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G-Rock: Looks Like The Pendulum Has Swung Again

I had gotten into the habit of checking out G-Rock because they were actually throwing in some interesting classics - until a few days back, when it stopped completely. With few exceptions, their library now starts with Nirvana (unless it's U2 or REM.)

So: new PD at last?

-Sean
Altrok Radio at http://www.altrokradio.com
 
Sean: I seriously believe you or I could turn G Rock Radio into something worth listening to if either of us were PD. The consultants that Press Communications are using are clueless, guiding them into a direction that is very appealing if you are 14 and female, and very off-putting if you are anything else. It basically sounds like a teen girl's iPod with all the Fall Out Boy, My Chemical Romance, Yellowcard, Green Day and other TRL staples, combined with only the most mainstream "Alternative" of the last 15 years. While most stations are taking an aggressive, edgy approach to the format, and some are taking the format back to its roots (stations like The End in Seattle, Indie 103.1 in Santa Monica and the FNX Radio Network in New England - why wouldn't a station like this work here?), G Rock Radio kind of stands out like a sore thumb: Alternative For Teenage Girls. They might occasionally throw the rest of us a bone, but then it's right back into the Linkin Park or Evanescence. It's ridiculous. Practically the only British bands they ever play are Oasis (good, but overrated) and Coldplay (did we really need a new Air Supply, on Alternative no less?). I don't know what the people at Press are thinking or what their consultants are telling them, but this direction is only going to hurt the station. Teen girls may be an attractive demo, but to focus completely on them is to limit the appeal of your station in a huge way.
 
Now look at this - after a few days of going completely neo-alternative, today they've played the following songs that I'd program:

Beck Where Its At
Beck Nausea
Cake The Distance
Elastica Stutter
Fatboy Slim Rockafeller Skank (Edit)
Foo Fighters Next Year
G. Love & Special Sauce Rodeo Clowns
Gnarls Barkley Gone Daddy Gone
Green Day Holiday
Green Day She
Ok Go Here It Goes Again
R.E.M. The One I Love
Red Hot Chili Peppers Dani California
Replacements Alex Chilton
Republica Ready To Go
Shiny Toy Guns Le Disko
The Clash London Calling
The Raconteurs Steady As She Goes
The Smithereens Only A Memory
The Smiths Bigmouth Strikes Again
The Von Bondies Cmon Cmon
U2 and Green Day The Saints Are Coming
Violent Femmes Blister In The Sun
Violent Femmes Add it Up

(Shiny Toy Guns? Neo-new wave! Shock horror!)

Okay, now it looks like that pendulum's swinging REALLY FAST. Watch your heads.

-Sean
Altrok Radio at http://www.altrokradio.com
 
Well, a few of those songs are really massive hits (Raconteurs, U2 & Green Day, RHCP), so there's little surprise that G Rock is on them. However, I do have to say that it was quite surprising to see many of those songs included, among them The Smiths, G. Love, and Elastica (a song that wasn't "Connection", too!).

At the same time, I'm guessing that many of these songs received play during the "90's At Noon" hour. I do think there's plenty of awesome bands out today (listening to WJSE's "Late Night Leak" right now - they're playing Sparta, The Rapture, Starsailor, Anti-Flag, The Colour, and several other bands that G Rock Radio should be on right now!), but the "90's At Noon" is by far the most listenable hour of programming during the week at G Rock Radio. Now, if only they would take this lack of predictability and apply it to the regular programming like the best Alternative stations do. God forbid we risk alienating all the tattoo parlors and hair salons that advertise by playing something different - let's just play more MTV flavor of the month bands like Fall Out Boy instead.
 
Actually, I just pulled this off their "last 106.3" list, so the 90's At Noon block isn't represented. (It does go back to about 1:30am, so there may be more spice in the overnights, though I doubt it.)

Today, I found these overlaps with what I'd program...

Beck - Loser
Beck - Nausea
Depeche Mode - Never Let Me Down Again
Dramarama - Work For Food
Fatboy Slim - Praise You
Fountains of Wayne - Radiation Vibe
Garbage - Only Happy When It Rains
Gnarls Barkley - Gone Daddy Gone
Green Day - When I Come Around
Janes Addiction - Jane Says
Modest Mouse - Float On
Nine Inch Nails - Only
Oasis - Wonderwall
Oasis - Acquiesce
Ok Go - Here It Goes Again
Radiohead - Creep
Ramones - Blitzkrieg Bop
Red Hot Chili Peppers - Dani California
Red Hot Chili Peppers - Give It Away
Red Hot Chili Peppers - Under The Bridge
Shiny Toy Guns - Le Disko
The Dandy Warhols - We Used To Be Friends
The Killers - Smile Like You Mean It
The Pixies - Monkey Gone To Heaven
The Raconteurs - Steady As She Goes
U2 and Green Day - The Saints Are Coming
Violent Femmes - Please Do Not Go
Violent Femmes - American Music
Weezer - Hash Pipe
Weezer - This Is Such a Pity
Yeah Yeah Yeahs - Gold Lion

(And there's that Shiny Toy Guns track again - weird!)

