^^^^I concur, donta1974. WPGC is making an evolution once again, something that very few rhythmic crossovers that have this type of long track history of doing. They are keeping the black 18-49 as their core, but they are going HARD for the white female and other 18-34 demographic groups. It's obvious that Jason doesn't want WPGC to go back to "WPGC 95 Jams" days of the 1987-1993, where they weren't taking very seriously by blacks because it was "too all over the place" with only a few hip-hop and R&B tracks and WKYS dominated with blacks. He is trying to do like the old "the Beat" in LA did and be an "all inclusive" urban-leaning rhythmic contemporary station. It's a fine line to follow because WPGC has to take on a number of stations aside from Hot 99.5 at the same time (WKYS, WHUR, & WMMJ) for the black audience of the DMV. That is the reason why they dropped the "DC's Hip-Hop & R&B" moniker that popped up during the 2007-2010 period.
Martin Mac, remember during WPGC's seriously hardcore urban-leaning days of 1997-2007, they maintained the "DC's #1, Always Blazin' 18 Jams in A Row" moniker, which was very ambiguous although they were most definitely programmed as a full-service urban contemporary station with a rhythmic billing. If they succeed at beating Hot 99.5 in the overall 12+ along with maintaining their top billing, they will morph include more of the urban programming more often. Also remember they haven't let go of their public affairs shows on Sunday morning or special events like the ones hosted by Flexx and Rane, so they still care about the urban music audience.