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KRTH programming more '70s

Re: This always was a thread about ad buys.

The all-business mindset is why radio is totally boring and fewer and fewer people listen to it.

As for the over-50 demo being non-marketable, in fact, the YOUNGER the person, the more likely they are loading up the ipod and have no relationship to radio at all.

....although Jack, despite it's mostly non-current playlist, is pretty popular with kids...for a radio station.
 
Re: This always was a thread about ad buys.

> The all-business mindset is why radio is totally boring and
> fewer and fewer people listen to it.

Radio has ALWAYS been a business. Even Gen. Sarnoff knew it, when he first pitched his "wireless music box" concept to RCA.<P ID="signature">______________


</P>
 
K-EARTH 101, your Good Times-Great Oldies Station!

> That list looked great, and I was intrigued by the follow-up
> poster who said a San Diego station is playing "all that
> and more." I should try to pick that San Diego one up. Is
> that Miami station (or perhaps another good one) online
> somewhere?

Yes WMXJ (www.wmxj.com) programmed by former KRTH P.D. Bob Hamilton streams. If you like your Oldies served up Midi style for free, try www.just-oldies.com. Give KEARTH a chance, they just added the Zombies, and lots more is on the way! As far as rotation goes, there's nothing to indicate they will not continue down the same path. The Mexican Oldies Station will be gone soon, but they sure came in strong in Downtown L.A., and sounded 'KOOL'! Here's a few more Super 70's suggestions. "Rock & Roll Heaven", by the Righteous Brothers, T Rex doing "Bang a Gong", Dave Edmunds, "I hear you Knocking", and "Abraham, Martin & John", by Dion.
 
Re: This always was a thread about ad buys.

I'm not an oldies fan, but I can answer the question.
> For example, are you
> familiar with songs like Double Shot of My Baby's Love, Our
> Day Will Come, Love Is All Around Us, Dreamin', Boy From New
> York City, For Your Love, Patches (the 1970 hit not the
> Dicky Lee '62 hit), Beachwood 4-5789, One Track Mind, Judy's
> Turn To Cry, I Go To Pieces? My guess is you are not an
> oldies fan so without looking you probably couldn't name
> most of the artists who recorded those songs.

The Swinging Medallions, Ruby and the Romantics, The Troggs (and BTW, the title does not include the word "Us"), Johnny Burnette, The Ad-Libs, The Yardbirds, Clarence Carter, The Marvelettes, Bobby Lewis, Lesley Gore, Peter & Gordon.

And, if I were programming an Oldies station, about half of those songs (at best) would be in a lunar rotation, and the balance would be "accent" drops that played maybe once a month.

You may be a "super fan" of radio, but it is obvious you are not a programmer. Choosing music to satisfy a handful of "fans" doesn't get ratings.<P ID="signature">______________


</P>
 
Re: This always was a thread about ad buys.

David, your comments below are hilarious. I literally
laughed out loud.

Unfortunately, they're also true.

I think what people don't understand about K-Earth is that their tight, familiar playlist, is the only way to get a slightly younger audience.
I would guess most 35 year olds would recognize just about every song
K-Earth plays.

There is a fun vibe on the station, and I've heard them in many surf shops and restaurants in Orange County.

>
> To create art, you need to eat. We are not French
> Impressionests, living over bordellos and accepting the
> kindness of the putains and their patrons, drinking absinthe
> and cutting off our ears. We are professionals and what we
> know right now is that the larger part of 60-s oldies
> listeners are over 55 and not marketable.
>
 
Re: This always was a thread about ad buys.

> The all-business mindset is why radio is totally boring and
> fewer and fewer people listen to it.

I remember hearing a story about a big store thaat wanted to hawk its wares... their slogan was "the World's Largest Store" and they built WLS. Or the radio budding manufacturer who wanted to support the medium... and built KDKA.

And so on... radio has always been a business. That business requires giving the listener something they want, so that the station can sell things.
>
> As for the over-50 demo being non-marketable, in fact, the
> YOUNGER the person, the more likely they are loading up the
> ipod and have no relationship to radio at all.