-Sean
Altrok Radio at http://www.altrokradio.com
 
Is that a "positive" or "negative" on the Shiny Toy Guns?

I actually really like that track.

And I feel that them playing stuff like Jurassic 5, Gnarls Barkley and now this Shiny Toy Guns track is what some folks on this board have been "asking for" from the station to play different tracks from the norm.
 
Chuck Wagon said:
Is that a "positive" or "negative" on the Shiny Toy Guns?

I actually really like that track.

And I feel that them playing stuff like Jurassic 5, Gnarls Barkley and now this Shiny Toy Guns track is what some folks on this board have been "asking for" from the station to play different tracks from the norm.

Oh, no - definitely positive; an example of what I don't think they would have touched two years ago. Good ol' fashioned shiny plastic new wave. (Shame they didn't bother with Ladytron.) I'm in the same boat regarding Gnarls - I think there's much on that album that's absolute genius.

Of course, what I pulled out there represents about 30% of their programming, meaning there's *lots* of room for improvement.
 
hubcity said:
Actually, I just pulled this off their "last 106.3" list, so the 90's At Noon block isn't represented. (It does go back to about 1:30am, so there may be more spice in the overnights, though I doubt it.)

Today, I found these overlaps with what I'd program...

Beck - Loser
Beck - Nausea
Depeche Mode - Never Let Me Down Again
Dramarama - Work For Food
Fatboy Slim - Praise You
Fountains of Wayne - Radiation Vibe
Garbage - Only Happy When It Rains
Gnarls Barkley - Gone Daddy Gone
Green Day - When I Come Around
Janes Addiction - Jane Says
Modest Mouse - Float On
Nine Inch Nails - Only
Oasis - Wonderwall
Oasis - Acquiesce
Ok Go - Here It Goes Again
Radiohead - Creep
Ramones - Blitzkrieg Bop
Red Hot Chili Peppers - Dani California
Red Hot Chili Peppers - Give It Away
Red Hot Chili Peppers - Under The Bridge
Shiny Toy Guns - Le Disko
The Dandy Warhols - We Used To Be Friends
The Killers - Smile Like You Mean It
The Pixies - Monkey Gone To Heaven
The Raconteurs - Steady As She Goes
U2 and Green Day - The Saints Are Coming
Violent Femmes - Please Do Not Go
Violent Femmes - American Music
Weezer - Hash Pipe
Weezer - This Is Such a Pity
Yeah Yeah Yeahs - Gold Lion

(And there's that Shiny Toy Guns track again - weird!)

-Sean
Altrok Radio at http://www.altrokradio.com

Pretty much all these bands make up the surface of what can be heard on a real Alternative station, like Indie or The End. Some of these songs drive me crazy after so many spins - I liked Modest Mouse's "Float On" at one time, but it quickly became stale and upon listening to the lyrics, it's essentially "Don't Worry, Be Happy" for Generation MySpace. Ditto Red Hot Chili Peppers "Dani California" - they're driving this song into everyone's subconscious like a sledgehammer to the skull. I don't think they mentioned enough state names in the song - they only squeezed in about 6 or 7, those slackers! Next time, I want a song with ALL 50 STATES, and I want it to be called "California California California California California"! I don't think RHCP do enough songs about California - they shpuld make a concept album with all the songs revolving around it and everyone would be happy. Sorry, couldn't help myself there. I really wish they would play something from RHCP when they really mattered - like "Fight Like A Brave", "True Men Don't Kill Coyotes", or "Me & My Friends", for instance. It destroys everything they have done in the last 10 years.

On the plus side, a great Depeche Mode track - unfortunately I'd be willing to bet that they played it during graveyard. And more kudos for Dramarama, Violent Femmes, Pixies, and Fountains Of Wayne (shows that they're capable of far better than "Stacy's Mom").

Besides the aforementioned teenybopper bubblegum pop/rock like Fall Out Boy, My Chemical Romance, Panic! At The Disco, etc., the other genre that is far too heavily represented is post-grunge. Whether it's the stale Sixteen Stone-era Bush (they did improve somewhat after this) or the cheesy Puddle Of Mudd ballad "Blurry", or newer acts like Stone Sour or Shinedown, it is proven that G Rock Radio doesn't hold the reverance for the Alternative format like the staff at FM 106.3 did.

