years apart in age, demographics and format. Playing a few of the same songs does not make a station similar. It means some songs are crossovers.

> For most of the 90's the two
> biggest contemporary music stations in Chicago were B-96 and
> WGCI. You don't think GCI is going to compete with a
> contemporary music that is on their heels, PLEASE.


In 1998, less than a quarter of B-96's listeners also listened to WGCI... and nearly all of them were Hispanic or Black.

In 2005, the duplication is still under 30%, but it represents the same number of people because the WBBM FM cume in Hispanics is down. Stations like WNUA, WPWX and WVAZ duplicate more. WKSC is the big sharer with WBBM FM.

They are different stations, only overlapping on the higer ages of WBBM FM and the younger for WGCI.

I don't
> care if the station is another Urban or a Rhythmic, it is
> still a threat. Why do you think B-96 started to get more
> rhythmic in the first place back in 1989? WBMX had
> disappeared the year before and WGCI was pretty much the
> only younger skewing Urban left in Chicago.

B 96 started getting more rhythmic because they found out the hits their listeners wanted to hear were rhythmic. Of course, the near 40% growth in Hisanics in Chicago MSA from 1990 to 2000 may have had something to do with that.

> B-96 began to
> realize a lot of the audience they used to have began going
> to GCI. With House and Hip-Hop beginning to get more and
> more popular in larger circles, it wasn't an accident that
> B-96 began redesigning their billboards, bumper stickers and
> monikers. When they even first started doing mixes, where
> did the mixers come from, WGCI and WBMX. So please don't
> play me for stupid.

They did what every CHR has done since 1952 when KOWH went on the air has done... they found out what the hits were and played them.

> > > Why do you think GCI was rotating certain
> > > House songs on their playlist?
I clipped the whole specialty show thing. Saturday and Sunday nights are throw away dayparts. So if there is a niche program that will attract a bunch of partisans, go for it. In LA, a Spanish AC has a Salsa dance show Saturday nights. It is #1 or #2 in the market. But if you do salsa all week, you get a 0.5 share, which is what the one unfortunate try proved.

Specialty shows are cume magnets for people who are avaialble in bad dayparts on weekends. They don't affect theoveral station ratings, and they do not indicate that the music is anything more than a once a week curiosity.

> > > >News flash David, House Music is NOT necessarily only
> "black" music, it is for ALL people who like to party. That
> is one of the themes of House Music. If you know Chicago,
> House Music is THE soundtrack of the streets, I don't care
> what race or color you are.

Which is why the show would be great on a Saturday night, and disaster elsewhere. Good decision. But no ratings impact.

> > Again, let me see if I get yur point... to get back
> 100,000
> > in cume, you drive away 750,000 non Hisppanic listeners?
> > that is senseless.
>
> >Well it is also senseless for you to say that B96 is losing
> all of these listeners to WVIV, but they shouldn't find any
> way to compete against them? You are contradicting
> yourself. If you think it is such a bad idea, then what is
> your suggestion?

B-96 may not have a solution. They certainly can not win back the bilingual Hispanics as there is a cultural identity factor there that can not be overcome with a general market radio station. They need to look more at what the assimilated Hispanics and non-Hisapnic whites want, as this is going to be their core in the future.
>
> > > >But for every one person that doesn't like it, there
> are probably three that do.
> Besides David, in all fairness, you say you grew up in Latin
> America, correct. So how can you say you know so much about
> Chicago? Do you even live here?

My family is from south of Chicago, from a town named after my great grandfather. I have been involved with Spanish radio there since 1983, when I did work for WOJO. Obviously, I have been involved with several stations there for the last 7 or 8 years, too.

> I just moved back to
> Chicago, but I have spent close to twenty years visting
> here. I even had a brief living stint here fifteen years
> ago. My point is, I KNOW this city like the back of my
> hand. I know the culture, the likes, the dislikes and of
> course, the radio stations.

The biggest mistake a programmer makes is when they say, "I know the market" or, worse, "I know what people want." They NEVER do. Never. The listneers know what they want. You have to do good listener research to know what the market wants.

> I think you are judging what
> people want in Chicago radio as an outsider. That is
> another thing too many stations do, they hire PD's and MD's
> who have know working knowledge of the market. They think
> they can do the same thing in the current market like they
> did in the previous one that they were in. It doesn't work
> that way.

Most PDs use reserch to take the pulse of the market. Those who do not lose. I had a recent project in a country (not city) where I had never lived, never worked. I changed the format of an FM in a city of 17 million and it went to #1 in 30 days. It is still there, 6 years after. So much for knowing the makret.

When I was 17, I built the first CHR in South America. I was told it would not work, but I researched kids at schools where my school played soccer competitons with. I dropped out and built the station, and it was #1 in less than 3 months. Did I say I had moved to that country 7 months before?

>> >
> > I would bet that B-96 does a ton of research. And if there
>
> > were more potential with what you want, they would do it.
> > However, they don't. And I think they are pretty smart
> folks
> > there, and they are not going to go against what the
> > audience wants.
>
> >But they are and that is why they are slipping. There have
> been quite a few people who have e-mailed, called, or
> written B96 about this and it hasn't worked.