Several recent studies show that this is not true. In fact, the People Meter test shows teens and young adults to not be abandoning radio to any great extent, and even the diary methodology shows only TSL erosion, not cume.
>
> ....although Jack, despite it's mostly non-current playlist,
> is pretty popular with kids...for a radio station.

Jack is aimed at 35-54, not kids. Only 3% of KCBS-FM's audience is 12-17, and only 8% is 18-24. 41% is 35-44. And KCBS-FM is the #1 non-Spanish adult station in LA.
>
 
Re: This always was a thread about ad buys.

> > Tape it. It is going away really soon.
> >
>
> I am because I know you are correct, and that's the real
> shame.

It is finally going to go back to doing what it was licensed to do, serve Tijuana.
>
> > Radio is a business. It is all about the money.
> >
> > > Where is the passion????
> >
> > Same place it was 10, 20, 30, 40 years ago.
> >
>
> I don't think you answered the question, David.

Sure I did. I do not see anything different. In fact, I see many improvements. In the 50's and 60's and 70's, jocks and PDs lived from U-Haul trip to U-Haul trip. They often had no benefits, no insurance, and lived from paycheck to paycheck. Today, one can make a career of radio in programming... and that allows a dedication to the job that did not exist before. It also allows radio talent to be part of a community, something lacking before.

Back "then" many owners were quirky or flaky or dishonest. Today, there are far better work environments, more research and tools to find out what th elistener wants, and better technology. I see people go on the air with as much or more passion as I ever did. Maybe more. And I see PDs who are pros, who know the business, how to deal with people, and how to touch the listener.

Every time I remember the early 60's and the wonders of Top 40, I remind myself of: Hooper, Max Richmond and Don Burden, Payola, Spotmasters, spots on ET, Magnecorders, $1.10 minimum wage, compressed AM audio, lack of format variety, exclusion of minorities from all but "race stations," CONELRAD, cue burn, nicotine stains on the board, FCC rules on content, 18 minutes of spots every hour, transmitter logs, 1st class operators at directionals, tubes in the transmitter, composite weeks, the Fairness Doctrine, Red Lion, and many other things that were wrong with the industry.
>
> > Actually, my first station was Top 40 and it played 50% US
>
> > hits. I was trained in the format by Todd Storz, who I met
>
> > in Miami before his death.
> >
> So?

So I am qualified to make observations on oldies. That's why.
>
> > I enjoyed 50-s and 60-s songs in the 50-s and 60-s. I am
> > really tired of them today, because I find there is new
> and
> > newer music I like even better. This is true of many
> > listeners.
>
> Sure, who wouldn't be tired of My Guy, You've Lost that
> Lovin Feeling, Black Magic Woman, Think, My Girl, Help Me
> Rhonda, Satisfaction, and Oh Pretty Woman?

Much better to hear the good songs than Indian reservation (have a little bigotry with your music), Ballad of the Green Berets, Yummy Yummy, and all the dreadful songs that are truly embarassing to hear again.

> Look David, I'm sure you'll deny it, its apparent that in
> order to be up on music heard on today's radio (including
> oldies) you are spread so thin that you cannot possibly have
> any passion for music you don't like, therefore your
> credibility on oldies is in question.

Gee, I set up LA's #1 oldies station. I guess that puts me out of a job, then.

The fact is, one can be "up" on newer music and still remember older music unless there is a shortage of storage material above the brain stem. I happen to like moving forward, not backwards. The 60's are over, and most of the music is crispy. I like Jack to an extent, and enjoy a good 80's station. I am just sick of the 60's stuff, because it no longer relates to me.

By the way, name all the oldies stations in 1970. Hint: you will have fingers left over on a single hand. I was OM of one of them. I can tell you that the Monotones single of Book of Love was on a black coleored label. I do all the trivia for a beer music stuff about the era... but the music is fading. It does not hold up any more.