My response: They're willing to play this MOR fluff like Stone Sour's irritating, repetitive ballad "Through Glass", but it would be a cold day in hell before they ever play any act that uses a liberal amount of screaming (Korn, Slipknot, From First To Last, Underoath, etc.). Of course, whether or not any of these bands belong on Alternative is up for debate, but what I'm saying is that if they're going to play Stone Sour, they should play Slipknot as well who have had some popular songs on the format. Or, they shouldn't play any of those bands and go for a pure Alternative approach. If FM 106.3 were still around, that's what they would be doing.

They also need to be more quick with adds. The Shiny Toy Guns song was being played on WJSE for a good month before G Rock Radio finally added it. Also, they're still giving strong spins for Lostprophets's first single, the blatant "Last Train Home" re-write, "Rooftops". The band has had a new song, "The New Transmission" (much better song - the only downside is that it won't make teen girls swoon like "Rooftops" surely did), going for adds for several weeks. What is G Rock Radio waiting for? Quit playing "Smells Like Teen Spirit" so damned much and add some newer songs already!
 
Personally, I think they're not so quick with adds because they're not willing to take a chance. As you said, the Shiny Toy Guns track was played on JSE eons ago, and even earlier by me.

I can't fault their logic - they're building an audience of people who kinda like them, as opposed to a smaller, but far more loyal, group of die-hards.

Since this is becoming a trend, here's another day's worth of overlaps, airing 12mid-10am:

Beck - Nausea
Blur - Song 2
Cake - The Distance
Cracker - Euro-Trash Girl
Cracker - Get Off This
Depeche Mode - Strangelove
Editors - Munich
Fatboy Slim - Rockafeller Skank (Edit)
Gnarls Barkley - Gone Daddy Gone
Hard-Fi - Hard To Beat
Morrissey - First Of The Gang To Die
Morrissey - Suedehead
Nine Inch Nails - Every Day Is Exactly The Same
Nine Inch Nails - Only
Oasis - Lyla
Ok Go - Here It Goes Again
Pearl Jam - Worldwide Suicide
Radiohead - High And Dry
Radiohead - There There
Red Hot Chili Peppers - Dani California
She Wants Revenge - These Things
Shiny Toy Guns - Le Disko
The Cure - Pictures Of You
The Raconteurs - Steady As She Goes
The Smiths - Bigmouth Strikes Again
The Strokes - Juice Box
The White Stripes - Blue Orchid
U2 - Beautiful Day
Yeah Yeah Yeahs - Gold Lion

Their 10 hours of programming to 2 hours worth listening to ratio appears to be holding...wonder how that'd skew if they did another retro weekend...

-Sean
Altrok Radio at http://www.altrokradio.com
 
hubcity said:
Personally, I think they're not so quick with adds because they're not willing to take a chance. As you said, the Shiny Toy Guns track was played on JSE eons ago, and even earlier by me.

I can't fault their logic - they're building an audience of people who kinda like them, as opposed to a smaller, but far more loyal, group of die-hards.

Since this is becoming a trend, here's another day's worth of overlaps, airing 12mid-10am:

Beck - Nausea
Blur - Song 2
Cake - The Distance
Cracker - Euro-Trash Girl
Cracker - Get Off This
Depeche Mode - Strangelove
Editors - Munich
Fatboy Slim - Rockafeller Skank (Edit)
Gnarls Barkley - Gone Daddy Gone
Hard-Fi - Hard To Beat
Morrissey - First Of The Gang To Die
Morrissey - Suedehead
Nine Inch Nails - Every Day Is Exactly The Same
Nine Inch Nails - Only
Oasis - Lyla
Ok Go - Here It Goes Again
Pearl Jam - Worldwide Suicide
Radiohead - High And Dry
Radiohead - There There
Red Hot Chili Peppers - Dani California
She Wants Revenge - These Things
Shiny Toy Guns - Le Disko
The Cure - Pictures Of You
The Raconteurs - Steady As She Goes
The Smiths - Bigmouth Strikes Again
The Strokes - Juice Box
The White Stripes - Blue Orchid
U2 - Beautiful Day
Yeah Yeah Yeahs - Gold Lion

Their 10 hours of programming to 2 hours worth listening to ratio appears to be holding...wonder how that'd skew if they did another retro weekend...

-Sean
Altrok Radio at http://www.altrokradio.com

They'll probably do another Retro weekend eventually - just be prepared to wait another 6 months or so, as they come around about as often as Halley's Comet. Wouldn't want to upset and confuse those MySpace-loving little girls who are their bread and butter, you know.