I suspect that quality, professional research is better than an unsolicited listener e-mail.
> >
> > If I had a week, I could describe how research is done to
> > see how to get P2 listeners to become P1, how to protect
> > P1's, how to increase cume, how to defend a hill, etc.
> That
> > would assume you had a degree in statistics and had worked
>
> > in radio research for a decade or two.... oet me know if
> you
> > qualify.
>
> >You know what, I don't have a degreee in statisitcs, but I
> DO have one in Media Communications (BA). It is obvious my
> university wouldn't give me a degree if I didn't understand
> radio.

University media degrees are pretty useless, as some of your responses suggest. I look for marketing experience or degrees, followed by sociology and psychology minors. As my prior employer siad, "I never hire a communications graduate. They think I am doing a bad job of managing the station yet they have never been in a real station in their life." This is a guy who took a $75,000 FM he bought in the 70's to a $200 million dollar company.
 
Re: Misunderstanding of radio.

> > >
> > > I happen to read the Arbitron ratings as a subscriber,
> and
> > > have access to Arbitrends, Maximiser and PD Advantages
> as
> > > well as Tapscan, X-Trends and a number of analytical
> > tools.
> >
> > >Radio (or any other business) is NOT all analytical, it
> is
> > also personal as well. You have to know what your
> listening
> > audience wants rather than hide behind general data.
>
> You asked where I got the quantitative data, and I told you.
>
>
> Stations also do extensive perceptual research, which means
> talking to listeners with either open ended questions (focus
> groups, intercepts, one on ones, etc) or in highly
> structured half-hour interviews that usually cover 400 to
> 600 listeners or potential listeners based on a screener.
>
> > That
> > is too much of the problem with radio nowdays. Since a
> few
> > companies have a monopoly over a lot of the industry, they
>
> > don't listen to the average listener anymore.
>
> Sure they do. Clear Channel owns tow research companies, and
> very good ones. Alan Kepler's Broadcast Architecture and
> Carolyn Gilbert's Critical Mass Media are fine companies,
> and do everything from focus groups to perceptuals to music
> testing.

>Focus Groups are not always effective. They tend to be limited in scope. I am sorry if these companies were really doing their homework, they would know a lot of people are not happy with the state of radio today.

> Major stat
ions do not remain major if they do not test the
> listener reactions to their offerings frequently. The major
> step of marketing is product design, and that is what
> research is part of... satisfying listener needs.
>
> > They have to
> > realize there is competition not necessarily from just
> other
> > general market stations. You also have competition with
> > devices like IPOD, Music Choice cable and satellite, as
> well
> > as XM and Sirius Satellite Radio.
>
> We know this, but most radio stations are first interested
> in holding or increasing the share of audience, as
> advertising is bought by medium, and we compete for radio
> dollars.
>
> Everyone in the industry is aware of outside competition for
> leisure time. We have been since the 78 rpm record was
> invented.

>If that is the case, then the industry needs to get with it. I understand full well that the industry has to satisfy advertisers, but what good are the ads when you don't have listeners? Nobody turns on the radio to hear radio ads. You have to have a balance of music and radio ads. You don't want to have too much music because the station will not make money, but at the same time you don't want to bombard your audience with commericals because then they will switch or turn the radio off altogether.

> > Whenever I am riding the
> > EL train or the bus, what do most people have as the
> > musicial preference, it ISN'T radio, it is IPOD. People
> have
> > more choices now than ever to hear what they want, they
> > don't have to depend on a general market station. I think
>
> > corporate radio needs to realize that. But I guess you
> will
> > try to say I am wrong about that as well.
>
> Radio is radio, and is advertiser supported. Our job is to
> satisfy two clients with different interests... listeners
> and advertisers. We can not directly compete with a personal
> iPod. We have to do the best with our product to make it a
> viable choice for people, but can not compete with
> non-commercial media directly. Radio will depend more and
> more on entertainment, and iPods are music storage devices
> fundamentally. Sure there are podcasts, but many are just
> delayed radio shows. Radio will become more involved here as
> the new media becomes commercially viable.

>But the point is, IPODs and other musicial sources are STILL competition.

> > > If radio research was not good and effective, stations
> > would
> > > not spend tens and tens of millions a year on it.
> >
> > >That isn't necessarily true either. Corporations tend to
>
> > spend millions of dollars on ideas or products that don't
> > work. The most current example would be Ford Motor
> Company
> > and their layoff situation. One of the reasons why they
> are
> > having to layoff so many workers is because of a bad idea,
>
> > too much SUV production.
>
> The main reason for layoffs is competitive challenges from
> Asian car makers, and a cost structure that is much higher
> than competitors. We have been through evolutionary changes

Okay, that is PART of the reason!!! But the other part is because of automakers focusing too much on SUV production. That is why the Ford Plant in St. Louis is closing because that is what it primarily built. Please don't tell me that isn't true because I am originally from STL and I think I know a little bit more about there than you.

> in the auto industry since the 20's. Ford has high expenses
> and cars that do not meet the price/value expectations of
> consumers. They also have had a quality issue for decades.
>
> > They spent so much time on that
> > one aspect of automaking, they didn't look at other ideas
> of
> > cars they could promote. Now since the gas has gone sky
> > high, no one really wants a gas guzzling SUV. I know what
>
> > you are probably going to say and that is they were just
> > suppling a demanded item, which is true. BUT Ford knows
> > that the U.S. virtually depends on oil from one source and
>
> > if something happens to it, gas goes up.
>
> Your analogy fails because Ford sells cars to consumers.

