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Format holes in LA

KDM 7000 said:
I take back some of what I've said about the L.A. market! As I listen to some of the mixes going on right now, I must say that LA still kinda "has it" when it comes to the dance & latin dance sound and discovering new dance hits and remixes - when it comes to mix shows! I'm loving what I'm hearing, and it's only FRIDAY night! If I was in Phoenix, our hit music station wouldn't even be mixing. KIIS LA is actually mixing straight up dance (along with a few others playing dance remixes and stuff). It may not be like the past, but I'm still loving this modernized version of that whole style and sound! Even KDAY played some (old school) euro dance and booty bass!

KAMP has the bass remix of Waka Flocka's "no hands" in regular rotation, and KGGI mixed in the bass remix of "motivation" earlier today.
Don't forget KPWR. They've been on the Bass Mix of Waka Flocka Flame's No Hands the song came out. KPWR needs to play K.P. & Envyi's Swing My Way, Ghost Town DJ's My Boo and Quad City DJ's C'mon & Ride It(The Train) not in rotation but during their mixes though.
 
I hear "my boo" and "swing my way" quite a bit on 101.5 JamZ and 104.7 Kiss FM Phoenix. "C'mon & ride it (the train)" and "my boo" are sometimes mixed on Mega 104.3, The Old School Station. So is the Cibola Bass Mix of "anytime" by Brian Mc Knight" occasionally. Not sure if Mega 92.3 or whatever 92.3 in L.A. is now plays it or not.

I see no one in LA has used the bass remix of "Last friday night" by Katy Perry (at least that I've heard of).

Can't believe I fell asleep last night at 12am, in the middle of some interesting mixes. By the time I woke up at 2, nothing was going on!
 
DavidEduardo said:
atlantaboy said:
And BTW all those huge pop/rock songs I listed were played in huge markets (as is Tonight Tonight, which is #3 on ITunes this week BTW) - I do think, after spending some time in this thread though, that KIIS has convinced radio listeners in L. A. that the only big hits are rhythmic hits, and that all the huge CHR rock and pop/rock hits of the past decade never existed, or, aparrently, are "small market hits" which lol is pretty untrue

But... those reock leaning songs were not played or only got limited play all over Latin Amerca. The point is that those songs are likely to get little or no CHR play in a market where a CHR can not be successful under any circumstances without doing very well among Hispanics. And where Hispanics, who form an absolute majority in the CHR demos, tend to set the taste for the whole market.

David-

I'm not faulting KIIS for leaning Rhythmic (or for skipping those songs)

There were posts claiming the KIIS never ignored rock or pop/rock, so I was refuting those posts
 
KDM 7000 said:
I hear "my boo" and "swing my way" quite a bit on 101.5 JamZ and 104.7 Kiss FM Phoenix. "C'mon & ride it (the train)" and "my boo" are sometimes mixed on Mega 104.3, The Old School Station. So is the Cibola Bass Mix of "anytime" by Brian Mc Knight" occasionally. Not sure if Mega 92.3 or whatever 92.3 in L.A. is now plays it or not.

I see no one in LA has used the bass remix of "Last friday night" by Katy Perry (at least that I've heard of).

Can't believe I fell asleep last night at 12am, in the middle of some interesting mixes. By the time I woke up at 2, nothing was going on!
It's Hot 92.3 and I haven't heard Ghost Town DJ's My Boo on the 92.3 dial since it was 92.3 The Beat back in '96.
 
atlantaboy said:
DavidEduardo said:
atlantaboy said:
And BTW all those huge pop/rock songs I listed were played in huge markets (as is Tonight Tonight, which is #3 on ITunes this week BTW) - I do think, after spending some time in this thread though, that KIIS has convinced radio listeners in L. A. that the only big hits are rhythmic hits, and that all the huge CHR rock and pop/rock hits of the past decade never existed, or, aparrently, are "small market hits" which lol is pretty untrue

But... those reock leaning songs were not played or only got limited play all over Latin Amerca. The point is that those songs are likely to get little or no CHR play in a market where a CHR can not be successful under any circumstances without doing very well among Hispanics. And where Hispanics, who form an absolute majority in the CHR demos, tend to set the taste for the whole market.