They may not be willing to take a chance when it comes to breaking bands that aren't established, but they are willing to play some very polarizing acts as long as they are popular. You would have to be a middle-school dropout to be a fan of Fall Out Boy, Yellowcard, Blink 182, Evanescence, Linkin Park and all the other low-IQ rockers that they slam incessantly. I don't know anyone that likes these bands that isn't a female teenager. They have very limited appeal compared to acts like Korn and System Of A Down who have a following that goes beyond teen girls - I'm not saying these bands should be played on G Rock Radio, but I would much rather hear them play jock rock (which SOAD isn't - they get a bad rap) than the aforementioned bubblegum rubbish. Bands like Fall Out Boy (who are basically NSYNC with instruments) and Evanescence (who are like later period Heart with a side of Meat Loaf) have no place on the Alternative format, and show how far it has come from its roots - no way would an Alternative station play this junk if it were around 20, 15, even 10 years ago.

The acts that you listed here should make up the core of the station - if they combine this with other acts that have more broad appeal, and become more aggressive with their adds, they can avoid alienating a lot of listeners. I know a lot of people that say "G Rock Radio - they're the station that plays all that god-awful pop/punk and emo garbage, right?" or something to that effect, and that's the disadvantage of having a really tight playlist. Opening things up and expanding the currents and the library would help the station defy easy categorization, and that would make more of a diverse group tune in. But I guess Press has it in their head to make teen girls the center of attention, and hoping the rest of us tune in for a song at a time (hence the good 20% of their programming).

Positives: Cracker, DM (another great choice from the pre-Violator days), Editors, Hard-Fi, Morrissey (they played "Suedehead"? Awesome!) - heck, everything here is great aside from the RHCP and U2 tracks ... both great bands, but the work they're putting out now represents the sound of treading water. IMO, RHCP's last decent album was with Dave Navarro (still pales to the early days though) and U2 became a nostalgia act with the release of All That You Can't Leave Behind. Much like Pink Floyd and The Rolling Stones, a new album for U2 represents little more than something to promote when going out on tour.
 
SoulCrusher said:
They'll probably do another Retro weekend eventually - just be prepared to wait another 6 months or so, as they come around about as often as Halley's Comet. Wouldn't want to upset and confuse those MySpace-loving little girls who are their bread and butter, you know.

They may not be willing to take a chance when it comes to breaking bands that aren't established, but they are willing to play some very polarizing acts as long as they are popular. You would have to be a middle-school dropout to be a fan of Fall Out Boy, Yellowcard, Blink 182, Evanescence, Linkin Park and all the other low-IQ rockers that they slam incessantly. I don't know anyone that likes these bands that isn't a female teenager. They have very limited appeal compared to acts like Korn and System Of A Down who have a following that goes beyond teen girls - I'm not saying these bands should be played on G Rock Radio, but I would much rather hear them play jock rock (which SOAD isn't - they get a bad rap) than the aforementioned bubblegum rubbish. Bands like Fall Out Boy (who are basically NSYNC with instruments) and Evanescence (who are like later period Heart with a side of Meat Loaf) have no place on the Alternative format, and show how far it has come from its roots - no way would an Alternative station play this junk if it were around 20, 15, even 10 years ago.

The acts that you listed here should make up the core of the station - if they combine this with other acts that have more broad appeal, and become more aggressive with their adds, they can avoid alienating a lot of listeners. I know a lot of people that say "G Rock Radio - they're the station that plays all that god-awful pop/punk and emo garbage, right?" or something to that effect, and that's the disadvantage of having a really tight playlist. Opening things up and expanding the currents and the library would help the station defy easy categorization, and that would make more of a diverse group tune in. But I guess Press has it in their head to make teen girls the center of attention, and hoping the rest of us tune in for a song at a time (hence the good 20% of their programming).

Positives: Cracker, DM (another great choice from the pre-Violator days), Editors, Hard-Fi, Morrissey (they played "Suedehead"? Awesome!) - heck, everything here is great aside from the RHCP and U2 tracks ... both great bands, but the work they're putting out now represents the sound of treading water. IMO, RHCP's last decent album was with Dave Navarro (still pales to the early days though) and U2 became a nostalgia act with the release of All That You Can't Leave Behind. Much like Pink Floyd and The Rolling Stones, a new album for U2 represents little more than something to promote when going out on tour.

Soul what are you talking about? i know tons of men who like Fall Out Boy (their old stuff was somewhat good), Blink 182, Linkin Park is always requested by guys and girls. My station never really jumped on Evanescence and thankfully we never got a request for it. I do agree with you that G Rock Radio should start playing their whole library but that will not happen anytime soon.

Tom
http://www.buzzrock.2ya.com
 
buzzrockradio said:
Soul what are you talking about? i know tons of men who like Fall Out Boy (their old stuff was somewhat good), Blink 182, Linkin Park is always requested by guys and girls. My station never really jumped on Evanescence and thankfully we never got a request for it. I do agree with you that G Rock Radio should start playing their whole library but that will not happen anytime soon.