> Generic statements
> like that regarding 50s and 60s music won't cut it for me to
> understand where you are coming from. When you start naming
> particular songs, then I can relate. For example, are you
> familiar with songs like Double Shot of My Baby's Love, Our
> Day Will Come, Love Is All Around Us, Dreamin', Boy From New
> York City, For Your Love, Patches (the 1970 hit not the
> Dicky Lee '62 hit), Beachwood 4-5789, One Track Mind, Judy's
> Turn To Cry, I Go To Pieces? My guess is you are not an
> oldies fan so without looking you probably couldn't name
> most of the artists who recorded those songs.

See above. I put an oldies station on the air in 1970, and prior to that was, among other things, PD of a station that played these songs from '64 to '70. Before that, I carted the 63' hits for a staiton in a market of over 10 million. And before that, I hung out at WHK, Color radio Channel 14 for several years. And afterwards, did, among other things, put one of the first 5 stand alone FM Top 40's on the air in the same year as WMYQ, WDRQ, and KSLQ.

I've been there, but the music is over. It is losing its appeal, and slowly burning off and out.

> I also like
> new music as well, some of my favorite artists are Thievery
> Corporation, Jack Johnson, Coldplay, John Hiatt, Foo
> Fighters, Weezer, Gorillaz, and Green Day.

And mine are Daddy Yankee, Wisin & Yandel, Carlos Vives, Viejas Locas, Babasonicos, 50 Cent, N.O.R.E, Zucchero, Shakira, etc. So? It shows both of us can like new music.
>
> > We are professionals and what we
> > know right now is that the larger part of 60-s oldies
> > listeners are over 55 and not marketable.
> >
> Just curious, then, since you are the age demo that is no
> longer marketable, how do you feel about that?????????

How should I feel. I am a good case for the status quo, in that I have strong brand loyalties to establishments and products that have served me well. But I also have an iPod, a Bluetooth phone, and had my first home computer in 1975. I realize that there are people both more conservative and more adventurous than I am. But marketers know dollars placed against younger demos produce better ROI.
>
 
Re: This always was a thread about ad buys.

>
> The Swinging Medallions, Ruby and the Romantics, The Troggs
> (and BTW, the title does not include the word "Us"), Johnny
> Burnette, The Ad-Libs, The Yardbirds, Clarence Carter, The
> Marvelettes, Bobby Lewis, Lesley Gore, Peter & Gordon.
>

I remeber in High School, the most uncool artist of the time was Leslie Gore. why would anyone want to hear that now. In fact, after researching several oldies markets, I know the answer... nobody.

Weren't Peter & Gordon's singles on the funky looking capitol yellow and orange label? I seem to remember how they would blend when spinning on the old Gates CB 77 turntables with Gray Viscous damped arms and GE VR II cartridges.

The ones I really loved were the late 50's ABC Paramount singles (At the Hop was one), with multicolored outer label rims which would change hue like a rainbow as the turntable started up. (We had to get amusement where we could, of course).
 
Re: This always was a thread about ad buys.

And that's why they're doing so gosh darn Well!. I know many 35 Year Olds that are Vibing with K-EARTH, at Home, in the Car, at the Office. Why K-EARTH is the # 1 Subject at the Water Cooler. Is it just me, or is the whole 80's scene too new to for 35 Year olds to relate to?
> I think what people don't understand about K-Earth is that
> their tight, familiar playlist, is the only way to get a
> slightly younger audience.
> I would guess most 35 year olds would recognize just about every song
> K-Earth plays.
> There is a fun vibe on the station, and I've heard them in
> many surf shops and restaurants in Orange County.
 
Re: More personality?

"Tone down" Hollywood? That's saying that Congress needs to have less integrity!

- Doc

> I have been told they are trying to Tone down, or Dumb down
> Hollywood. Otherwise there is someone that could regain his
> morning Reign?
 
Re: This always was a thread about ad buys.

Miami - are we talking about the same 101.1???