That is NOT my point!!!!!

> Radio gives its products to consumers, and sells it to
> advertisers, called bimodal marketing.

>The point you are missing is, COMPANIES MAKE BAD DECISIONS AND AREN'T ALWAYS RIGHT!!! That is what I am trying to get you to see.

> Further, most imported petroleum in the US comes from
> Canada, Mexico and Venezuela. It does not come from the
> Middle east.

> I don't know what area of the country you live in, but since when have we ever gotten any type of oil from any of these places? That's news to me. If it does, it certainly isn't being used for gasoline for automobiles or heating homes. You are the first person, I have ever heard say such a thing. If we are getting oil from all of these places, then why has gas been so expensive over the last few years, BESIDES HURRICANE KATRINA? Even if they (United States) are getting petro from other places, the U.S. isn't using it. I am sorry, I don't think you are accurate on this one. I have never heard ANY news report stating that we get petro from these places and I keep up on the news a lot. Besides, if you had competition on where you could buy petro from, then gasoline prices wouldn't be so expensive since you don't have to settle for the one price Joe or Jill is offering you.
A few years ago, when gas prices went up dramatically the highest city for gas was here in Chicago. Before you say anything David, I am talking around 2000 or 2001.
Mayor Daley knew that Chicagoans were getting hammered at the pump, so he held a press conference asking the government to tap into the Alaskan pipelines so that Americans don't have to depend so much on oil from one source. Now if the U.S. was getting oil from all these other sources like you say, why would the mayor say something like this? He is a public official so I think he knows a little bit more about government.
Are you going to say now David that you know more than the mayor of Chicago?

> > My whole point is,
> > companies don't ALWAYS get things right.
>
> As Randy Michaels said at a seminar I attended a couple of
> years ago, I would rather try 100 new ideas and fail at 97
> of them than to never try any new ideas.
>
> Even genius marketers like Proctor and Gamble know that they
> have to throw out many new products to find the ones that
> are blockbusters. They research, they try products in test
> markets, and they fail often. But they pull the home runs
> because they go to bat so often.

>Yes, it is nothing wrong with trying new things, but if you see it isn't working, you need to get rid of the idea. That is what I am trying to tell you about companies and sometimes bad decisions.

> > I don't care how many millions of dollars these radio
> people
> > are spending on these so-called "researchers", it is
> obvious
> > some of it isn't working.
>
> Just like P&G. Take the research, design a product, and you
> take a risk. But do it without research, and you seldom win.
>
>
> > > > All
> > > > "research" is the corporate suits.
> > >
> > > That sentence does not make sense.
> >
> > >Why doesn't that sentence make sense? Maybe it is the
> way
> > you are interpreting it. What I meant was all these
> > corporations do is hire these so-called research groups to
>
> > tell them what they want to hear.
>
> Wrong. Stations hire researchers for either insurance for a
> successful stations or to rebuild a failing one. Stations
> want to get the holy grail from research sometimes, ignoring
> the fact that the art and implementation are critical, and
> many programmers do not know how to interpret research.
>
> > How come I have never
> > been asked my opinion on a radio station?
>
> Reserch is based on a sample of the universe, not a census.
> Just like a blood test does not drain all the blood out of
> your body, a poll gets a balanced croiss section of the
> universe you wish to study. This is why Arbitron can measure
> LA, 12+ population of nearly 11 million, with 7,500 diaries
> per survey.
>
> All polls begin with a screener, where only "parties of
> interest" are allowed in, meaning people who listen or might
> listen.
>Okay, but how would the screeners know who the "parties of interest" are?

> > Most people I
> > know or have met have NEVER been in these research studies
>
> > you talk about.
>
> That is to be expected. I work with three of the top 6 25-54
> stations in LA, and the cume of the three is over 2 million.
> We have talked with maybe 3000 listeners or potential
> lsiteners in the last year, and our ratings in all three
> cases are up because we used a valid sample designe to poll
> our listeners.

>But sampling only 3,000 listeners out of 2 million possible to me is not effective enough.

> > I mean come on David, I have even been
> > involved in studies when television networks want to test
> a
> > new sitcom or drama and people give their feedback on
> that.
> > I never hear anything about radio stations offering people
>
> > the opportunity to give their feedback about what they
> like
> > or dislike about their favorite station.
>
> Most radio research is not branded. No one says, "I am
> calling from B-96." They say they are form "Chicagoland
> Radio Associates" or something like that and only ask
> questions if you are in the demo they want.

>I am not saying they have to say that, but they need to figure out what people in that particular demo want. I just think the current method isn't effective.

> Your chances of being surveyed by Arbitron are something
> like once every 82 years if you never move, never chnge your
> phone and never change your name.

>See, that right there shows that surveys cannot always be accurate. People move quite a bit from city to city, specifically young professionals between the ages about 23-35 who are relocating for job opps. I myself between 1998 and 2002 moved twice within my own hometown. Then I moved out west, then I moved back to Chicago. This is only within the period of about a year. How can you accurately measure a market when outdated data is used and not updated? Demos change all of the time in cities, maybe not drastically, but they do change. If Arbitron is doing research based on your method, I think it will fail.