Tom
http://www.buzzrock.2ya.com

Tom: Maybe I'm rushing to judgment on Fall Out Boy, but I've heard 3 songs from them and was reminded of Good Charlotte and Simple Plan, two bands that I cannot stand - they're pure bubblegum with no substance. Maybe FOB were better back in the day, but going based on what I've heard on From Under The Cork Tree, they're just one of thousands of punk rock bands with TRL and teen girls as their target audience. I'll take your word for it that they have male fans, but I would find it hard to believe that men would want to listen to an all-male band that writes lyrics like "I only want sympathy in the form of you crawling into bed with me".

Evanescence is just horrible. They belong on the soccer mom Adult Contemporary stations and away from any station calling itself "Rock" of any kind. Amy Lee basically sounds like Aguilera or any one of those pop singers (take your pick), the lyrics are simplistic rubbish alternating between hokey break-up songs, hokier devotions of love, and "dark" pseudo-gothic subjects that wouldn't scare a 5 year old, and the music is dreadful ProTools enhanced trash. To make it worse, G Rock Radio plays this to death, placing it in power rotation for over a month now. I don't know which listeners are requesting it, but they should know that there's a station that better suits them in the area: 94.3 The Point, a predictable Hot AC that plays lots of James Blunt and Kelly Clarkson - right up their alley.

Real bands don't need to use ProTools to achieve the sound they're looking for - that's also the problem with Linkin Park, a band that is essentially Limp Bizkit-lite. They're rap/rock that keeps the IQ factor low and throws in sweet ballads to win over the females. They have their moments (I'll admit to sort of liking "One Step Closer"), but the lack of depth or originality makes them hard to take seriously.

The critics hate Linkin Park, Nickelback, and the myriad pop/punkers, but that hasn't hurt their record sales in the slightest - I admit to being influenced by the critics, but try to be objective with everything. Shockingly, Evanescence seems to be receiving pretty good reviews for their latest album. Bribes, perhaps? Anyway, I'm sure all these bands have some male fans, but they have to be in the minority.
 
SoulCrusher said:
You would have to be a middle-school dropout to be a fan of Fall Out Boy, Yellowcard, Blink 182, Evanescence, Linkin Park and all the other low-IQ rockers that they slam incessantly. I don't know anyone that likes these bands that isn't a female teenager.

Hi. I'm a male college graduate, and I like all of those bands listed. Many of my friends do too, and they are college graduates as well. Thank you for the sweeping generalization.

Bands like Fall Out Boy (who are basically NSYNC with instruments) and Evanescence (who are like later period Heart with a side of Meat Loaf) have no place on the Alternative format, and show how far it has come from its roots - no way would an Alternative station play this junk if it were around 20, 15, even 10 years ago.

Why wouldn't they? Just because you don't like them doesn't mean other people don't. It's been pointed out before... the station wouldn't keep playing these artists if they weren't popular. People don't want to tune into an Alternative station and hear what sounds like someone slitting their throat and screaming, and passing it off as "singing."

G Rock is playing what its listeners want. If you don't like it... then press the "Seek" button. It's that simple.
 
Beejus said:
SoulCrusher said:
You would have to be a middle-school dropout to be a fan of Fall Out Boy, Yellowcard, Blink 182, Evanescence, Linkin Park and all the other low-IQ rockers that they slam incessantly. I don't know anyone that likes these bands that isn't a female teenager.

Hi. I'm a male college graduate, and I like all of those bands listed. Many of my friends do too, and they are college graduates as well. Thank you for the sweeping generalization.

Bands like Fall Out Boy (who are basically NSYNC with instruments) and Evanescence (who are like later period Heart with a side of Meat Loaf) have no place on the Alternative format, and show how far it has come from its roots - no way would an Alternative station play this junk if it were around 20, 15, even 10 years ago.

Why wouldn't they? Just because you don't like them doesn't mean other people don't. It's been pointed out before... the station wouldn't keep playing these artists if they weren't popular. People don't want to tune into an Alternative station and hear what sounds like someone slitting their throat and screaming, and passing it off as "singing."

G Rock is playing what its listeners want. If you don't like it... then press the "Seek" button. It's that simple.

Alright, I jumped to conclusions a bit in my last post.

If there's a point that I was trying to make in my last post, it was that the bands that I described can be summed up in three words: Lowest Common Denominator. They may appeal to educated people and intelligent high school graduates, but the lyrics and music that these bands put out are so simple that even a caveman could understand them. I would be willing to bet that the same people that buy into this shallow music are the same reason that Paris Hilton still has a career. These people love to deify morons for whatever reason.

