>
> I kinda have a feeling that the whole format change when
> Citadel took over The River was nothing more than publicity
> to try to get more ratings. Now this is just my opinion,
> nothing more. I wasn't at Citadel and don't know anyone
> there, I'm just talking from what I feel, but never before
> has a big communications group listened to the listeners
> before changing formats. They didn't this last time before
> Earl soaked up the River. I get a strange feeling that they
> made alot of that up back then just to get more people to
> tune in and listen out of curiosity. They fired everyone
> that night at midnight, then played recorded call in
> messages where people talked about how bad they hated Phil
> Williams, then a few weeks later, he was back with most of
> the old River staff. I think Frank Murphy, Sarah, and Benny
> Smith were the only ones that didn't return. Citadel
> probably wanted to get rid of them anyway. If Citadel would
> have really wanted to change the format on The River when
> they took it over, I think they would have gone ahead and
> done so. They wanted to keep it around a little longer and
> see if they could boost the numbers. When they found they
> couldn't, they got rid of it.
>
Yeah, they tried to keep "the River" around, at least in name, and run it as cheaply as possible by cutting the bottom line and hiring cheaper talent. From this point, it was doomed. For the AAA format to be successful, it requires dj's that are truly music fans and that are very knowledgeable about different artists and types of music. You can't simply throw on minimum wage college interns to read liner cards and expect it to work. Where AAA does work, it is because of heritage and involvement and dj's that truly "live" the format and lifestyle. Look at stations like WRLT "Lightning 100" in Nashville and the way they present the format. They don't have a huge signal, but they have a staff that is dedicated to these artists, and a reputation for being truly involved in the music and also in community and social events that the AAA audience is into. This is a very passionate format and the only way to make it work is to really go all the way and hire people who really live and breath it. Not just throw on some liner card readers who don't know the artists or stories behind them. Also, they should have stayed true musically to the format instead of trying to draw in more "pop" listeners with the modern AC/pop alternative stuff they did for awhile. I really don't know that this area is progressive enough to truly support a real AAA format, but one thing's for sure, Citadel wasn't willing to put the bucks and real effort into it to see. They simply ran it as a cheap, overly commercialized afterthought, and that is one thing that the AAA core audience will not accept.
They should have looked at heritage AAA's like WRLT, KBCO, KFOG, WBOS, etc. and put that kind of passion into it if they really believed in it.