When I programmed a CCM commercial station in the late 80s thru late 90s, one of the strongest parts of CCM in those days, in my opinion, was its variety. I mean, with Sparrow Records alone I could get a CD sampler of singles ranging from BeBe and Cece to Charlie Peacock. At the same time, when I heard artists on the radio, I "knew" them by their sound. I knew when Margaret Becker starting singing. I knew Twila Paris. I knew......I could go on.
Nowadays, I simply cannot listen to CCM radio. To me, everything sounds the same. Get a band together to play "Nickelback-y" type music, front the band with a 5 o'clock shadow guy with some gravel-y nature to his voice, and off you go. Song after song after song......
And when I do hear female artists (which is not very often, surprisingly), there's no depth on the sound bench, so to speak. Again, they sound so similar.
Formula, formula, formula. It's so ironic, because so many complained how much "formula" was in CCM, say, in 1995. It was a psychedlic circus of sound then compared to today......
What's happened? All the music companies, owned by large secular companies, decide to play it even safer??
I'd love to hear some opinions on this; don't care if you agree or not. I do think this needs to be discussed. And, as a final point, I also think this has happened, to a lesser extent, in the pop/rock music world, too. For example, you could never compare this era of music to the tons of variety we had in the first half of the 1980s (think of all the different artists and sounds you heard....). Now, if you don't have a rapper do your bridge on your single or use technology to make your voice sound strange, it seems like you don't get played......
Nowadays, I simply cannot listen to CCM radio. To me, everything sounds the same. Get a band together to play "Nickelback-y" type music, front the band with a 5 o'clock shadow guy with some gravel-y nature to his voice, and off you go. Song after song after song......
And when I do hear female artists (which is not very often, surprisingly), there's no depth on the sound bench, so to speak. Again, they sound so similar.
Formula, formula, formula. It's so ironic, because so many complained how much "formula" was in CCM, say, in 1995. It was a psychedlic circus of sound then compared to today......
What's happened? All the music companies, owned by large secular companies, decide to play it even safer??
I'd love to hear some opinions on this; don't care if you agree or not. I do think this needs to be discussed. And, as a final point, I also think this has happened, to a lesser extent, in the pop/rock music world, too. For example, you could never compare this era of music to the tons of variety we had in the first half of the 1980s (think of all the different artists and sounds you heard....). Now, if you don't have a rapper do your bridge on your single or use technology to make your voice sound strange, it seems like you don't get played......