KMan said:
Over at KUOW, all of the anchors suffer from "I work for NPR therefore I don't have to sound good or worry about my delivery because people listen to me just because its news and its important" syndrome. That being said, Derek Wong in the mornings sounds alright (though if he would just tell me the forecast high rather than say it'll be "around" he'd improve 50%) and Jamala Henderson and Sarah Lerner both have potential.
I’m forced to listen to the talent at KUOW because I like the content. (Unless of course I download the podcasts of all of the stuff I really want.)
I agree that Derek Wong has potential, although he somehow manages to ad an extra syllable to the call letters. Listen tomorrow morning; you'll see what I mean.
Jamalah Henderson is decent, but I wish she'd make up her mind whether or not she should put that "point" in the frequency. Sometimes it is 94 point 9, other times just 94-9. I know it's a minor thing... but as a former radio guy, it just grates on me.
Bill O'Grady? He’s got smooth pipes, but someone should tell him he sounds like a pompous ass that should be wearing a tweed jacket with leather patches on the sleeves and smoking a pipe... lecturing on mid 16th century lit. He does really give KUOW that "we're a snobby NPR station and you're really too stupid to be listening to us" vibe.
“Support for KUOW comes from the endowment for the federation of guys that learned how to speak on the air by listening to 1950’s staff announcers. On the web at: Listen to my pear shaped tones dot com”
Oh, and Ms. Amanda Wilde? Love the name, but she sounds anything but wild. I really dig some of the stuff played on "The Swing Years", but her monotone delivery is a chore to listen to. But hey, if she is the one that picks the music, kudos to her.
Transmission ends.