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KRTY-FM Los Gatos has been sold

I wonder if they were the only one that was granted a simulcast waiver. In LA and San Francisco there were AM/FM Classical simulcasts that were not programmed separately. Maybe they were separate that long ago (1972).
I can attest that the simulcasts in SF with KKHI AM/FM and KIBE/KDFC were part of a Classical Music radio station exception per hearing second hand from a KKHI engineer.

I used to live close to the KKHI AM towers when our Family resided in San Mateo and later Foster City in the 70's and early 80's. In fact, we used to hear KKHI while talking on the phone in southern Foster City until Pacific Telephone put in a filter.
 
1. KFIS the Fish -Salem
2. KLVP - K-Love
3. KZRI - Air 1
4. KKWA - Way-FM
5. 103.7 Translator for KLVP-HD3, Boost Nation
6. KXXP - Soon to be Positive Life Radio
That number of stations in Portland is a lot more than in New York City. From 2004 to 2019, NYC was without a single Christian contemporary music station that could be heard throughout the Five Boroughs. In 2019, Cumulus sold music station WPLJ to EMF. That station had a lot of history, first as a rock station, then as a CHR station, and finally as a Hot AC station. May 31, 2019 was the day many who had worked at the station said goodbye on the air. The recollections and the farewells lasted until 7:00 pm, when WPLJ switched to the K-Love format.

Honestly, I had mixed feelings about WPLJ's conversion to the K-Love format. I was glad to see New York City finally get an FM station that plays Christian contemporary music full-time. However, to gain that format, NYC lost a music station that had been a part of the lives of many New Yorkers, including this one, for 48 years.
 
I can attest that the simulcasts in SF with KKHI AM/FM and KIBE/KDFC were part of a Classical Music radio station exception per hearing second hand from a KKHI engineer.

I used to live close to the KKHI AM towers when our Family resided in San Mateo and later Foster City in the 70's and early 80's. In fact, we used to hear KKHI while talking on the phone in southern Foster City until Pacific Telephone put in a filter.
I remember istening to that last day KKHI was on the air, the announcers saying goodbye after being there 25, even 40 years. That's when it hit me . The most stable job in radio would be to get a gig at a Classical radio station. The music hasn't changed in 250 years, and neither do those stations, unless sold off and the format changes, but most are non commercial and even more stable. KUSC, for example is the same today as it was 4O years ago. But you can't fake it there if you're not into Classical music. A good Classical announcer has great job security in radio, even if limited to a non commercial with low pay.
 
The most famous case was when RKO wanted to take WGMS-AM, Washington, D.C. from classical to Top 40. The FM would have remained classical. There was enormous public outcry. RKO argued that it could not afford to continue operating two separately-programmed classical outlets, so the FCC offered a simulcast waiver, allowing the signal to remain classical.

The one I remember was WNCN. They changed call letters and format to Rock and then had to change back! It was in all the trades.
 
The one I remember was WNCN. They changed call letters and format to Rock and then had to change back! It was in all the trades.
Here, in chronological order, are the relevant articles in Broadcasting. The controversy extended for a year after the format was finally changed, and did not end until the station was sold again to a company that restored the WNCN call letters and format (and the complainants even tried to insert themselves into that process and nearly killed it!).

Then in the aftermath, when the FCC issued a policy statement about format changes being left to the discretion of station owners and not have any bearing on transfers and renewals, the same group fought back:

And then they challenged the renewal of the WNCN license over some imagined "agreement" with the company that had been their white knight that they would not sell the station (and they weren't planning on selling, only considered the option at one point). The New York State Supreme Court even tried to overstep their jurisdiction by forcing a sale:

Eventually the U.S. Court of Appeals sided with the FCC decision to reject the renewal objections, and the listener group again tried to overrule a federal court decision at the state level ... the laugh was on them when the ruling went against them:

Postscript: In 1996 the "white knight" threw in the towel on classical and went to an AOR format under the WAXQ calls. Another ownership change three years later took the station to the Classic Rock format it still has today.
 
Thank you KM, that's a lot o work!
You're welcome. It's quite the interesting story, and in the long run that listener group actually forced the issue of the FCC not being involved in format changes.

The old saying "be careful what you ask for" came to mind as I was re-reading those articles to compile the list.
 
You're welcome. It's quite the interesting story, and in the long run that listener group actually forced the issue of the FCC not being involved in format changes.