If KRTH is being talked about around the water cooler, I'm getting getting gas for $0.50 a gallon directly from Kofi Annan.

I love you man, but I've gotta question that one.

- Doc

> And that's why they're doing so gosh darn Well!. I know many
> 35 Year Olds that are Vibing with K-EARTH, at Home, in the
> Car, at the Office. Why K-EARTH is the # 1 Subject at the
> Water Cooler. Is it just me, or is the whole 80's scene too
> new to for 35 Year olds to relate to?
 
Record stuff and such

> I remeber in High School, the most uncool artist of the time
> was Leslie Gore. why would anyone want to hear that now. In
> fact, after researching several oldies markets, I know the
> answer... nobody.

You are correct! "Pink party dress music," my first PD used to call it. And so I must ask why the hell KRTH is still playing the snot out of "It's My Party."

> Weren't Peter & Gordon's singles on the funky looking
> capitol yellow and orange label? I seem to remember how they
> would blend when spinning on the old Gates CB 77 turntables
> with Gray Viscous damped arms and GE VR II cartridges.

Yep, the "target" label. Of course, we didn't usually get those at radio - the Capitol promo labels were pure yellow.

> The ones I really loved were the late 50's ABC Paramount
> singles (At the Hop was one), with multicolored outer label
> rims which would change hue like a rainbow as the turntable
> started up.

I have to jog your memory a bit... The AmPar labels were all black with "ABC-PARAMOUNT" in white around the rim. They did have a multicolor Moebius loop just beneath, but it didn't go round the rim and certainly didn't change color.

You may be thinking about the Four Seasons on the old Vee-Jay labels with the rainbow rim, or the early 60's United Artists labels with the rainbow strobe rim.

- Dutiful Doc
 
Re: Record stuff and such

>
> > Weren't Peter & Gordon's singles on the funky looking
> > capitol yellow and orange label? I seem to remember how
> they
> > would blend when spinning on the old Gates CB 77
> turntables
> > with Gray Viscous damped arms and GE VR II cartridges.
>
> Yep, the "target" label. Of course, we didn't usually get
> those at radio - the Capitol promo labels were pure yellow.

I was in an unusual situation. I owned the first and only Top 40 station in South America starting in 1964, at Quito, Ecuador. Since there was no record service in such places, my mother would visit a one stop in Ohio and pick up all the new adds to the local Top 40 station's playlist and airmail them to me. So I got the retail versions of the songs, and would have to ask for a new copy of the cure burn got to bad on the first one.
>
> > The ones I really loved were the late 50's ABC Paramount
> > singles (At the Hop was one), with multicolored outer
> label
> > rims which would change hue like a rainbow as the
> turntable
> > started up.
>
> I have to jog your memory a bit... The AmPar labels were all
> black with "ABC-PARAMOUNT" in white around the rim. They did
> have a multicolor Moebius loop just beneath, but it didn't
> go round the rim and certainly didn't change color.

My mind is going. I know there was one label that we played a lot that did a color blend. There was another that had a pinwheel effect, too.
>
> You may be thinking about the Four Seasons on the old
> Vee-Jay labels with the rainbow rim,

Four Seasons could not have a hit in Latin America no matter what. Sort of like the Beatles, whoe were our played and out sold by CCR! We did not play "Papa's Got a Brand New Bag" but had a mega hit with Brian Highland's "Sealed With A Kiss."

> or the early 60's
> United Artists labels with the rainbow strobe rim.

Maybe that is the one.
 
Dr. Dr., Give me the News, I've got a bad case of the 80's Blues!

> Miami - are we talking about the same 101.1???

That was in response to the above Listeners current observation:
**There is a fun vibe on the station, and I've heard them in many surf shops and restaurants in Orange County.**

Yeah I can see the Surf Shops going wild over the possibility of hearing "Games People Play", by the Spinners, sometime in the near future.

