Goran Tomas said:
Now whether any software processor, running on proper hardware and with dedicated I/O, will be able to compete on the air with the offerings from other manufacturer on the market, is a completely different story altogether... And as far as I've seen, no one has properly compared any of these processors yet to be be able to offer any opinion that may hold some value.
Breakaway has been in several shootouts, with representatives from several companies including Orban (Europe) and Vorsis. I guess not organized well enough to invite you, but all the other leading "boxes" were present, with the exception of Sound4 unfortunately. The composite output during one of the largest shootouts was recorded, and is available for playback with MPXTool. But as Frank said... the only way to really know, is to try it yourself.
MPX Tool allows for realtime & recorded comparisons, on a fair playing field that doesn't allow anyone to cheat without getting caught, and it's really not had its time in the spotlight. Yet.
WNTIRadio said:
Would I trust my major market station to it? Well no, but if I owned a major market station, the budget would be there for the latest and greatest processor.
Some people in NYC with decent budgets disagree.
WNTIRadio said:
The 2200 can be backup. Or a door stop. Too light for a boat anchor.
Wouldn't hurt to have 1-2 decoys to keep em guessing.

Or delegate it for production/injest duties.
dannyscott101 said:
When I was working in TV production 15-20 years ago, I would have laughed in someone's face if I said "Let me see your editing suite" and they pointed to a PC at a desk.
True, but it wasn't much longer. The Media100 system came out over 15 years ago, didn't it? 8) Time flies.
SRP said:
If budget is an issue, a station won't be looking at an 11 or 8600. They'd be looking at a DSPx mini or a O1. And they'd be better off with one of those choices rather than "strengthening" a PC to run Breakaway.
Two PCs with a switcher to run backup? Same deal. Get a cheaper dedicated box. Simpler and more reliable.
Talking about budgets... I can do a rack mounted 2U that'll run Breakaway with lots of room to spare, for well under $300, without even digging deep. Talkin' just NewEgg.com here, nothing special. So let's say $400 a box including a Marian Trace. Shipped. Two boxes, $800. Plus Breakaway for $200. On-air and backup for a grand. 8) Now what?
But as Frank mentioned, it's best not to just go with super cheapo stuff. Spend like $100 more per box to get a much better board, and it's money well spent.
rorban said:
Peter van Beusekom, our European sales and support engineer, is now in Australia. Peter is a guy with excellent ears and an outstanding ability to customize presets for the tastes of a given customer. He's had several months to work with the 8600 and to get familiar with its potential. We'll see how this particular rivalry plays out when an Orban factory rep drives the 8600.
Then uh... how's about we organize a real shootout, with official reps from whoever wants to come? It's still not as good a test as having it in your own hands, but still... most people don't even know about the ones that happen all the time, especially in Europe. Let's do one in the USA off to the side of NAB or something, RSVP only. Why not? (i'm sure i can think of lots of good reasons myself, simply from a business perspective, so... i wouldn't be surprised if a "well represented" one never happens)
Sgeirk said:
It gets nothing but compliments and puzzled looks on faces when they see the modulation readings and find out what is behind the curtain.
http://www.youtube.com/watch?v=Mb45tJhzmcI
satech said:
I have noticed that some of the New York City stations are now sounding noticeably less distorted -- but still very heavily processed -- than they had in previous years, so regardless if the Omnia 11 or Optimod 8600 (or some other box!) is responsible for this, I applaud the improvement, and my ears thank the people in charge.
(cough) Many ears and books are thankful of the changes in people's minds more than anything. As has been mentioned, the 8100/XT with one hell of a tune-up (a Sack full of tweaks

) has no problem hanging out on the dial in most markets. And sounds awesome. Loudness with quality be damned should have never happened, but it wasn't anyone's fault. It's just how the timeline slightly diverged for a while, and it's what the consumer was willing to compromise to get what they wanted overall. These growing pains are being dealt with now. And... it's awesome. ;D