It put them in the middle, having to decide something that's not in the rules & regulations.

My issue with this case (and others have said this too) is that we're seeing dozens of commercial frequencies being turned into non-commercial stations because these organizations have lots of ready cash, ignoring the public service aspect of why these stations exist in the first place. If the FCC doesn't watch out, large chunks of the commercial FM band will become non-com, and will change the way those stations are regulated and lower the fees the FCC can collect from the licensees (since non-coms get a lower rate). In other words, the issue here isn't just the format, but the nature of the license and FM band itself. I think the FCC shouldn't be so willing to grant these waivers for non-coms, and require them to operate under the same rules as everyone else. And I'm saying that as someone who's worked in non-com radio.
 
In other words, the issue here isn't just the format, but the nature of the license and FM band itself. I think the FCC shouldn't be so willing to grant these waivers for non-coms, and require them to operate under the same rules as everyone else. And I'm saying that as someone who's worked in non-com radio.
I have many times supported the idea that a non-commercial FM operating on a commercial channel should have to comply with all the applicable rules of a commercial FM. No more of this "shut all the local facilities down and put a dish at the transmitter" crap that EMF, particularly, does routinely.

Of course, I also lamented the end of the "main local studio" rule.
 
I have many times supported the idea that a non-commercial FM operating on a commercial channel should have to comply with all the applicable rules of a commercial FM.

Somehow Salem is able to do it and get great ratings with The Fish. They're kicking EMF's butt in Atlanta. The Fish plays by the rules, sells commercials, and still presents the message it wants to present, so it can be done legally without disrupting the neighborhood. The lack of a local studio is only a small part of the problem. If EMF was getting great ratings, they wouldn't be as big an issue. But they take stations that were getting great ratings and turning them into empty spots on the dial. That's not helping the industry or the spectrum.
 
Somehow Salem is able to do it and get great ratings with The Fish. They're kicking EMF's butt in Atlanta. The Fish plays by the rules, sells commercials, and still presents the message it wants to present, so it can be done legally without disrupting the neighborhood. The lack of a local studio is only a small part of the problem. If EMF was getting great ratings, they wouldn't be as big an issue. But they take stations that were getting great ratings and turning them into empty spots on the dial. That's not helping the industry or the spectrum.
EMF operates slightly different. They rarely have K-LOVE on in markets where there is an existing Non-Commercial CCM station. They don't want to compete with other non profits for the same exact listeners. If they end up getting a signal in one of those markets, they put Air1 on them. Air1 targets a younger audience. College students and Millennials love their Contemporary Worship music these days. If you look at KHRI in Hollister, they have numerous translators attached to it. A lot of them were put in cities where there is a college nearby. They used to reach out to that age group with harder edged Christian Rock and Pop (Which has pretty much disappeared it seems)

They will put K-LOVE on the air in areas where the CCM station is commercial. That doesn't automatically mean their programming is better (They are extremely safe musically compared to a lot of others, since they are national) It's no surprise The Fish is doing well in Atlanta with local programming. The difference is K-LOVE isn't competing with them for advertising revenue.

When they buy a stronger signal in a market where K-LOVE is already on the air, they put K-LOVE on the stronger signal and add Air1 to the previous frequency.

As far as EAS goes, they run these stations by the book. Really good engineering. For Public Affairs, 7PM Pacific on Sunday Evenings they have a national show "Closer Look" which is followed by a local segment in many markets. They do have some local and regional studios and promotions teams. They also have a lot of local outreach and listeners can literally call them on the phone 24/7 and talk to a live person. Even when there is no jock on the air overnights, there is someone who will pick up the phone. They have a "Care Team" of pastors who people can call, speak with, pray with, all that. They can also give people information for a local area. They'll send you a Bible if you need one. It's a lot more than it seems, for some of these listeners it means a lot.

It's unfortunate that they buy out all of these signals, but they operate those signals at high standards. They don't let the transmitters rot. They're monitoring them 24/7. They take care of their employees. They take care of their listeners. Something a lot of other companies could learn from.
 