> > > > Rhythmic radio with one sort of demo SHOULDN'T sound
> > > exactly
> > > > like Rhythmic radio (with a different demo) in
> Chicago.
> >
> > >
> > > That makes no sense.
> >
> > Maybe to you it doesn't, but to me it makes no sense that
> > you think all Rhythmics in EVERY city should sound the
> same.
>
> I do not think that. What I disagree with is that you think
> you know. Actually, nobody knows untill you poll a
> representative sample of listeners.
>So what are you saying, radio in St. Louis should sound like radio in Chicago? You are talking about two different cities with two different lifestyles. Of course, you are going to have your staple hits, but are some things played in Chicago that wouldn't hit in St. Louis and vice versa.

> > > But with a totally different listener group. What you
> are
> > > saying is that because WGCI is often close to WGN, WGCI
> is
> >
> > > therefore giving WGN a run for its money.
> >
> > Once again you are missing the point. I was not comparing
>
> > two stations of OPPOSITE formats. I was comparing those
> of
> > somewhat similiar formats.
>
> B-96 and WGCI are light years apart in age, demographics and
> format. Playing a few of the same songs does not make a
> station similar. It means some songs are crossovers.

>I don't fully agree with that. There are a lot of people (maybe not so much anymore) who are African-American and go from GCI to B-96 and there are non-blacks who go from B-96 to Kiss, to GCI. They don't ALL have to be rhythmic or Urban not to garner the same (or simliar) audience.

> > For most of the 90's the two
> > biggest contemporary music stations in Chicago were B-96
> and
> > WGCI. You don't think GCI is going to compete with a
> > contemporary music that is on their heels, PLEASE.
>
>
> In 1998, less than a quarter of B-96's listeners also
> listened to WGCI... and nearly all of them were Hispanic or
> Black.
>
> In 2005, the duplication is still under 30%, but it
> represents the same number of people because the WBBM FM
> cume in Hispanics is down. Stations like WNUA, WPWX and WVAZ
> duplicate more. WKSC is the big sharer with WBBM FM.
>
> They are different stations, only overlapping on the higer
> ages of WBBM FM and the younger for WGCI.
>
> I don't
> > care if the station is another Urban or a Rhythmic, it is
> > still a threat. Why do you think B-96 started to get more
>
> > rhythmic in the first place back in 1989? WBMX had
> > disappeared the year before and WGCI was pretty much the
> > only younger skewing Urban left in Chicago.
>
> B 96 started getting more rhythmic because they found out
> the hits their listeners wanted to hear were rhythmic.

Which means Urban or Dance!!! You are just repeating what I said.

Of
> course, the near 40% growth in Hisanics in Chicago MSA from
> 1990 to 2000 may have had something to do with that.
>It is not all about just Hisapnics.

> > B-96 began to
> > realize a lot of the audience they used to have began
> going
> > to GCI. With House and Hip-Hop beginning to get more and
> > more popular in larger circles, it wasn't an accident that
>
> > B-96 began redesigning their billboards, bumper stickers
> and
> > monikers. When they even first started doing mixes, where
>
> > did the mixers come from, WGCI and WBMX. So please don't
> > play me for stupid.
>
> They did what every CHR has done since 1952 when KOWH went
> on the air has done... they found out what the hits were and
> played them.
>B-96 was one of the few stations that actually went that deep. You have to remember in certain cities there was STILL a stigma for some CHR's to play music which was deemed too ethnic. I know someone who was a radio Dj said the industry was like this, even sometime in the late 80's.

> > > > Why do you think GCI was rotating certain
> > > > House songs on their playlist?
> I clipped the whole specialty show thing. Saturday and
> Sunday nights are throw away dayparts. So if there is a
> niche program that will attract a bunch of partisans, go for
> it. In LA, a Spanish AC has a Salsa dance show Saturday
> nights. It is #1 or #2 in the market. But if you do salsa
> all week, you get a 0.5 share, which is what the one
> unfortunate try proved.
>
> Specialty shows are cume magnets for people who are
> avaialble in bad dayparts on weekends. They don't affect
> theoveral station ratings, and they do not indicate that the
> music is anything more than a once a week curiosity.
>
> > > > >News flash David, House Music is NOT necessarily only
>
> > "black" music, it is for ALL people who like to party.
> That
> > is one of the themes of House Music. If you know Chicago,
>
> > House Music is THE soundtrack of the streets, I don't care
>
> > what race or color you are.
>
> Which is why the show would be great on a Saturday night,
> and disaster elsewhere. Good decision. But no ratings
> impact.
>
> > > Again, let me see if I get yur point... to get back
> > 100,000
> > > in cume, you drive away 750,000 non Hisppanic listeners?
>
> > > that is senseless.
> >
> > >Well it is also senseless for you to say that B96 is
> losing
> > all of these listeners to WVIV, but they shouldn't find
> any
> > way to compete against them? You are contradicting
> > yourself. If you think it is such a bad idea, then what
> is
> > your suggestion?
>
> B-96 may not have a solution. They certainly can not win
> back the bilingual Hispanics as there is a cultural identity
> factor there that can not be overcome with a general market
> radio station. They need to look more at what the
> assimilated Hispanics and non-Hisapnic whites want, as this
> is going to be their core in the future.
> >
> > > > >But for every one person that doesn't like it, there
> > are probably three that do.
> > Besides David, in all fairness, you say you grew up in
> Latin
> > America, correct. So how can you say you know so much
> about
> > Chicago? Do you even live here?
>
> My family is from south of Chicago, from a town named after
> my great grandfather. I have been involved with Spanish
> radio there since 1983, when I did work for WOJO. Obviously,
> I have been involved with several stations there for the
> last 7 or 8 years, too.
>
> > I just moved back to
> > Chicago, but I have spent close to twenty years visting
> > here. I even had a brief living stint here fifteen years
> > ago. My point is, I KNOW this city like the back of my
> > hand. I know the culture, the likes, the dislikes and of
> > course, the radio stations.
>
> The biggest mistake a programmer makes is when they say, "I
> know the market" or, worse, "I know what people want." They
> NEVER do. Never. The listneers know what they want. You have
> to do good listener research to know what the market wants.

