I think they did better with smooth jazz but not sure.Numbers forThe WaveJenY107.3 don't look very good. I know iHeart doesn't care about ratings, but maybe Rubber City Radio does.
iHeart certainly cares about ratings. Why would you think otherwise? Agency business, whether traditional buys of transactional computer-based ones, all depend on ratings to determine CPP and to approve a buy or not.Numbers forThe WaveJenY107.3 don't look very good. I know iHeart doesn't care about ratings, but maybe Rubber City Radio does.
Well, that is what I heard. WAKS always ranks low, but iHeart doesn't seem to be worried about them.iHeart certainly cares about ratings. Why would you think otherwise? Agency business, whether traditional buys of transactional computer-based ones, all depend on ratings to determine CPP and to approve a buy or not.
WAKS is an Akron rimshot FM trying to server the Cleveland market without total market coverage. It could not conceivably rank any higher due to its deficiencies. So they keep marketing it for Cleveland it and do whatever with it might produce some incremental revenue for the cluster.Well, that is what I heard. WAKS always ranks low, but iHeart doesn't seem to be worried about them.
Ever since Top 40 (what a magazine decided to rename CHR) was developed around 1951, one of radio's most successful formats has been based on playing the same few hit songs over and over, reducing the play or eliminating songs altogether when they started to fade.Um.... How can WMJI be #1 when all they play are the same 40 songs (sometimes edits of radio edits) every month and 10 minutes of the same commercials at every break?
Cleveland is a PPM market. There is no confusion. All the PPM participant has to remember is to carry the meter around with them every day.WHLK #3? Compared to WMJI, they are 80% similar. Perhaps there's some listener confusion going on here?
It was actually about the same during the Wave 2.0 era. JenY was even worse.I think they did better with smooth jazz but not sure.
Being almost in my mid 30's, I have mostly listened to terrestrial radio since I've been able to operate a radio. The problem is that many areas have no variety anymore when it comes to music formats, all of which mostly sound the same and compete with each other for listeners, chasing listeners away to other sources as they can't find a format that works for them. Such formats, even ones that could be successful and could possibly bring in advertising dollars, are usually found elsewhere, like streaming services and Sirius XM, or are limited to a HD Radio sub that hardly anyone is aware of. Pile on the awful nothing but noise and constantly in pain pop music that has been in existence for over the last decade (which I never listened to) and you can see why radio is the way it is today.Young people under 30 don't listen to terrestrial radio for music. Period. The fact, again, is that young people under 30 don't listen to terrestrial radio for music.
Ever since Top 40 (what a magazine decided to rename CHR) was developed around 1951, one of radio's most successful formats has been based on playing the same few hit songs over and over, reducing the play or eliminating songs altogether when they started to fade.
WMJI plays the songs that were hits in the later 70's and 80's but that still have strong appeal. They have over 600 of those "favorites" from that era that they play so that the average listener hears each song, maybe, once every week to 10 days or more.
Cleveland is a PPM market. There is no confusion. All the PPM participant has to remember is to carry the meter around with them every day.
Wrong. Over 80% do use terrestrial radio, but they do use it for fewer hours than they did a decade ago.Young people under 30 don't listen to terrestrial radio for music.
They failed because alt, mostly a 25-44 or even 30-50 format that is male driven has fragmented into three or more sub-groups that only share passion for a few songs. Ample music testing has shown this to be a fact, and that is why the more successful stations (which are few) depend mostly on library cuts.107.3 is kidding themselves with an alt format. Most terrestrial alt formats failed all over the country for the same reason.
Again, if you look at 18-34 PUR in every market, you see that this statement is not true.Also, WAKS broadcasts from the same tower as WZAK, so Cleveland signal is really not a question. The fact, again, is that young people under 30 don't listen to terrestrial radio for music. The only exception is an Urban hits format like WENZ.
Saturday night is a throw-away, so you can do anything you like and it won't move the needle at all. Minuscule PUR (Persons Using Radio) and nearly un-salable.And during the Gorman/Sanders era, on Satuday night people could call in, talk to a live DJ and make a request.