Somehow Salem is able to do it and get great ratings with The Fish. They're kicking EMF's butt in Atlanta. The Fish plays by the rules, sells commercials, and still presents the message it wants to present, so it can be done legally without disrupting the neighborhood. The lack of a local studio is only a small part of the problem. If EMF was getting great ratings, they wouldn't be as big an issue. But they take stations that were getting great ratings and turning them into empty spots on the dial. That's not helping the industry or the spectrum.
But the Salem stations do not community outreach and provide no faith-based services to listeners. Read Jeremy's post and you can see that EMF is more like the Salvation Army or the Knights of Columbus and less like iHeart. Salem is like iHeart, but they picked faith-based radio as their specialty.
 
They also have a lot of local outreach and listeners can literally call them on the phone 24/7 and talk to a live person. Even when there is no jock on the air overnights, there is someone who will pick up the phone.

All of that is fine, but it's strictly faith based. KRTY was doing it's own local outreach that was of a secular nature, having to do with helping people find jobs or interact with other like-minded country fans. That outreach will now disappear. It's not a one-for-one replacement.
 
There’s a much bigger, more ominous picture in play for radio here. We’re really on the cusp of a technology shift which has been underway for a while, but is poised for an accelerated takeoff as the pieces fall into place.

Consider how quickly DVD sales and rentals sank once Netflix became available as a streaming model, and then Internet service providers began ramping up speeds to allow customers to take advantage of it. Cable cord-cutting ensued at a fairly stunning pace, and now we see everything is moving to VOD apps. This has been massively disruptive to TV, cable and video businesses. Watching TV no longer requires watching a TV channel. The way people consume video series and movies has dramatically changed in a very few short years.

So, now here we are with radio, and audio usage habits which trail those of video but probably not for long. The audio streaming services are already in place but the challenges with easily connecting to them in the car have helped radio keep its dominant role on the road. However, the connected car is a priority for auto makers now. Satellite and streaming apps already occupy a more dominant place than AM/FM radio in the dashboard of many, if not most new cars. And now we have rapid rise of the electric car with its big-screen control center where things like connectivity and new tech are really prioritized, and AM radio has been dropped completely.

When people use a streaming app, they aren’t all using it to stream a radio station. They use a service like Spotify that allows them to listen to music customized to their taste without commercials. And they listen to podcasts to hear favorite shows on demand, and to pause, rewind, skip, etc., just like they’re accustomed to doing with those Video on Demand services at home. I believe these habits will overtake the usage of traditional, live, linear radio as streaming uptake grows further.

All of this will devalue linear broadcast AM/FM radio at an accelerating pace, and the streaming replacements largely won’t resemble radio as we’ve known it. During this transitional period, the buyers of distressed radio stations are going to be these deep pocketed religious broadcasters who will gradually transform the FM dial into an agenda-driven wasteland like we saw with shortwave and AM radio during their declines. In that respect, the religious broadcasters are more a symptom than the cause of the decline.
 
However, the connected car is a priority for auto makers now. Satellite and streaming apps already occupy a more dominant place than AM/FM radio in the dashboard of many, if not most new cars.

We've been hearing that for 20 years. What I wonder about is how important is the debate about "big tech" in all of the current culture war? I don't have an answer, but clearly both political parties have reasons to want to regulate tech companies, and a lot of that is aimed at companies near San Jose. Will there come a point where users pull back from Alexa, Apple, Google, and Netflix because they're tired of being forced into the corporate box, where Google wants you to use Chrome, and Apple forces you to become a part of their universe? If that were to happen, broadcast radio doesn't require any passwords or user names. It's far more innocent than the big giants of the internet.
 
We've been hearing that for 20 years.
Realistically it has been less than 10 years and probably closer to five that 4G connectivity, Apple CarPlay, Android Auto and connected in-dash entertainment systems have started to become mainstream enough for it to start working its way into the car. We're really still at the leading edge of the curve, but the shape of that curve won't be a straight line, it will soon begin to really ramp up. Broadcasters can choose to deny/ignore it at their own peril.

What I wonder about is how important is the debate about "big tech" in all of the current culture war? I don't have an answer, but clearly both political parties have reasons to want to regulate tech companies, and a lot of that is aimed at companies near San Jose. Will there come a point where users pull back from Alexa, Apple, Google, and Netflix because they're tired of being forced into the corporate box, where Google wants you to use Chrome, and Apple forces you to become a part of their universe? If that were to happen, broadcast radio doesn't require any passwords or user names. It's far more innocent than the big giants of the internet.

I think people are aware of it but the masses will continue to prioritize convenience over privacy worries.
 
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