Based on what I've read, it appears as if AOR is back. At least in NY. Which is probably a nice place for a movement to start.
The niche formats of Active & Alternative seem to have been cross-pollenating for years, and knowing how our industry tends to knee-jerk, it would seem that K-Rock's re-emergence sends up a big flare for the return of straight-ahead "Rock" radio. Look at some of the CBS "Alternatives" KROQ plays Ozzy...not alternative. WBCN plays Sabbath, ACDC, and Aerosmith. Also not Alternative.
Look at WAAF in Boston playing Violent Femmes, James, White Stripes, Bob Marley.
Is this a result of the "Jack" influence? Or, has the industry come full circle and realized that there are "rock" and "alternative" listeners that are actually more tolerant to a wider variety of musical textures? And seeing as the record companies have slashed promotional budgets/staff, one-stop outlets would be a positive. Especially given the perceived dearth of "good" new music, and multi-format attempts to break bands.
If K-Rock is more a traditional AOR, watch for smaller markets to mirror their textures, and adjust accordingly. Which is good if you work in any of the Rock sub-formats. More gigs. Of course that means work on the talent end to know the product better. But K-Rock's return could really help the format overall.
I hope it works. Rock radio could use a kick in the teeth.
The niche formats of Active & Alternative seem to have been cross-pollenating for years, and knowing how our industry tends to knee-jerk, it would seem that K-Rock's re-emergence sends up a big flare for the return of straight-ahead "Rock" radio. Look at some of the CBS "Alternatives" KROQ plays Ozzy...not alternative. WBCN plays Sabbath, ACDC, and Aerosmith. Also not Alternative.
Look at WAAF in Boston playing Violent Femmes, James, White Stripes, Bob Marley.
Is this a result of the "Jack" influence? Or, has the industry come full circle and realized that there are "rock" and "alternative" listeners that are actually more tolerant to a wider variety of musical textures? And seeing as the record companies have slashed promotional budgets/staff, one-stop outlets would be a positive. Especially given the perceived dearth of "good" new music, and multi-format attempts to break bands.
If K-Rock is more a traditional AOR, watch for smaller markets to mirror their textures, and adjust accordingly. Which is good if you work in any of the Rock sub-formats. More gigs. Of course that means work on the talent end to know the product better. But K-Rock's return could really help the format overall.
I hope it works. Rock radio could use a kick in the teeth.