Philip_Airtime said:
First of all Googs, let me start by saying I'm glad that you, as a young person in our profession, have the passion you appear to have. I have no problem with the way you defend yourself and your company. That said, you need to man up! The bullies on this board? What are you, in high school? When you put in the time and earn your stripes in this business like Mark Giardina did, then you will have earned your right to take him on. Mark left radio on his own terms. Many of us did. I did so last year in taking an early retirement from a full-time gig. I'm in the Buffalo market. So, I don't listen to Wease. I don't listen to your voice tracked show. But what I can say is that I know Mark Giardina. Mark Giardina is a friend of mine. And, young man, you are no Mark Giardina. Maybe you will be some day. But for now, show some respect to those whom you are following. No one criticized you personally. This thread, after all, is about the firing of a legendary WHAM morning personality. Again, stand up for your company. You're getting a pay check. But for many of us, we find it hard to defend companies like Clear Channel when they're cutting key personnel and, in the end, offering a poorer product to the listening public.
I was just going to walk away...but had to come back.
First, allow me to echo Philip's sentiment that it's good to see passionate young people in our profession. I've met and worked with a few the past ten years. For example - if you network w/other CC Kiss stations - Flick at WKST/Pittsburgh is a standout talent. We worked together when he was in my cluster a couple years back. I see him as a modern-day equivalent of some of my all-time heroes in this business...
It's true I don't live in WNY nor am I an expert. I post here because of many connections to the area...but one thing I do know:
Many, if not all, of the "bullies on this board" are in reality veterans of some of the best radio made
anywhere. Sure it's fun to watch SirRox, BigA and 9 jab back-and-forth but they bring some real sound insights. And the concerns raised about voice-tracked vs. live radio are legitimate and carry potentially deep consequences for our business.
So much of the success of our business depends on how well a personality can "live in the moment". Many air-worthy topics are so, exactly because of their timeliness...in two days or even three hours the topic becomes irrelevant and a chance to emotionally connect with a listener - and perhaps turn them into a fan - is lost.
Lest there be any misunderstanding here, I'm talking about good
music radio...not just good radio. Without such live, local and/or pertinent content opportunities, when you're reduced to liner cards and generic content, music radio becomes an iPod with clutter. Or to look at it another way: when there are four stations in a market playing "Last Friday Night" and "Moves Like Jagger", I'd like to think the one who can best differentiate themselves from the pack will win that battle. The most effective differentiation will come from great jock content, in effect turning the iPod with clutter into a community of fans talking with you and with each other.
Finally, it's important to be positive about your job...many a gig has been lost in this business because a talent's attitude went south. Don't let go of that...make the best radio they allow you to make...but please, don't kid yourself into thinking that VT, no matter how well done, is equivalent to the possibilities brought by doing it live and in the moment.