David-

I'm not faulting KIIS for leaning Rhythmic (or for skipping those songs)

There were posts claiming the KIIS never ignored rock or pop/rock, so I was refuting those posts

You refuted the posts by saying KIIS missed out on a whole bunch of rock and pop/rock songs, and then didn't have any examples. Your only example was "Tonight Tonight", which is a current, and arguably isn't a very good song. If you're the PD at KIIS and you have to choose between playing a lyrical unimportant, poppy song to fill an uptempo spot on your station, do you go with LMFAO, who is from LA and is more lifestyle appropriate, or with Hot Chelle Rae?
 
atlantaboy said:
justpassingthough said:
What songs are you talking about specifically? I'm not saying you're wrong, I just don't really recall KIIS being that far off the mark when it came to monster pop/rock records...

There were literally tons of them, but just off the top of my head...(some of these I think received very limited low rotation airplay, but most didn't receive any)

Plain White T's/Hey There Delilah
Nickelback/Photograph
Nickelback/Someday
Nickelback/Rockstar
3 Doors Down/Let Me Go
3 Doors Down/When I'm Gone
Pink/Who Knew
Hinder/Lips Of An Angel
Daughtry/It's Not Over
Daughtry/Home
Daughtry/Over You
Puddle Of Mudd/Blurry
Creed/My Sacrifice
Creed/One Last Breath
Switchfoot/Meant To Live (not sure)
Jason Mraz/The Remedy
Jason Mraz/I'm Yours (not sure)
Coldplay/Viva La Vida
Jimmy Eat World/The Middle
Lifehouse/You And Me
Linkin Park/In The End
Linkin Park/Numb
Matchbox Twenty/Unwell
Shinedown/Second Chance
Trapt/Headstrong
Calling/Wherever You Will Go
Chad Kroeger with Josey Scott/Hero
Evanescence/Bring Me To Life (not sure)
Maroon 5/Harder To Breathe
Santana feat Alex Band/Why Don't You And I
Seether feat Amy Lee/Broken
Hoobastank/The Reason (not sure)
Green Day/Boulevard Of Broken Dreams (not sure)
Fall Out Boy/Sugar We're Goin' Down
Fall Out Boy/Dance Dance
Fray/How To Save A Life
Fray/Over My Head (Cable Car)
Fray/You Found Me
Panic At The Disco/I Write Sins Not Tragedies (not sure)
Colbie Caillat/Bubbly
Sara Bareilles/Love Song (not sure)
Kid Rock/All Summer Long
All-American Rejects/Dirty Little Secret
All-American Rejects/Move Along
All-American Rejects/It Ends Tonight
All-American Rejects/Gives You Hell (not sure)
 
^Lol I didn't have any examples?

And wow at you posting that Tonight Tonight is "arguably not a very good song", but that Party Rock Anthem is a great song hands-down

Also not sure why you have the PD at KIIS "choosing" between LMFAO and Hot Chelle Rae - most PDs nationwide chose both (since both are in the Top 3 on the ITunes chart)

The difference, plain and simple, is that the PD as KIIS knows that pop/rock records don't test well with their 60+% Hispanic audience, so playing Hot Chelle Rae isn't worth risking their core audience changing the station
 
atlantaboy said:
^Lol I didn't have any examples?

And wow at you posting that Tonight Tonight is "arguably not a very good song", but that Party Rock Anthem is a great song hands-down

Actually, thats not what I said at all. I said if you had to choose between the two songs- which are both disposable songs and you're the PD of KIIS, which makes more sense to choose? I think they're equally terrible songs.
 
atlantaboy said:
atlantaboy said:
justpassingthough said:
What songs are you talking about specifically? I'm not saying you're wrong, I just don't really recall KIIS being that far off the mark when it came to monster pop/rock records...

There were literally tons of them, but just off the top of my head...(some of these I think received very limited low rotation airplay, but most didn't receive any)