> I love you man, but I've gotta question that one.
>
> - Doc

Don't cast me away as some sort of Loon Doc. I still have the Medicine you prescribed, but it would take Demerol & Cannabinol for me to start feeling that 101 Vibe again!

> > And that's why they're doing so gosh darn Well!. I know
> many
> > 35 Year Olds that are Vibing with K-EARTH, at Home, in the
>
> > Car, at the Office. Why K-EARTH is the # 1 Subject at the
> > Water Cooler.
 
Re: Where's YOUR passion??

> I'm not an oldies fan, but I can answer the question.

Thanks for your response :>) even though I didn't ask you!!
I figured you'd know the artists, but David hasn't proved that he knows them.

The Troggs (and BTW, the title does not include the word "Us") - I knew that but why are you sooooo picky???


And, if I were programming an Oldies station, about half of
> those songs (at best) would be in a lunar rotation, and the
> balance would be "accent" drops that played maybe once a
> month.
>
God, you miss the point its not about playing those songs in rotation its testing DAVID'S passion of which HE has about as much passion about oldies as Mr Spock does. I just feel like I'm being double-teamed here.


> You may be a "super fan" of radio, but it is obvious you are
> not a programmer.

Duh... Wow, you figured that out??!! If its obvious why make a condescending remark like that?? I thought moderators EVEN in the guise of a poster could refrain from such a snide remark. Then again as George Strait sang, "I've Come To Expect It From You".

Choosing music to satisfy a handful of
> "fans" doesn't get ratings.
>
No one's arguing that point.
 
Re: This always was a thread about ad buys.

> > > Tape it. It is going away really soon.
> > >
> >
> > I am because I know you are correct, and that's the real
> > shame.
>
> It is finally going to go back to doing what it was licensed
> to do, serve Tijuana.

And 90.3 FM, 91.1 FM, 92.5 FM--- are they going to do what they were "licensed
to do, serve Tijuana."????????

> Where is the passion????
>
> Same place it was 10, 20, 30, 40 years ago.
> > >
> >
> > I don't think you answered the question, David.

Let me rephrase it-- Where is YOUR Passion????
I see people go on the air with as much or more
> passion as I ever did. Maybe more. And I see PDs who are
> pros, who know the business, how to deal with people, and
> how to touch the listener.

Riiiiight VT really touches a lot of listeners :>)

> lack of format variety,

Ridiculous to compare the choices then with today's ultra-fragmented radio and music scene.

> 18 minutes of spots every hour,

I'm not the 1st person to remind you of Howard Stern's spot load ha

>the Fairness Doctrine

That was a good thing to get rid of!

> So I am qualified to make observations on oldies. That's
> why.

David you're so humble!!


> Much better to hear the good songs than Indian reservation
> (have a little bigotry with your music),

Riiiiggghhtttt that's so much worse than any lyric from one of the artists you like - 50 Cent. Take a look at some of his lyrics from "Power of the Dollar"


>
> Gee, I set up LA's #1 oldies station. I guess that puts me
> out of a job, then.

That statement makes no sense :>)

>
> The fact is, one can be "up" on newer music and still
> remember older music unless there is a shortage of storage
> material above the brain stem. I happen to like moving
> forward, not backwards.

So I guess Beethoven, Bach, Rachmaninoff, Coltrane, Miles Davis are too burned out for anyone to enjoy today because that would be looking backward, no???

The 60's are over, and most of the
> music is crispy. I like Jack to an extent, and enjoy a good
> 80's station. I am just sick of the 60's stuff, because it
> no longer relates to me.

My guess is it never related to you.
 
Re: Where's YOUR passion??

> > I'm not an oldies fan, but I can answer the question.
>
> Thanks for your response :>) even though I didn't ask you!!
> I figured you'd know the artists, but David hasn't proved
> that he knows them.

I don't know why this is an issue. As mentioned, I ran one of the first three oldies stations in the US... and know the music because I progrmmed it from the mid 60's well into the 70's.

