Dick Clark also did syndicated radio via Mutual and co-founded United Stations Radio Networks in the early 1980s.He’s not doing anything materially different than Dick Clark did. Bandstand/Idol. Game show. Rockin’ Eve. Radio shows.
Kind of funny how they’ve similarly tackled multiple types of very similar projects. Somewhere along the way I think Seacrest has founded companies of his own, just don’t recall the names right away. But lots of pretty decent parallels.Dick Clark also did syndicated radio via Mutual and co-founded United Stations Radio Networks in the early 1980s.
It was such a good show with Garrison. I liked his monologues and the comedy, and some of the music sounded good. With the new show, even the music wasn't any good in my opinion.I know it's not the same thing by any means, but consider the NPR radio program A Prairie Home Companion. When Garrison Kiellor retired it was supposed to remain basically the same show, but with a new host that Keillor himself had hand-picked and that's more or less what listeners were told. In reality, over time, it transitioned to being a more music-centric show. Then the original APHC acting company and other on-air contributors departed little by little. Then they stopped using the theater in Minneapolis and started broadcasting almost exclusively from New York City. Then after Keillor's harassment claims, they changed the name of the show. Eventually it was cancelled. Many felt that listeners left because they were promised it was going to remain "the same" and over time it became less and less the same and transformed. Had they just made a clean break and then brought in a new host, new name, taken it in a different direction and had set no expectations, they may have been better off.
I think I am remembering correctly that at one point ABC on Sunday started with Alfonso Ribeiro on "America's Funniest Home Videos", followed by Steve Harvey on "Celebrity Family Feud", Michael Strahan on "Pyramid" and Anthony Anderson on "To Tell the Truth".The what route? Seriously?
How about the good host route. The idea someone Black got one of those gigs simply for “the diversity route” is inane. They got the jobs on their merits.
Of course there are people who won’t watch, and those who will start watching. Let’s not pretend Sony didn’t have data to use in making this decision.My wife loves Wheel and has the kind of brain that allows her to solve the puzzles way before most of the actual contestants. She will miss watching Wheel when Seacrest takes over. For whatever reason she can't stand him and I would be very surprised if she watches when he is hosting. I'll bet she isn't the only one and I'm sure there will be a big ratings dip, maybe one that the show won't recover from.
It could be that Vanna, at $3MM a year, was getting paid what the producers perceived she was worth. If she disagreed, she could have refused to re-up any time her contract was up for renewal. The producers would then have had to reconsider, or let her walk and take the short-term hit.![]()
Apparently, Vanna White Hasn’t Gotten a Raise in 18 Years
Pay this card-turning icon what she deserves!www.thecut.com
All good points. Plus consider that Vanna's wardrobe and jewelry is probably included/paid for.It could be that Vanna, at $3MM a year, was getting paid what the producers perceived she was worth. If she disagreed, she could have refused to re-up any time her contract was up for renewal. The producers would then have had to reconsider, or let her walk and take the short-term hit.
I suspect everyone acted rationally: Vanna, by recognizing she was hauling in a buttload of money for turning letters and looking pretty on a TV game show a few days a month, and the producers by recognizing they might get someone younger and save some money, but risk viewer loyalty and the show's ratings and profits in the process. Vanna, at minimum, should have fired her agent for not negotiating annual cost-of-living bumps in her package. (Though we're assuming they didn't, which may not be true.) Though the annual bonuses might have been the same thing.
This doesn't address that specifically, but columnist Drew Magary would probably say he would:Would Pat be so cold that he is paid FIVE TIMES more than Vanna without speaking up for her?
It could be that Vanna, at $3MM a year, was getting paid what the producers perceived she was worth. If she disagreed, she could have refused to re-up any time her contract was up for renewal. The producers would then have had to reconsider, or let her walk and take the short-term hit.
I suspect everyone acted rationally: Vanna, by recognizing she was hauling in a buttload of money for turning letters and looking pretty on a TV game show a few days a month, and the producers by recognizing they might get someone younger and save some money, but risk viewer loyalty and the show's ratings and profits in the process. Vanna, at minimum, should have fired her agent for not negotiating annual cost-of-living bumps in her package. (Though we're assuming they didn't, which may not be true.) Though the annual bonuses might have been the same thing.
According to a few news articles, Vanna hasn't been given a raise in 18 years...But either that's the contract she and her agents worked out and agreed to, or she must not have been too upset or hurt about it, or she'd likely have said something at some point within the last 18 years to speak up if she felt it was unfair.All good points. Plus consider that Vanna's wardrobe and jewelry is probably included/paid for.
Until there is a tell-all book, we don't know how close Vanna and Pat are. Would Pat be so cold that he is paid FIVE TIMES more than Vanna without speaking up for her? And I don't believe that Pat doesn't know how much Vanna makes.
According to a few news articles, Vanna hasn't been given a raise in 18 years...
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