Plain White T's/Hey There Delilah
Nickelback/Photograph
Nickelback/Someday
Nickelback/Rockstar
3 Doors Down/Let Me Go
3 Doors Down/When I'm Gone
Pink/Who Knew
Hinder/Lips Of An Angel
Daughtry/It's Not Over
Daughtry/Home
Daughtry/Over You
Puddle Of Mudd/Blurry
Creed/My Sacrifice
Creed/One Last Breath
Switchfoot/Meant To Live (not sure)
Jason Mraz/The Remedy
Jason Mraz/I'm Yours (not sure)
Coldplay/Viva La Vida
Jimmy Eat World/The Middle
Lifehouse/You And Me
Linkin Park/In The End
Linkin Park/Numb
Matchbox Twenty/Unwell
Shinedown/Second Chance
Trapt/Headstrong
Calling/Wherever You Will Go
Chad Kroeger with Josey Scott/Hero
Evanescence/Bring Me To Life (not sure)
Maroon 5/Harder To Breathe
Santana feat Alex Band/Why Don't You And I
Seether feat Amy Lee/Broken
Hoobastank/The Reason (not sure)
Green Day/Boulevard Of Broken Dreams (not sure)
Fall Out Boy/Sugar We're Goin' Down
Fall Out Boy/Dance Dance
Fray/How To Save A Life
Fray/Over My Head (Cable Car)
Fray/You Found Me
Panic At The Disco/I Write Sins Not Tragedies (not sure)
Colbie Caillat/Bubbly
Sara Bareilles/Love Song (not sure)
Kid Rock/All Summer Long
All-American Rejects/Dirty Little Secret
All-American Rejects/Move Along
All-American Rejects/It Ends Tonight
All-American Rejects/Gives You Hell (not sure)

Most of these songs received decent, if not great, rotation at KIIS. Its a lot less rhythmic of a station than most people would lead you to believe. Plus, it had a pop/rock lean until at least 2004. KAMP, on the other hand....
 
justpassingthough said:
atlantaboy said:
^Lol I didn't have any examples?

And wow at you posting that Tonight Tonight is "arguably not a very good song", but that Party Rock Anthem is a great song hands-down

Actually, thats not what I said at all. I said if you had to choose between the two songs- which are both disposable songs and you're the PD of KIIS, which makes more sense to choose? I think they're equally terrible songs.

I mean, I don't really understand what the discussion is here - LMFAO tests well with Hispanics, Hot Chelle Rae doesn't, and the PD at KIIS isn't gonna risk the 60%+ Hispanic core audience changing the station to KAMP or KPWR

Most PDs aren't "choosing" between the two songs anyway (most are playing both) - but again, L. A. has a unique demographic
 
atlantaboy said:
justpassingthough said:
atlantaboy said:
^Lol I didn't have any examples?

And wow at you posting that Tonight Tonight is "arguably not a very good song", but that Party Rock Anthem is a great song hands-down

Actually, thats not what I said at all. I said if you had to choose between the two songs- which are both disposable songs and you're the PD of KIIS, which makes more sense to choose? I think they're equally terrible songs.

I mean, I don't really understand what the discussion is here - LMFAO tests well with Hispanics, Hot Chelle Rae doesn't, and the PD at KIIS isn't gonna risk the 60%+ Hispanic core audience changing the station to KAMP or KPWR

Most PDs aren't "choosing" between the two songs anyway (most are playing both) - but again, L. A. has a unique demographic

This discussion started because you were giving KIIS a hard time for skipping "Tonight, Tonight". I'd rather they skip bad songs like Hot Chelle Rae and be early on songs like "Every Teardrop is a Waterfall" or "Pumped Up Kicks". You, yourself, have argued that you think most of the songs charting well today won't hold up as recurrents or gold records down the road. Do you think Hot Chelle Rae will hold up? It reminds me of LFO "Summer Girls". How many times have you heard that on a CHR station in 2011?
 
justpassingthough said:
atlantaboy said:
justpassingthough said:
atlantaboy said:
^Lol I didn't have any examples?

And wow at you posting that Tonight Tonight is "arguably not a very good song", but that Party Rock Anthem is a great song hands-down

Actually, thats not what I said at all. I said if you had to choose between the two songs- which are both disposable songs and you're the PD of KIIS, which makes more sense to choose? I think they're equally terrible songs.

I mean, I don't really understand what the discussion is here - LMFAO tests well with Hispanics, Hot Chelle Rae doesn't, and the PD at KIIS isn't gonna risk the 60%+ Hispanic core audience changing the station to KAMP or KPWR

Most PDs aren't "choosing" between the two songs anyway (most are playing both) - but again, L. A. has a unique demographic

This discussion started because you were giving KIIS a hard time for skipping "Tonight, Tonight".

No (for the third time), it started because someone posted that Wikipedia was incorrect in stating that KIIS "does not prioritize rock", and I posted that Wikipedia was correct

To back up the fact that KIIS "did not prioritize rock", I posted that it was skipping Hot Chelle Rae and One Republic - and that it skipped most big pop/rock CHR hits from the 2000s (which it did - I have no idea why you posted that they played most of those songs, cause they didn't)

And for what must be the tenth time now, I WOULD DO THE SAME THING IF I WAS PD
 
justpassingthough said:
Do you think Hot Chelle Rae will hold up? It reminds me of LFO "Summer Girls". How many times have you heard that on a CHR station in 2011?