The only caveat is that, compared to other genres, my interest in 60's oldies has waned as I am tired of them. That does not mean I did not love the songs in their day, and does not mean I do not remember the individual tunes. Gosh, nearly everyone with ears rembers them.
>
> And, if I were programming an Oldies station, about half of
>
> > those songs (at best) would be in a lunar rotation, and
> the
> > balance would be "accent" drops that played maybe once a
> > month.
> >
> God, you miss the point its not about playing those songs in
> rotation its testing DAVID'S passion of which HE has about
> as much passion about oldies as Mr Spock does. I just feel
> like I'm being double-teamed here.

You are not being double teamed. You are just having your points questioned as to relevancy.

There is no need to make assumptions about passion levels (and I have normal, not pointy, ears) unless you know a person's background. However, you are specifically talking about passion for oldies, and the discussion started about passion for radio.

Passion for radio does not mean a person can not let go of the past. I no longer put reverb on the studio mikes, and I no longer find 50's and 60's oldies a viable format... but I was passionate about the songs in that format when they were originally charting and form many years after. Now, I have moved on to other formats and generes I am just as excited about.

> > You may be a "super fan" of radio, but it is obvious you
> are
> > not a programmer.
>
> Duh... Wow, you figured that out??!! If its obvious why
> make a condescending remark like that?? I thought moderators
> EVEN in the guise of a poster could refrain from such a
> snide remark. Then again as George Strait sang, "I've Come
> To Expect It From You".

I see nothing offensive, and there is no call for the snappy comeback. K.M. is simplypointing out that a listener's perspective is generally a personal one, while a programmer's perspective is that of satisfying a big group of listeners. In many cases, if we try to make you very happy, we will end up making no one else happy.

We are not running your personal iPod.
>
> Choosing music to satisfy a handful of
> > "fans" doesn't get ratings.
> >
> No one's arguing that point.

It seemed you were.
 
Re: Where's YOUR passion??

> There is no need to make assumptions about passion levels
> (and I have normal, not pointy, ears)


Haha good one, David!! :>)

> I no longer put reverb on the studio mikes,

I briefly subscribed to XM when I had my since-sold Toyota Camry and sampled XM's oldies channel. I absolutely HATED HATED the reverb they had on their mike!!!! I also did not really like Terry Young's "Motormouth" and I never liked Cousin Brucie's (Morrow) motormouth.
Being from NJ I used to hate WCBS-FM's reverb, hated it when I went back there for visits and I NEVER liked WABC's reverb. Also don't like WLNG's reverb when I've listened to them on the 'net. I don't get what the cool thing about reverb is.

> K.M. is simplypointing out that a listener's
> perspective is generally a personal one, while a
> programmer's perspective is that of satisfying a big group
> of listeners. In many cases, if we try to make you very
> happy, we will end up making no one else happy.

Sigh, that's one of the problems. In the USA, we encourage diversity (and YES I know there is more "diversity" on the radio band today than ever so you don't have to come back with that one) yet we all realize not every station is going to get the same ratings and/or # of listeners. My beef is do we want EVERY station to sound the same??? You don't and I don't. So there is always going to be a station with 4.0 to 5.0 rating in LA and there are going to be a handful of stations with sub 1.0 ratings. Its just hard for me to accept that given the demographic makeup of the region, only Indie 103.1 comes close to being different enough to listen to. So I usually have to find my eclectic music fix on the Internet --- WOXY.com, Radio Paradise, WDST (Radio Woodstock which is over the air also) WRLL Real Oldies 1690 Chicago (while they are still on the air). I don't have an iPod and wouldn't have time to program one if I did own an iPod. And I like the fact that, unlike an iPod, radio CAN be spontaneous and unpredictable (that is the "radio" I like to listen to).
BTW I was NOT impressed with XM that much esp their 2 AAA-type channels. A good AAA station will have a good balance of a few well known classic rock and/or soul songs, some lesser known classic rock/modern rock 80s and 90s music mixed with today's currents. A station like that is missing from the XM lineup, and I also did not like the decades-dedicated channels all that much.

