Only reason I even considered asking is because CBS was her baby and she had a personal attachment to itShe got $8 BILLION for it. You think she regrets it?
Only reason I even considered asking is because CBS was her baby and she had a personal attachment to itShe got $8 BILLION for it. You think she regrets it?
Only reason I even considered asking is because CBS was her baby and she had a personal attachment to it
No, you misunderstand. Sharri was Sumner's daughter. Sumner assembled the assets that eventually (through a buttload of corporate shenanigans) became his empire, under the Paramount umbrella. He (despite a buttload of deals with the Devil) eventually died. Sharri (after a buttload of battles to gain control of Sumner's estate away from lawyers, executives and alleged gold diggers) finally determined that she should sell Paramount for whatever it was still worth. While all these battles were going on, Sharri had also developed a case of thyroid (IIRC) cancer, so her aspirations may have been tempered by the new harsh reality of her medical situation.Only reason I even considered asking is because CBS was her baby and she had a personal attachment to it
I think she knew who she was handing it off to. I think she was upset about some of the editorial decisions being too "left" while she was there, so think she and Ellison were pretty similar.Only reason I even considered asking is because CBS was her baby and she had a personal attachment to it
Did anyone from CBS (Ellison, Bari Weiss) catch the Golden Globes tonight? If so, yikes!
The "see" BS News was pretty funny. I think they're used to it, given other Paramount shows poked fun at them (South Park, Stewart, Colbert.) Kind of like how Fox cartoons on Sunday have always made fun of Fox.Did anyone from CBS (Ellison, Bari Weiss) catch the Golden Globes tonight? If so, yikes!
Paramount Skydance’s hostile takeover effort of Warner Bros. Discovery has taken a new legal turn.
David Ellison‘s Paramount Skydance on Monday sued Warner Bros. Discovery, seeking to force WBD to disclose financial details of its $83 billion deal with Netflix. Paramount also officially announced plans to launch a proxy fight for WBD: The company said it will nominate a slate of directors “who, in accordance with their fiduciary duties, will exercise WBD’s right under the Netflix Agreement to engage on Paramount’s offer and enter into a transaction with Paramount.”The litigation comes after the board of Warner Bros. Discovery rejected Paramount’s latest $30/share all-cash bid for WBD in its entirety — the eighth offer put forward by Ellison with backers including his wealthy father, Larry Ellison.
Nearly a month has passed since Bari Weiss made the extraordinary decision to hold Sharyn Alfonsi's "60 Minutes" story about Venezuelan men deported by the US to a hellish prison in El Salvador. "I look forward to airing this important piece when it's ready," Weiss said.
Evidently, it's ready now. The "Inside CECOT" report is slated to air tonight, according to sources at CBS.
It's still not 100% official – and CBS News PR has not sent out any listings for the broadcast – but the finishing touches are being made this morning, the sources said.
The process to get to this point has been exasperating. After all, the other people involved in the production thought the piece was done before Christmas.
As Alfonsi wrote in her Dec. 21 internal memo claiming "corporate censorship," the piece had been fact-checked and legally vetted; it had even been shipped off to the Canadian network that re-airs "60 Minutes," which is how a bootlegged copy got online, further embarrassing CBS.
That Canadian copy also means media critics will be able to compare the original report to the Weiss-approved version that airs tonight.
Weiss detractors at CBS say she didn't realize that shelving the CECOT piece would be a big deal, a direct reflection of her TV inexperience, given that the piece had already been announced to the world. Those detractors wonder whether Paramount's political calculations and President Trump's pressures are the real explanations for what's going on.
Weiss allies reject that, saying no journalist should object to her call for "more reporting" that would strengthen the story. They blame Alfonsi — whose contract is up in just a few months — for inflaming the situation and being overly stubborn.
Alfonsi was certainly reluctant to make changes to the original report. But on Thursday, she was tasked with interviewing a Trump official, such as Kristi Noem orTom Homan.
Weiss said she would personally book an interview, two sources said. So "60 Minutes" producers flew to DC from New York, and Alfonsi flew in from Texas. But the promised interview did not materialize. Everyone went home empty-handed.
I get where Weiss was coming from. She was trying to ensure that CBS had exhausted every avenue for comment from the Trump admin.
But Alfonsi had warned about this in her December memo: "Their refusal to be interviewed is a tactical maneuver designed to kill the story. If the administration's refusal to participate becomes a valid reason to spike a story, we have effectively handed them a ‘kill switch’ for any reporting they find inconvenient."
I heard about the DC trip when I asked around about the status of "Inside CECOT" last Thursday night. I was told in no uncertain terms that the piece was not airing this Sunday. "They keep making excuses" to hold the story, a person supporting Alfonsi said.
Others dispute that. On Friday morning, two other sources said management was prioritizing a more timely story about ICE and Minneapolis for this Sunday's broadcast. I was about to report all of this in Friday morning's newsletter when I got a call saying that something had changed. "Inside CECOT" was back in play for Sunday.
By Friday evening, observers knew something was up because PR hadn't sent out listings for Sunday's show. I'm sure more of the backstory will come out in due time. But at this moment, at least, the story is expected to air tonight.
www.thewrap.com
Did anyone say what was added to this story in the last month?![]()
CBS Confirms It Will Air '60 Minutes' Segment on El Salvador Prisoners Previously Pulled by Bari Weiss
The “60 Minutes” report abruptly pulled last month by new CBS News editor-in-chief Bari Weiss examining the detention of Venezuelan men deported from the U.S. to a high-security prison in El Salvador was expected to air Sunday night, according to sources who spoke with CNN.www.thewrap.com
If it airs tonight, there will be some who will complain that it didn't benefit from a strong football lead in, and that the majority of broadcast viewers were watching the NFC playoffs on NBC.
White out over the good parts.Did anyone say what was added to this story in the last month?
The disputed segment finally aired without any prior public notice on Sunday, January 18th and it's notable that the only changes to the story was a new opening narration, and the addition of a lengthy coda from Alfonsi.
Here is a complete transcript of the new piece, with additions highlighted in bold.
Everyone can judge for themselves whether the changes helped the segment, but my reaction is that while nothing that was added is inaccurate, it feels like an attempt to muddy the waters. It's as if a local news station does a piece about your house being robbed, but along with the details of the crime includes a history of the neighborhood you live in and what you had for breakfast the day of the robbery.
Neither of the two detainees in our story has been convicted of any crime in the U.S. Nine days ago, DHS sent 60 Minutes a photo of William Lozado's (sic) left arm, with a swastika tattoo. In an interview in November, this is what his arm looked like. He told (us) that he got the offensive tattoo at 15 and didn't know what it meant. He claimed he regretted it and got it changed just before the U.S. sent him to CECOT.
But criminologists who study gangs say tattoos are not a reliable way to identify Venezuelan gang members because, unlike some Central American gangs, such as MS-13, Tren de Aragua does not use tattoos to signal membership.
Five gang experts told us that swastikas and "666," another tattoo on Lozada's arm, have no connection to the violent Venezuelan gang Tren de Aragua,
The really hard-hitting piece, though, was the lead story on Minneapolis. No American city should have to go through that. The pictures and the interviews told the story; the script was almost incidental at times.
The really hard-hitting piece, though, was the lead story on Minneapolis. No American city should have to go through that. The pictures and the interviews told the story;