>That is what I was trying to tell you earlier.
>
> > I think you are judging what
> > people want in Chicago radio as an outsider. That is
> > another thing too many stations do, they hire PD's and
> MD's
> > who have know working knowledge of the market. They think
>
> > they can do the same thing in the current market like they
>
> > did in the previous one that they were in. It doesn't
> work
> > that way.
>
> Most PDs use reserch to take the pulse of the market. Those
> who do not lose. I had a recent project in a country (not
> city) where I had never lived, never worked. I changed the
> format of an FM in a city of 17 million and it went to #1 in
> 30 days. It is still there, 6 years after. So much for
> knowing the makret.
>
> When I was 17, I built the first CHR in South America. I was
> told it would not work, but I researched kids at schools
> where my school played soccer competitons with. I dropped
> out and built the station, and it was #1 in less than 3
> months. Did I say I had moved to that country 7 months
> before?
>
> >> >
> > > I would bet that B-96 does a ton of research. And if
> there
> >
> > > were more potential with what you want, they would do
> it.
> > > However, they don't. And I think they are pretty smart
> > folks
> > > there, and they are not going to go against what the
> > > audience wants.
> >
> > >But they are and that is why they are slipping. There
> have
> > been quite a few people who have e-mailed, called, or
> > written B96 about this and it hasn't worked.
>
> I suspect that quality, professional research is better than
> an unsolicited listener e-mail.

> > >Why would that necessarily be better? You said yourself that you went to a school to do research about a station and the station was successful. That is all I have talking about doing for the last few posts, but you have shot me down. I have talking about going to the people and getting their vibe. You are contradicting yourself.

> > > If I had a week, I could describe how research is done
> to
> > > see how to get P2 listeners to become P1, how to protect
>
> > > P1's, how to increase cume, how to defend a hill, etc.
> > That
> > > would assume you had a degree in statistics and had
> worked
> >
> > > in radio research for a decade or two.... oet me know if
>
> > you
> > > qualify.
> >
> > >You know what, I don't have a degreee in statisitcs, but
> I
> > DO have one in Media Communications (BA). It is obvious
> my
> > university wouldn't give me a degree if I didn't
> understand
> > radio.
>
> University media degrees are pretty useless, as some of your
> responses suggest.
EXCUSE ME DAVID, I HAVE NOT INSULTED YOU IN ANY WAY, SHAPE OR FORM!!!! HOW DARE YOU QUESTION MY CREDIBILITY!!! JUST BECAUSE WE DON'T AGREE HOW A RADIO STATION SHOULD BE EXECUTED, DOESN'T MEAN YOU HAVE THE RIGHT TO SAY MY OUTLOOK IS INCORRECT!!!! I JUST THOUGHT THAT WE COULD DEBATE WITHOUT YOU BEING AN EGO-MANIAC TOWARDS MY RESPONSES. I WORKED VERY HARD FOR MY FOUR-YEAR DEGREE, I DIDN'T GET IT OUT OF A CEREAL BOX LIKE YOU THINK I DID. FOR YOUR INFORMATION, I HAVE BEEN TAKING MEDIA COURSES SINCE HIGH SCHOOL AS WELL. YOU HAVE REALLY PISSED ME OFF. I CAN'T SAY WHAT I REALLY WANT TO CALL YOU, BECAUSE I DON'T WANT MY POST DELETED. (NOW I AM YELLING!!!!!)
I SURE HOPE YOU FEEL GOOD ABOUT YOURSELF THAT YOU HAD TO TRY TO TEAR DOWN MY INTELLIGENCE LEVEL!!!! THANK YOU VERY MUCH!!!! HOW DARE YOU IMPLY I AM DUMB!!!

I look for marketing experience or
> degrees, followed by sociology and psychology minors.

ONE MORE THING, A LOT OF PEOPLE TOLD SAM WALTON (THE LATE FOUNDER OF WAL-MART) THAT HE DIDN'T KNOW ANYTHING ABOUT BUSINESS AND ONE OF THOSE PEOPLE WAS J.C. PENNEY, WHO HE USED TO WORK FOR. PENNEY TOLD HIM HE DIDN'T HAVE A "KNACK" FOR SELLING SO HE FIRED WALTON. wELL DAVID, WE BOTH KNOW HOW THAT STORY ENDED UP. GRANTED J.C. PENNEY IS DOING WELL, BUT WHO IS DOING BETTER AND IS THE LARGER RETAILER, WAL-MART!!!! DO NOT RESPOND TO ANY MORE OF MY POSTS BECAUSE YOU HAVE TRULY PISSED ME OFF!!!!


