JustCallMeSherlock said:
Let's face it, it's all about the stock price and money.
And oh, just look at those stock prices... my 401(k) is now a 201(k)... Thank you, I'll be here all week, make sure you tip the bartenders.
But seriously, what a cool thread. It's meandered all over the place and it seems to be music centered. Oh, it also looks like "Buffalo South" since more than a few posters here also appear on the Bufffalo-Niagara Falls board. It's Friday and I should be doing production, but... ah hell, what's ten minutes of down time gonna hurt!?
Jeff, your recollections of WJJL Niagara Falls made me chuckle. I immediately thought of "Go All the Way" and there it was a few posts later. We used to fire that puppy up to test the processing at WUSJ (when it was on AM 1340 in Lockport rather than its present home on FM in Jackson, Mississippi.)
We ran a Gates Sta-Level in front of an Audimax and then the Volumax into the 1kW Bauer-Sparta in the next room. You could see the cherries on the modulators when "Go All The Way" rolled on those QRK turntables.
Eric Carmen was a radio junkie and musician who grew up in Cleveland listening to WIXY-1260 and WKYC-1100. So when it came to producing Top 40 hits for his band The Raspberries, he had the art form down to a science. He KNEW the jocks liked to talk up the intros and "Go All The Way" is a typically great jock talk-up song ("weather and at least one PSA on the intro".) It's big, dynamic, with at least a half dozen posts before the vocal hits. If you couldn't hit one of the posts on that intro, you weren't a Top 40 jock. The Raspberries follow up, "I Wanna Be With You" had the same typo of processing and intro.
A few years back (when we were
Oldies 104), we had Paul Revere & the Raiders in for a station Oldies-Fest. I had the chance to talk radio and production with Mark Lindsay and asked him "OK, tell me the secret behind the bass line in
Hungry and
Just Like Me. I've played them off vinyl, cart, CD and WAV and the songs always sounds scary good. Clean, thick and that bass line cuts through. What'd you guys do to get that thick bass?"
Well, first off, he was genuinely appreciative of the question. He chuckled because he'd been asked that specific question by only a select number of radio people, whom he immediately identified as either musicians, production geeks or music engineers.
The story is, and he loved telling it, was that the group was always fooling around with the dials and the processing as much as the notes and the arrangements. He's originally a saxapohone player, and a very good one. So he and his buds would stay up all nite recording and then fooling around with the mixing and processing.
Long story short(er), he says they got the thick bass in
Hungry and
Just Like Me by using the foot peddles (bass) of a Hammond B3 organ, tracking in real time over the bass guitar line. They mastered th songs using two (L+R) RCA radio station peak limiters (model numbers I don't recall.) Next time you hear those songs, give a listen. It's delightful.
Another great Oldies that's superbly produced is Skip & Flip's "Cherry Pie." Even on the Columbia Red Masters label 45, it sounds spectacular.
Back to work. Four 60's, three 30's and a music promo await.