It doesn't matter what I think...

Hot Chelle Rae is #8 on the CHR chart, with a +644 bullet - Summer Girls peaked at #19

If you think skipping Hot Chelle Rae is no big deal, or insignificant, you need to go into the "Why Is Cumulus Ignoring Super Bass" thread, and post that skipping Nicki Minaj is no big deal, or not significant

And BTW I guarantee you're not going to post that, cause it's a rhythmic track
 
atlantaboy said:
justpassingthough said:
Do you think Hot Chelle Rae will hold up? It reminds me of LFO "Summer Girls". How many times have you heard that on a CHR station in 2011?

It doesn't matter what I think...

Hot Chelle Rae is #8 on the CHR chart, with a +644 bullet - Summer Girls peaked at #19

If you think skipping Hot Chelle Rae is no big deal, or insignificant, you need to go into the "Why Is Cumulus Ignoring Super Bass" thread, and post that skipping Nicki Minaj is no big deal, or not significant

And BTW I guarantee you're not going to post that, cause it's a rhythmic track

There is a difference between skipping what is now the top charting track by a huge artist like Nicki Minaj (she does have the #7 or #8 best selling album of this year) and has charted in the past on CHR versus skipping a one off song by a group that may or may not have another hit.

And as I've said over and over again in the Cumulus thread, I don't care if they skip the track, I just think its surprising they are, considering that she is a popular artist and this is her biggest hit. Not every station has to play every song. Personally, I think this is her worst song, and I don't like hearing it on any CHR station.
 
justpassingthough said:
atlantaboy said:
justpassingthough said:
Do you think Hot Chelle Rae will hold up? It reminds me of LFO "Summer Girls". How many times have you heard that on a CHR station in 2011?

It doesn't matter what I think...

Hot Chelle Rae is #8 on the CHR chart, with a +644 bullet - Summer Girls peaked at #19

If you think skipping Hot Chelle Rae is no big deal, or insignificant, you need to go into the "Why Is Cumulus Ignoring Super Bass" thread, and post that skipping Nicki Minaj is no big deal, or not significant

And BTW I guarantee you're not going to post that, cause it's a rhythmic track

There is a difference between skipping what is now the top charting track by a huge artist like Nicki Minaj (she does have the #7 or #8 best selling album of this year) and has charted in the past on CHR versus skipping a one off song by a group that may or may not have another hit.

Nicki Minaj isn't a "huge artist" on CHR - her past three hits have peaked at #19, #32, and #21, and she hasn't had any others - and what matters anyway is the song, not just the artist, and the Hot Chelle Rae track is selling MORE than the Nicki Minaj track, meaning nationwide, people like the Hot Chelle Rae song BETTER than the Nicki Minaj song

Plus, KIIS is skipping One Republic, who have a HUGE track record of CHR hits, compared to Nicki Minaj, who has barely cracked the Top 20

I mean, to me, what's going on is obvious - Nicki Minaj tests well with Rhythmic listeners, while HCR/One Republic don't, and, essentially, KIIS is targeting a huge percentage of Rhythmic listeners
 
atlantaboy said:
justpassingthough said:
atlantaboy said:
justpassingthough said:
Do you think Hot Chelle Rae will hold up? It reminds me of LFO "Summer Girls". How many times have you heard that on a CHR station in 2011?

It doesn't matter what I think...

Hot Chelle Rae is #8 on the CHR chart, with a +644 bullet - Summer Girls peaked at #19

If you think skipping Hot Chelle Rae is no big deal, or insignificant, you need to go into the "Why Is Cumulus Ignoring Super Bass" thread, and post that skipping Nicki Minaj is no big deal, or not significant

And BTW I guarantee you're not going to post that, cause it's a rhythmic track

There is a difference between skipping what is now the top charting track by a huge artist like Nicki Minaj (she does have the #7 or #8 best selling album of this year) and has charted in the past on CHR versus skipping a one off song by a group that may or may not have another hit.