As my
> prior employer siad, "I never hire a communications
> graduate. They think I am doing a bad job of managing the
> station yet they have never been in a real station in their
> life." This is a guy who took a $75,000 FM he bought in the
> 70's to a $200 million dollar company.
>
 
Re: Beating the dead horse some more.

>
> >Focus Groups are not always effective. They tend to be
> limited in scope. I am sorry if these companies were really
> doing their homework, they would know a lot of people are
> not happy with the state of radio today.

Focus groups are only one in an arrary of radio (and general business) research
tools. they serve, often, to identify issues that need further research in the
perceptual area.

I do not use them because of the group dynamic usually being undesirable. I opt for one on one interviews, conducted the same way, but with greater depth of
questioning tailored to the individual´s specific listening patternas and taste
the fact is, very few people are unhappy with radio. And those have, pretty much, always existed. They do not, for many reasons, find what they want on the radio, and thus do not use or use little of wat we now call terrestrail radio.

While people are finding alternatives to radio, or alternatives for leisure time activities, they are not unhappy. Actually, some have less passion for it as an entertainment source, but there is relatively little unhappyness.

Over 93% of Americans use radio weekly. That is less than 2% off from 1965, when Arbitron began.

Oh, the less satisfied listeners are generally 12-17 and 55+, the two audience
groups that radio can not, for economics, serve, because advertisers place no money against those demos.

>
> >If that is the case, then the industry needs to get with
> it. I understand full well that the industry has to satisfy
> advertisers, but what good are the ads when you don't have
> listeners?

You are doing what an associate calls "äwfulizing." Radio is not dead. It is an
industry in extreme maturation (I am hoping you know about product life cycles)
which is in very, very slow decline.

In the meaantime, radio can develop other alternatives. HD2, as it develops over the next 3 years, will nearly double the FM program offerings in most larger markets and offer an expanded and free alternative to paid radio for a broad range of offerings. I remind you that it took satellite 4 years to get to 8 million subscribers, and I expect HD will impact far faster and massively once the receivers start arriving late this year.

Further, radio is not locked to "the transmitter on the hill" and can distribute current product in new ways, just as nearly nobody uses off air TV reception any more.

> Nobody turns on the radio to hear radio ads.
> You have to have a balance of music and radio ads. You
> don't want to have too much music because the station will
> not make money, but at the same time you don't want to
> bombard your audience with commericals because then they
> will switch or turn the radio off altogether.

Please, tell us something that all of us don't know. Radio commercial loads are at a 20-year low since Clear Channel pioneered Less Is More and reduced average hourly loads form over 14 minutes to 10 minutes per hour in music formats. This is, by the way, about 40% less than the 18 minute loads that were so common in the 50's and 60's that the FCC had to threaten to inspect license renewal applications of stations that were running more than 18 mintues per hour.
.
> >
> > The main reason for layoffs is competitive challenges from
>
> > Asian car makers, and a cost structure that is much higher
>
> > than competitors. We have been through evolutionary
> changes
>
> Okay, that is PART of the reason!!! But the other part is
> because of automakers focusing too much on SUV production.
> That is why the Ford Plant in St. Louis is closing because
> that is what it primarily built. Please don't tell me that
> isn't true because I am originally from STL and I think I
> know a little bit more about there than you.

But I know way more about business than you do. High cost, inefficient plants are being closed and much production of sub-assembllies is being offshored. SUV
production has slowed, but in the case of Ford, mostly due to models that are
getting stale and customers who are buying the new offerings of Kia, Subaru,
Hundai, Toyota, Nissan and others because they are better and more fuel efficient.

The SUV market has not crashed, although based on the RL Polk data for Q4 of 2005, it has leveled off with the exception of the luxury end. What is off is sthe market share for domestic manufacturers overall. GM, Chrysler and Ford are all off, and by nearly 4% of the market compared to 2004. Americans are not liking American cars, which are overpriced due to the fact they are made in the USA.

What we have here is a globalization issue, and you are trying to make it into a St. Louis and SUV issue, which it is not.
>
> > Radio gives its products to consumers, and sells it to
> > advertisers, called bimodal marketing.
>
> >The point you are missing is, COMPANIES MAKE BAD DECISIONS
> AND AREN'T ALWAYS RIGHT!!! That is what I am trying to get
> you to see.

I already told you that was the case, using P&G, America's formost marketer as an example. They know they are going to make mistakes, and know that only if they keep trying will they find the new porducts and brand extensions they need. Radio stations make mistakes. That is why we use research to measure the effectiveness of both plans and the product.
>
> > Further, most imported petroleum in the US comes from
> > Canada, Mexico and Venezuela. It does not come from the
> > Middle east.
>
> > I don't know what area of the country you live in, but
> since when have we ever gotten any type of oil from any of
> these places? That's news to me. If it does, it certainly
> isn't being used for gasoline for automobiles or heating
> homes.

About half our petrolleum is domestic. Canada is the largest exporter of oil to the UU, followed by Mexico. Third is Saudi Arabia, but Canada and Mexico provide three times the crude that the Saudis do. Then is Nigeria and Venezuela, followed by Anglola, Iraq, Colombia, Kuwait and Ecuador. But ecuador provides only 12% of what Canada provides. Canada, Mexico and Venezuela provde three times what the Arab nations do.