Thanks for the discussion.
 
Re: This always was a thread about ad buys.

>
> And 90.3 FM, 91.1 FM, 92.5 FM--- are they going to do what
> they were "licensed
> to do, serve Tijuana."????????

No, they are not. Tijuana is the most underserved major city in Mexico for this reason.
>
> Let me rephrase it-- Where is YOUR Passion????

> I see people go on the air with as much or more
> > passion as I ever did. Maybe more. And I see PDs who are
> > pros, who know the business, how to deal with people, and
> > how to touch the listener.
>
> Riiiiight VT really touches a lot of listeners :>)

I work with about 80 stations, and we do not voice track anywhere. However, I have done it successfully as far back as the 70's in cases where the market was smaller and I wanted to get the jocks out on the street to touch the listeners. I never had one listener even suspect the station was not "real" or live... and it was #1 in a field of 40.
>
> > lack of format variety,
>
> Ridiculous to compare the choices then with today's
> ultra-fragmented radio and music scene.

But when you only had 8 or 10 signals in many major, major makrkets, you also sometimes had 4 of them battling with Top 40. So there was no diversity among the stations that were viable.
>
> > 18 minutes of spots every hour,
>
> I'm not the 1st person to remind you of Howard Stern's spot
> load ha

I see. One exception. Most stations do not do this. It was so severe that in the 50's and 60's the FCC would set aside for review any license renewal application where the composite week had hours at 18 minutes or above.
>
> >the Fairness Doctrine
>
> That was a good thing to get rid of!

And it stifled format development for decades.
>
> > So I am qualified to make observations on oldies. That's
> > why.
>
> David you're so humble!!

No, I am qualified. I have programmed, listened, researched and done oldies... even before the songs were old.
>
>
> > Much better to hear the good songs than Indian reservation
>
> > (have a little bigotry with your music),
>
> Riiiiggghhtttt that's so much worse than any lyric from one
> of the artists you like - 50 Cent. Take a look at some of
> his lyrics from "Power of the Dollar"

I did not say that WAS appropriate. I am just saying that a huge percentage of charting songs form the past are no longer likable. Or approriate. A lot of hip hop is very good, though.
>
>
> >
> > Gee, I set up LA's #1 oldies station. I guess that puts me
>
> > out of a job, then.
>
> That statement makes no sense :>)

Well, you said I was not qualified. Yet I set up what is today LA´s highest rated oldies station. You seem to think I am unqualified to do that.
>
> So I guess Beethoven, Bach, Rachmaninoff, Coltrane, Miles
> Davis are too burned out for anyone to enjoy today because
> that would be looking backward, no???

Very little of it is relevant to today's audience, mostly because apprecition of that music is no longer part of school curricula. I managed on classical station, and owned another. It was tough 40 years ago, and it is impossible today.

> The 60's are over, and most of the
> > music is crispy. I like Jack to an extent, and enjoy a
> good
> > 80's station. I am just sick of the 60's stuff, because it
>
> > no longer relates to me.
>
> My guess is it never related to you.

Oddly, that does not explain why I would fly 4,000 miles to see Gary Pucket & The Union Gap... just to name a secondary artist I traveled to see. I also traveled thousands and thousands of miles to listen to KHJ when it launched under Jacobs, or to visit WABC or WLS (still have a card signed by every jock... got it at age 13 by hanging out for a whole day). I visited KLIF, WIXY, WQAM and WFUN during the battle of the late 60's, and had a pretty extensive collection of over a thousand 45's... lost in the revolution, unfortunately. I also jocked an evening rock leaning show on FM from 67 to 70, even though I did not have to do it... I did it for the music.

And I was not unique, except for the fact that I was an owner who was also PD. Most folks in Top 40 then were very passionate about the music... and those I run into today are completely over it. Including many of the highest profile figures like Drake or Jacobs or Rounds...

You might have found me at a Stones concert then. But you will not find me at one today.
>
 
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