On the other side of the coin, bands like Depeche Mode, The Smiths, Radiohead, The Mars Volta and Porcupine Tree are not going to appeal to folks whose basic conversation consists of the use of the word "like" and the phrase "you know" every 10 or so words. You need to be a discerning music fan and have an IQ above 70 to appreciate these acts.

However, it's the parade of idiocy that is winning out. The media has decided that dumbing everything down is the way to go. That is the path that Press has decided to take with G Rock Radio - hence the reason pop/punk drivel and corporate rock revivalists like Evanescence are played incessantly. There are the fortunate ones who have radio stations that don't insult the intelligence of their listeners, but we in Monmouth/Ocean were not so lucky.

G Rock Radio will continue to do well, but that's only because they have no competition. I guarantee that if there was a station in this market like WJSE, it would build up enough momentum to top G Rock Radio within 2 or 3 ratings periods. G Rock Radio has a serious identity crisis, simultaneously targeting the fans of FM 106.3, soccer moms, and teenage MySpace addicts with its programming. Very few people are completely loyal to this station - however, if there was a station like WJSE in the area, they would develop a loyal following because they would know their audience. There's a lot of Men in Monmouth/Ocean that aren't listening to FM Radio because there isn't a station for them: The Hawk and The Rat skew too old for many, and they are low priority for G Rock. I'm just waiting for someone to jump on this opportunity. It will be well worth it for anyone that has the funds.
 
Well, hm. Soulcrusher's making sweeping generalizations, yes - but Beejus lost me with this comment:

"It's been pointed out before... the station wouldn't keep playing these artists if they weren't popular."

I dunno, I think you should stop playing a band when their new songs sound just like their old ones, and they generally make you throw up a little in your mouth. But that's me.

(Nickelback, I'm lookin' at you.)

Anyway, here's today's 1:30am-10:00am list of overlapping tunes:

Beck - Devils Haircut
Beck - Loser
Cure - Close To Me
Cure - Lovesong
Death Cab For Cutie - Sound of Settling
Depeche Mode - Suffer Well
Fatboy Slim - Praise You
Garbage - Only Happy When It Rains
Gnarls Barkley - Gone Daddy Gone
Gorillaz - Clint Eastwood
Gorillaz - Dare
Green Day - Basket Case
Green Day - When I Come Around
Hot Hot Heat - Bandages
James - Laid
Modest Mouse - Ocean Breathes Salty
Morrissey - First Of The Gang To Die
Nine Inch Nails - Hurt
Nirvana - Sliver
Ok Go - Here It Goes Again
Radiohead - Creep
Red Hot Chili Peppers - Dani California
Stone Temple Pilots - Big Bang Baby
Talking Heads - Wild Wild Life
The Clash - London Calling
The Raconteurs - Steady As She Goes
The Smithereens - Only A Memory
The Strokes - Last Nite
The White Stripes - Seven Nation Army
U2 - Mysterious Ways
U2 and Green Day - The Saints Are Coming [Sort of; would it kill 'em to play The Skids' version?]
Violent Femmes - Blister In The Sun

I think I'm being kind today, though - I'm starting to see repeats on classics like London Calling. "Bandages" by Hot Hot Heat is a good call, though, and kudos for the early Nirvana.

-Sean
Altrok Radio at http://www.altrokradio.com
 
hubcity said:
Well, hm. Soulcrusher's making sweeping generalizations, yes - but Beejus lost me with this comment:

"It's been pointed out before... the station wouldn't keep playing these artists if they weren't popular."

I dunno, I think you should stop playing a band when their new songs sound just like their old ones, and they generally make you throw up a little in your mouth. But that's me.

Well, we have differing opinions. I'm not a fan of Nickelback by any means, but my statement is the truth of radio. It's a business, it needs to make money. Getting more people to listen to your station helps make more money. If the people want Nickelback, play Nickelback.

I'm all for widening the playlists of radio stations. The station I program is a Hot AC, but I stray onto the Alt. and CHR charts with good response, but I keep my core with what people want to hear... and right now, some of my top requested songs are Evanescene, Hinder, and Nickelback. Granted, I am in a completely different market in a completely different section of the US.

If PDs programmed on personal tastes alone, most stations would be a trainwreck.
 
Beejus said:
hubcity said:
Well, hm. Soulcrusher's making sweeping generalizations, yes - but Beejus lost me with this comment:

"It's been pointed out before... the station wouldn't keep playing these artists if they weren't popular."

I dunno, I think you should stop playing a band when their new songs sound just like their old ones, and they generally make you throw up a little in your mouth. But that's me.

Well, we have differing opinions. I'm not a fan of Nickelback by any means, but my statement is the truth of radio. It's a business, it needs to make money. Getting more people to listen to your station helps make more money. If the people want Nickelback, play Nickelback.