Since most major oil companies are multinational, the supply of Middle eastern
crude affects them and the US economy, but we use a smaller part Arabian crude than we do crude from domestic and hemispehric sources.

> You are the first person, I have ever heard say such
> a thing. If we are getting oil from all of these places,
> then why has gas been so expensive over the last few years,

OPEC.

> BESIDES HURRICANE KATRINA? Even if they (United States) are
> getting petro from other places, the U.S. isn't using it. I
> am sorry, I don't think you are accurate on this one. I
> have never heard ANY news report stating that we get petro
> from these places and I keep up on the news a lot. Besides,
> if you had competition on where you could buy petro from,
> then gasoline prices wouldn't be so expensive since you
> don't have to settle for the one price Joe or Jill is
> offering you.
> A few years ago, when gas prices went up dramatically the
> highest city for gas was here in Chicago. Before you say
> anything David, I am talking around 2000 or 2001.
> Mayor Daley knew that Chicagoans were getting hammered at
> the pump, so he held a press conference asking the
> government to tap into the Alaskan pipelines so that
> Americans don't have to depend so much on oil from one
> source. Now if the U.S. was getting oil from all these
> other sources like you say, why would the mayor say
> something like this? He is a public official so I think he
> knows a little bit more about government.
> Are you going to say now David that you know more than the
> mayor of Chicago?

You are just uninformed on economics and trade and business, which is why you do not understand radio, either.

The mayor recommeded tapping the Federal preserves in Alaska, where there is lots of undergroud oil, but in the middle of a fragile ecosystem. The Alaskan piplelines can not be "tapped into" as they already send all the northern Alaska crude to the USA, via transshipping on tankers.

You really are baseless on economics, so much so it surprises me.

> >
> > Even genius marketers like Proctor and Gamble know that
> they
> > have to throw out many new products to find the ones that
> > are blockbusters. They research, they try products in test
>
> > markets, and they fail often. But they pull the home runs
> > because they go to bat so often.
>
> >Yes, it is nothing wrong with trying new things, but if you
> see it isn't working, you need to get rid of the idea. That
> is what I am trying to tell you about companies and
> sometimes bad decisions.

And that is what I am telling you over and over that companies do. there is a
reason for the saying, "nothing risked, nothing gained." More than half of all new consumer products fail. All were researched, but the consumer ¨prediction¨ of success was either non'existent or faded quickly. This is why research coupled with marketing produces enough wins to negte the effect of failures, which will always occur.

> >
> > All polls begin with a screener, where only "parties of
> > interest" are allowed in, meaning people who listen or
> might
> > listen.

> >Okay, but how would the screeners know who the "parties of
> interest" are?

The first step in doing reseaerch is determining who you need to talk to. For
example, a traditional "lite" AC station will determine that they want to talk only to women between the ages of 30 and 49, 80% non-Hispanic white, 20% Hispanic, who are P1 or P2 to the station, with maybe a quota of listeners to a similar, competitive station. So anyone that does not fit that quota does not get in. A mainimum radio usage may also be required, especially if it is for a music test.

A screener is a set of ¨rules¨and not a person, by the way. A research company
hires a local recruiter to use, usually, the same kind of list and technique
Arbitron does, to recruit people for the research project. They guarantee a true proportional sample within the recruit specifications set out in the screener.
> >
> > Most radio research is not branded. No one says, "I am
> > calling from B-96." They say they are form "Chicagoland
> > Radio Associates" or something like that and only ask
> > questions if you are in the demo they want.
>
> >I am not saying they have to say that, but they need to
> figure out what people in that particular demo want. I just
> think the current method isn't effective.

How would you know? Have you conducted a pilot study using different methods to
compare with the prevailing method? Radio research is not conducted against a demo, unless it is for a new format search For ongoing stations, it is conducted against listeners to the station and its most direct, accionable competitors.
>
> > Your chances of being surveyed by Arbitron are something
> > like once every 82 years if you never move, never chnge
> your
> > phone and never change your name.
>
> >See, that right there shows that surveys cannot always be
> accurate.

Huh? No random probability sample attempts to survey lots of people. Arbitron and the various programming research companies survey the minimum number of people for reliability within the application of the data. To do any more does not significantly add to ueseful reliabilty and increases costs astronomically.

The test of a sample size, besides the know formulas from statistics, is whether the same sample done a second time will produce similar results... in other words, whether we can replicate the results.

> People move quite a bit from city to city,
> specifically young professionals between the ages about
> 23-35 who are relocating for job opps. I myself between
> 1998 and 2002 moved twice within my own hometown. Then I
> moved out west, then I moved back to Chicago. This is only
> within the period of about a year. How can you accurately
> measure a market when outdated data is used and not updated?

Arbitron rebalences population and demos every year. It is not necessary to get
every person, only a sample of every type of person that is reliable.

> Demos change all of the time in cities, maybe not
> drastically, but they do change. If Arbitron is doing
> research based on your method, I think it will fail.

You might read the Arbitron "Purple Book" available at arbitron.com for a
descriptin of methodology. The methodology, by the way, is audited by a committee representing advertisers and ad agencies, and with some of the best statisticas and research experts in the USA, every year, as is Nielsen.

> >
> > I do not think that. What I disagree with is that you
> think
> > you know. Actually, nobody knows untill you poll a
> > representative sample of listeners.