Nicki Minaj isn't a "huge artist" on CHR - her past three hits have peaked at #19, #32, and #21, and she hasn't had any others - and what matters anyway is the song, not just the artist, and the Hot Chelle Rae track is selling MORE than the Nicki Minaj track, meaning nationwide, people like the Hot Chelle Rae song BETTER than the Nicki Minaj song

Plus, KIIS is skipping One Republic, who have a HUGE track record of CHR hits, compared to Nicki Minaj, who has barely cracked the Top 20

Hot Chelle Rae is selling more singles than Nicki Minaj, currently. Millions of people bought her record, and already own the song, so they don't have a reason to buy the single again. How many records has Hot Chelle Rae sold? Not to mention, she has spent the past few months opening for Lil Wayne and Britney Spears- two of the biggest musical acts of the past decade. There is a HUGE difference in popularity between Nicki Minaj and Hot Chelle Rae.

Technically, One Republic's biggest hit is guesting on a Timbaland track, so if you're counting that as to their success at CHR, than all of Nicki Minaj's contributions on other artist's tracks have to count too. She was the first artist ever to have seven songs in the Hot 100 simultaneously. She is a huge artist.
 
justpassingthough said:
Technically, One Republic's biggest hit is guesting on a Timbaland track

GUESTING on a Timbaland track? They wrote and performed the entire song, and Timbo added a drumbeat to it...

At this point, I think you're defending KIIS at all costs, not just by insisting that they lean Rhythmic (which is true), but by insisting that the artists they play are "bigger" than the artists they skip

One Republic is a HUGE CHR artist (3 Top 10 hits, and 2 Top 15 hits) - Nicki Minaj is not (nothing has cracked the Top 15 until now)

I do think though that after years of listening to KIIS (assuming you live in L. A.), you're convinced that what KIIS plays is huge and what KIIS skips is not - and sorry but that's pretty crazy, seeing has how from the early 2000s through about a month ago it's essentially been a Rhythmic station
 
atlantaboy said:
justpassingthough said:
Technically, One Republic's biggest hit is guesting on a Timbaland track

GUESTING on a Timbaland track? They wrote and performed the entire song, and Timbo added a drumbeat to it...

At this point, I think you're defending KIIS at all costs, not just by insisting that they lean Rhythmic (which is true), but by insisting that the artists they play are "bigger" than the artists they skip

One Republic is a HUGE CHR artist (3 Top 10 hits, and 2 Top 15 hits) - Nicki Minaj is not (nothing has cracked the Top 15 until now)

I do think though that after years of listening to KIIS (assuming you live in L. A.), you're convinced that what KIIS plays is huge and what KIIS skips is not - and sorry but that's pretty crazy, seeing has how from the early 2000s through about a month ago it's essentially been a Rhythmic station

NO, IT WAS NOT!! You do not live in Los Angeles. You have no idea what KIIS has sounded like for the past 10 years. KIIS spent the better part of the decade favoring pop/rock. Granted, I may be biased from only hearing the stations in LA, but then you're equally as biased from listening to Atlanta stations that sound like they are Hot AC for all intents and purposes.

And what KIIS plays and what KIIS skips IS HUGE. This is Los Angeles. It is the second largest radio market in the country. KIIS is the #1 station in PPM numbers, and is the most influential CHR station in the country. No, not every song that KIIS skips is a failure, and not every song they play is going to be a hit everywhere else, but stations like KIIS and markets like Los Angeles are trendsetters.

This has nothing to do with a rhythmic bias. This has everything to do with who is making hit records that are appropriate for CHR at the time. It is a current based format. If KIIS isn't playing One Republic and lets it go to KBIG, then its most likely because its not a good fit for the demographic. I have never argued any differently, in this thread or in other threads.
 
Different PD's normally have different ideas and would program a same format / station differently. I wonder if things would still be the same if another PD were at KIIS?

We once had a PD who was not in favor of top 40 dance on KZZP Phoenix in the mid 00's. That changed when he moved to KIIS in L.A. Now I believe he moved to a station in San Francisco. I wonder if any of the previous PD's would've thought Hot Chelle Rae and One Republic were appropriate, and whether or not it would've done well or not?

I remember KZON Phoenix (Rhythmic) wasn't using things like Orianthi or Hot Chelle Rae or whatever that song from the Glee soundtrack was until another guy became PD / MD. It seems like it's up to the person in control at the time to decide what he thinks will work or not, and sometimes, you'll never get to really know if something would've worked or not depending on the decision of whoever is PD / MD at the time.
 
atlantaboy said:
GUESTING on a Timbaland track? They wrote and performed the entire song, and Timbo added a drumbeat to it...

While accurate, the predominant single was still billed as "Timbaland featuring OneRepublic", much in the same vein as Rob Thomas' writing and vocal duties in Santana's "Smooth".


(My apologies--I forgot to scream "NERD ALERT". :D)
 
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