I'm all for widening the playlists of radio stations. The station I program is a Hot AC, but I stray onto the Alt. and CHR charts with good response, but I keep my core with what people want to hear... and right now, some of my top requested songs are Evanescene, Hinder, and Nickelback. Granted, I am in a completely different market in a completely different section of the US.

If PDs programmed on personal tastes alone, most stations would be a trainwreck.

I've no quarrel with anyone who programs any of those bands, or makes money from doing so - until they misrepresent themselves in the market as being "the only alternative" when, in fact, they aren't anything of the sort.

And I agree on programming on personal tastes alone. It's indulgent. (That's why I do it.)

To your point, though, you need a chart to navigate against - but there should be nothing stopping you from being confident enough to take a detour that pays off for your listeners, and that's pretty much what G stopped doing as part of their mission years ago. They still have occasional flashes of respect for the format's library, and on rarer occasions air new music that aspires to join that legacy, but to say they're not just "alternative", they're "the only alternative"...well, it's just annoying.

-Sean
Altrok Radio at http://www.altrokradio.com
 
I personally wish that stations around here would give themselves correct identification. WRAT is not an Active Rock station - it's a bland, vanilla Mainstream Rocker. And G Rock Radio is not "The Only Alternative" - it's a hit-intensive Modern Rock station. Quit trying to fool us into thinking that you are something that you're not.

hubcity said:
I dunno, I think you should stop playing a band when their new songs sound just like their old ones, and they generally make you throw up a little in your mouth. But that's me.

(Nickelback, I'm lookin' at you.)

Now that is the kind of music that does not belong on any station that calls itself "Alternative". While it has died down since then, G Rock Radio was one of Nickelback's biggest supporters at one time - I would say without hesitation that Nickelback was one of the 5 Most Played Bands/Artists on G Rock Radio in 2005.

With its generic, dumb, and played-out "Creed meets '80s arena rock" sound, Nickelback has no place on a format that was meant to be an "Alternative" to those types of bands. Nickelback is essentially the modern day equivalent of Journey, and a band like Evanescence is this generation's Heart (and that's the Heart of "These Dreams", not "Barracuda"). Safe corporate rock in clothing from Hot Topic is still safe corporate rock. Yet this is what G Rock Radio thinks the listener wants to hear - what makes matters worse is that "Call Me When You're Sober" sounds like a damn Kelly Clarkson song, so they're actually regressing already. I know it's charting well on Alternative, but so are Disturbed (which would be something of an improvement) and Hinder (just as awful as Nickelback and Evanescence) and you're not playing them, so what gives? I could tolerate Evanescence from G Rock Radio if they went deeper with the new music (still no Rapture, Mew, Starsailor, Sparta, Anti-Flag, etc. - heck, even stuff like Atreyu, Eighteen Visions, and Korn would make it more acceptable because at least it's not soccer mom pop fluff), but I think there's more of a likelihood of a station picking up a polka format in the area.

Beejus said:
I'm all for widening the playlists of radio stations. The station I program is a Hot AC, but I stray onto the Alt. and CHR charts with good response, but I keep my core with what people want to hear... and right now, some of my top requested songs are Evanescene, Hinder, and Nickelback. Granted, I am in a completely different market in a completely different section of the US.

I see how Evanescence, Hinder & Nickelback can do well with a Hot AC crowd - it appeals to the target audience of Women 25-54 the same way that Heart, Foreigner & Journey appealed to the same group about 20 years ago. But if you were to play it between Beck & The Strokes, or even Nirvana & RHCP, it just doesn't fit. There might be some minor overlap between the fans of the corporate rock artists and the well-established Modern Rock acts, but not enough to justify all the spins that they receive. Who listens to the Alternative format most? Men under the age of 40. If you're going to deviate from the roots of Alternative at all, you're better off playing more aggressive rock acts than soft pop/rock - it will keep the target audience loyal. Look at G Rock Radio's playlist and you could imagine everyone from college kids to forklift drivers to soccer moms and their cheerleader daughters tuning in - for one song at a time. Therein lies the problem. Maybe they're trying to capitalize on the lack of a CHR in the market by taking this approach to the station, but it hasn't worked elsewhere and while it may be performing respectably right now, that won't last as people will tire of the predictability and all the repeats. G Rock Radio needs to become more focused and they need to focus all of their attention on the demos that aren't well served - Males and college-educated listeners.
 
SoulCrusher said:
I would say without hesitation that Nickelback was one of the 5 Most Played Bands/Artists on G Rock Radio in 2005.

Actually, Nickelback was #37 in 2005 on WHTG, a year where Nickelback placed #42 overall on the Alternative Charts When you stop exaggerating to get your way... maybe other people will listen.

If you're going to deviate from the roots of Alternative at all, you're better off playing more aggressive rock acts than soft pop/rock - it will keep the target audience loyal.

