R
Radio_Realist
Guest
I guess radio - as a career -- is indeed dead. It's only about money.
Radio, as a career, is certainly not dead. And careers have always been about money. You've simply been whining about who gets the money. You don't like it when station owners or syndicated talk show hosts make money, because you'd rather see local hosts make the money. So don't get all high and mighty about money.
The simple truth is that certain jobs in radio will no longer be as plentiful. I have some history for you to consider. Once upon a time, almost every radio station had a sound effects man on the payroll, or at least on call on a free lance basis. When they'd produce scripted comedies and dramas, the sound effects man would have to knock coconut halves together to make the sound of horses' hoof beats. He'd have to slam fake doors, shoot guns loaded with blanks, and otherwise create the sounds that went along with the comedies and dramas that used to be the main thing on the radio. Guess what? They discovered that they could use taped sound effects (as soon as tape recorded became available), and then they decided to stop producing new comedies and dramas. All those sound effects men were out of work. But that didn't mean that there were no longer careers in radio. There just weren't careers for sound effects men.
Also, once upon a time, every station employed staff musicians. These musicians would perform live music for things like the theme songs of programs, musical beds for commercials, and so on. When is that last time you heard of a radio station that had any staff musicians?
One other thing you've never answered. What is the difference between hiring someone who lives in another town to conduct a talk show on your station via a satellite feed and hiring someone from a different city to move to your city and sit in front of a microphone in your local studio? Neither one is really local. So what's the big deal over where the talk show host sits?
Radio, as a career, is certainly not dead. And careers have always been about money. You've simply been whining about who gets the money. You don't like it when station owners or syndicated talk show hosts make money, because you'd rather see local hosts make the money. So don't get all high and mighty about money.
The simple truth is that certain jobs in radio will no longer be as plentiful. I have some history for you to consider. Once upon a time, almost every radio station had a sound effects man on the payroll, or at least on call on a free lance basis. When they'd produce scripted comedies and dramas, the sound effects man would have to knock coconut halves together to make the sound of horses' hoof beats. He'd have to slam fake doors, shoot guns loaded with blanks, and otherwise create the sounds that went along with the comedies and dramas that used to be the main thing on the radio. Guess what? They discovered that they could use taped sound effects (as soon as tape recorded became available), and then they decided to stop producing new comedies and dramas. All those sound effects men were out of work. But that didn't mean that there were no longer careers in radio. There just weren't careers for sound effects men.
Also, once upon a time, every station employed staff musicians. These musicians would perform live music for things like the theme songs of programs, musical beds for commercials, and so on. When is that last time you heard of a radio station that had any staff musicians?
One other thing you've never answered. What is the difference between hiring someone who lives in another town to conduct a talk show on your station via a satellite feed and hiring someone from a different city to move to your city and sit in front of a microphone in your local studio? Neither one is really local. So what's the big deal over where the talk show host sits?