Not every station can be number one.They made about $7 million in 2014-15. That's still pretty small for NYC. WLTW bills around $40 million.
Not every station can be number one.They made about $7 million in 2014-15. That's still pretty small for NYC. WLTW bills around $40 million.
And that is just a little more than what WADO, a limited AM, billed in that year.They made about $7 million in 2014-15. That's still pretty small for NYC. WLTW bills around $40 million.
Not your money at stakeNot every station can be number one.
Not your money at stake
Z-100 did it but they had to move their antenna first!Do you really believe signal challenged 94.7 with a NJ transmitter and limited brand history can be number one in New York, and bill at the same level as the heritage AC station?
I don't think Big 105.9 is going anywhere, but perhaps I am wrong.There are markets like Miami and LA where the future of rock of any kind is dubious.
However, WBGG has played minimal, if any, emo as of late, and Miami is simply not receptive to either Active Rock or Alternative especially the past 15-20 years, even when the aforementioned formats were in more favorable conditions compared to now.I don't think Big 105.9 is going anywhere, but perhaps I am wrong.
So far, however, Classic Rock has a longer shelf life than any other format. Songs from the '60s and '70s remain popular with younger kids.However, WBGG has played minimal, if any, emo as of late, and Miami is simply not receptive to either Active Rock or Alternative especially the past 15-20 years, even when the aforementioned formats were in more favorable conditions compared to now.
So what WBGG will do when they have to play songs after 2004 remains to be seen.
I remember MS from barney miller eps.Kojak's TV precinct was 'Manhattan South'.
It depends. Queen? Certainly. Emerson, Lake, & Palmer? Not really. A good reason why 90s and early 00s rock tracks have supplanted the less popular 70s ones.So far, however, Classic Rock has a longer shelf life than any other format. Songs from the '60s and '70s remain popular with younger kids.
The Hamptons book was cancelled because no station out there wanted to pay the higher cost of the PPM. I doubt that has changed.On embedded markets : Perhaps David has some info or correlation regarding the municipal territorialism between an actual proposal to rename the far eastern half of Suffolk County 'Peconic County' -- and the later issuance of the Riverhead/Hamptons book![]()
As late as the early 70's, CKLW was king in Cleveland.It even got into Brooklyn when the Netherland Antilles 100,000 watter did not interfere.I miss that station,WKBW Buffalo and the great WHN 1050 Country.And compare that with what I had in Cleveland, Ohio, in the later 50's when that was a Top 10 radio market: 8 usable stations, including one AM daytimer. 3 were Top 40, 3 were MOR and two were R&B.
While each of the Top 40's and each of the MOR's was slightly different, the differences were subtle and were mostly based on the DJs or announcers, when in the hour news was run and things like that.
Yes, it got decent ratings but was not the all day, overall winner there. It simply covered the areas of Cleveland that the limited signals of most of the Cleveland stations did not cover.As late as the early 70's, CKLW was king in Cleveland.
TWR was 500,000 watts. I know. I had a station on 805, just 1100 miles away and it destroyed us at night till I moved to 810.It even got into Brooklyn when the Netherland Antilles 100,000 watter did not interfere.I miss that station,WKBW Buffalo and the great WHN 1050 Country.
Of course not but it'll make more money than a country stationDo you really believe signal challenged 94.7 with a NJ transmitter and limited brand history can be number one in New York, and bill at the same level as the heritage AC station?
It was said on this board that WNSH, as a Country station, only made around 2 million in its final year. Yet they had higher ratings then than back in 2014-2015. It seems that Cumulus was doing a better job of selling time than Audacy. Perhaps the more national focus of the Nash brand brought in more non-local advertising?They made about $7 million in 2014-15.
It seems that Cumulus was doing a better job of selling time than Audacy. Perhaps the more national focus of the Nash brand brought in more non-local advertising?
Concert sales are utterly irrelevant.Then explain why every country concert in the metro is sold out within hours, I doubt its all the burbanites buying the tickets up.