> >So what are you saying, radio in St. Louis should sound
> like radio in Chicago? You are talking about two different
> cities with two different lifestyles. Of course, you are
> going to have your staple hits, but are some things played
> in Chicago that wouldn't hit in St. Louis and vice versa.

This is why radio stations in each market do local research, which reflects that city, the local competitive array and other factors. Nither St. Louis ratings nor St. Louis radio can be researched except in St. Louis.
>
> > They did what every CHR has done since 1952 when KOWH went
>
> > on the air has done... they found out what the hits were
> and
> > played them.

> >B-96 was one of the few stations that actually went that
> deep. You have to remember in certain cities there was
> STILL a stigma for some CHR's to play music which was deemed
> too ethnic. I know someone who was a radio Dj said the
> industry was like this, even sometime in the late 80's.

Aw, that's just not true. Top 40 stations were originally criticized for playing too much "race music" and that was back in the 50's. CHRs, which is just a new name for Top 40, play the hits among a broad base of young listeners. Look at charts from that era, available online, for actual radio stations in markets like Chicago and Detroit and so on.

> >
> > I suspect that quality, professional research is better
> than
> > an unsolicited listener e-mail.
>
> > > >Why would that necessarily be better? You said
> yourself that you went to a school to do research about a
> station and the station was successful.

I actually did research among young people at a variety of schools across the
market, Since radio research was very limited in 1964, we invented systems that
allowed us to profile a specific group. I repeated the process for my other 8
stations in the market, as each went on the air. And yes, we were unsuccessful in a couple of tries, went back and did it again and fixed the problems.

> That is all I have
> talking about doing for the last few posts, but you have
> shot me down. I have talking about going to the people and
> getting their vibe. You are contradicting yourself.

Just talking on the street can be useful if you know who you talk to, and know that most street research is based only on active listeners, a small percentage. But street polls can tip off changes that need "real" research to verify and quantify.

> > > radio.
> >
> > University media degrees are pretty useless, as some of
> your
> > responses suggest.

> EXCUSE ME DAVID, I HAVE NOT INSULTED YOU IN ANY WAY, SHAPE
> OR FORM!!!! HOW DARE YOU QUESTION MY CREDIBILITY!!! JUST
> BECAUSE WE DON'T AGREE HOW A RADIO STATION SHOULD BE
> EXECUTED, DOESN'T MEAN YOU HAVE THE RIGHT TO SAY MY OUTLOOK
> IS INCORRECT!!!! I JUST THOUGHT THAT WE COULD DEBATE
> WITHOUT YOU BEING AN EGO-MANIAC TOWARDS MY RESPONSES. I
> WORKED VERY HARD FOR MY FOUR-YEAR DEGREE, I DIDN'T GET IT
> OUT OF A CEREAL BOX LIKE YOU THINK I DID. FOR YOUR
> INFORMATION, I HAVE BEEN TAKING MEDIA COURSES SINCE HIGH
> SCHOOL AS WELL. YOU HAVE REALLY PISSED ME OFF. I CAN'T SAY
> WHAT I REALLY WANT TO CALL YOU, BECAUSE I DON'T WANT MY POST
> DELETED. (NOW I AM YELLING!!!!!)
> I SURE HOPE YOU FEEL GOOD ABOUT YOURSELF THAT YOU HAD TO TRY
> TO TEAR DOWN MY INTELLIGENCE LEVEL!!!! THANK YOU VERY
> MUCH!!!! HOW DARE YOU IMPLY I AM DUMB!!!

I never said you are dumb. I said taking communications or broadcast majors is not a good idea, as they are taught by people who are generally long out of the biiz, if they ever were in it, or who think radio sucks and needs to be changed by the students in these classes.

A far better backgroud for radio is marketing with business and sociology exposure. A bit of math beyond the 100 level is useful, as is a couple of semesters of statistics and a lot of English (or whatever langauge is spoken in your country) added in.
>
> I look for marketing experience or
> > degrees, followed by sociology and psychology minors.
>
> ONE MORE THING, A LOT OF PEOPLE TOLD SAM WALTON (THE LATE
> FOUNDER OF WAL-MART) THAT HE DIDN'T KNOW ANYTHING ABOUT
> BUSINESS AND ONE OF THOSE PEOPLE WAS J.C. PENNEY, WHO HE
> USED TO WORK FOR. PENNEY TOLD HIM HE DIDN'T HAVE A "KNACK"
> FOR SELLING SO HE FIRED WALTON. wELL DAVID, WE BOTH KNOW
> HOW THAT STORY ENDED UP. GRANTED J.C. PENNEY IS DOING WELL,
> BUT WHO IS DOING BETTER AND IS THE LARGER RETAILER,
> WAL-MART!!!! DO NOT RESPOND TO ANY MORE OF MY POSTS BECAUSE
> YOU HAVE TRULY PISSED ME OFF!!!!

Sam Walton is just what I am talking about. People with real work experience and an understanding of consumers based in an education and work experience.
By the way, when I went back to college, I took a couple of broadcast courses. In one, my term paper was low-graded. I took the same concept, developed it and made the #1 station, women 18-49, in market 13, in less than 6 months. So I have a lot of healthy, well founded disdain for most communications courses and inexperienced grads.

You say you studied this field. Yet you know nothing about how research is done, nothing about Arbitron and object when presented with fact. I rest my case.
 
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