The "roots" of Alternative are skewed. Some people will say the roots go back to the Clash & Sex Pistols... some will say the roots begin with Nirvana. Nickelback Hit #1 on the charts, so did Evanescence. Let's not forget Lifehouse hit #1, Sarah McLachlan hit #1, The Goo Goo Dolls hit #1, The Calling went Top 10, so did Nine Days, The Cardigans, Natalie Imbruglia, Maroon 5 hit Top 20. That's part of the Alternative "roots," so why not play them still?

We get the point that GRock doesn't cater to your EXACT tastes, and spewing hate over radio messageboards won't do a thing. Grock is fine, GRock plays what it's listeners want to hear.
 
Beejus said:
We get the point that GRock doesn't cater to your EXACT tastes, and spewing hate over radio messageboards won't do a thing. Grock is fine, GRock plays what it's listeners want to hear.

Okay, you should probably step back, take a couple of breaths, and understand that you've probably missed the forest for the trees in Soulcrusher's response. Accusing him of "hate" doesn't help your position any further, either; you've got me convinced that if he says "white", you'll say "black", and vice-versa.

But as I said, those are trees. Here's the forest in Soulcrusher's last remark:

SoulCrusher said:
Look at G Rock Radio's playlist and you could imagine everyone from college kids to forklift drivers to soccer moms and their cheerleader daughters tuning in - for one song at a time. Therein lies the problem.

He's right. He may have a skewed view of how to accomplish a repair to the station (in my world, people who think Alternative started with Nirvana are laughed out of the room - but that's in my world) but he's right on the money on that.

As for your other point:

Beejus said:
Nickelback Hit #1 on the charts, so did Evanescence. Let's not forget Lifehouse hit #1, Sarah McLachlan hit #1, The Goo Goo Dolls hit #1, The Calling went Top 10, so did Nine Days, The Cardigans, Natalie Imbruglia, Maroon 5 hit Top 20. That's part of the Alternative "roots," so why not play them still?

Those are roots?! With the exception of Sarah McLachlan and possibly The Cardigans, and continuing the metaphor, those are more like parasites on the roots of Alternative. (Imbruglia sailed in on a song co-written by The Cure's former bassist/producer.) Exceptions excepted, the main reason they were ever in the Alternative format to begin with is that some radio rep decided to go the "mainstream stations aren't playing 'em, but I bet alternative stations will if I grease 'em up with a few iPods" route.

In the 80's FM106.3 played Mr. Mister, A-Ha, Cutting Crew, The Outfield, Georgia Satellites, The Hooters...lots of acts that, with 20/20 hindsight, probably never should have been on alternative radio. But they were different enough for us to give them an initial play, before we came to our senses and said "hoo-boy...maybe 'Broken Wings' ain't such a good song after all."

In short, if radio was about the music, there'd never be a reason to keep playing a bad song - even if it's popular, because you run the risk of cultivating an audience that likes bad songs.

But as we well know, commercial radio is not about the music.

Let's get back to what they're doing that works ... Here's today's list, 2am-10:20am...

Beastie Boys - Sure Shot
Beck - Nausea
Cure - Just Like Heaven
Deftones - Hole In The Earth
Depeche Mode - Enjoy The Silence
Depeche Mode - Just Cant Get Enough
Dramarama - Anything Anything
Elastica - Connection
Fountains of Wayne - Radiation Vibe
Fred Schneider - Monster
Gnarls Barkley - Gone Daddy Gone
Green Day - Longview
Green Day - When I Come Around
James - Laid
Modest Mouse - Float On
Ok Go - Here It Goes Again
Postal Service - Such Great Heights
Radiohead - Karma Police
Rancid - Ruby Soho
Shiny Toy Guns - Le Disko
Smithereens - Blood And Roses
Soul Coughing - Circles
The Bravery - An Honest Mistake
The Killers - Smile Like You Mean It
The Pretenders - Message Of Love
The Strokes - Last Nite
The White Stripes - Seven Nation Army
U2 and Green Day - The Saints Are Coming
Weezer - This Is Such a Pity

Hm...not many alternative Halloween tunes this Halloween, save for Fred Schneider. Yeah, they played Monster Mash earlier, but with new Halloween tracks available by Marilyn Manson, Fall Out Boy, Panic! At The Disco, She Wants Revenge and Fiona Apple (just counting the new Nightmare Before Christmas special edition disc) they're kind of asleep at the wheel. Especially the Marilyn Manson - and I can't stand Marilyn Manson normally.

(Heh - let's see if they get 'em at iTunes before the day's out...)

And, hello? "Everyday Is Halloween" by Ministry? "Halloween" by Siouxsie? Nowhere to be found. Sheesh.

-Sean
Altrok Radio at http://www.altrokradio.com
 
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