well - let's see -
1) Which Market? and which Decade?
Portland (now) - Randi Kirshbaum is easy going and knowledgeable; Stan Manning gets lots of glowing reviews from folks who work with him; Tim Moore is more than a survivor, especially handling multiple stations and riding out the whole who-owns-who-this-week thing. All three get props from me. Apologies for any omissions, as there are a few
Portland (90's) - That Jon Holiday guy earned his paycheck at a CHR Flamethrower, as did Tom Hennessey at the Country Giant. Dean Rogers was driving the bus for TWO stations in the early part of that decade; and Herb Ivy not only programmed a kick-azz station, but managed to survive the Persky Experience (not a negative, by the way).
Portland (80's) - A certain loco-poster who is on occasion known to chug down his own tracks ran a couple of very lean & mean, full-service operations in the 80's (okay - it's ME, all right?); Peter Falconi assumed control of the the ever-safe full-service AM signal in town (remember those? music - news - weather - and (gasp) personality?), but also had the honor of turning off the elevator and crankin' out the hits! Peter had assumed the full-service helm from a then up&coming Cary Pahigian (who made the "leap of the week" - from programming in Portland to programming in Philadelphia); Tom Hennessey was the undefeated, reigning champeen of Country; Dean Rogers was the man with two stations, although he assumed the helm of the 2nd one about midway through the decade; Dave Dean was the laid-back man-in-charge for a magical signal; and in the fringe-but-in category, Mike Lawrence not only handled WLAM expertly, but took the FM side from a Wave machine to a Kissing Booth.
Burlington VT (now and then): I hear lots of good things about "gentle Ben" (as we used to call him in Augusta). I hear little from Ben as he seemingly can't be bothered with answering emails from old workin' mates who actually aren't looking for a damn thing. i stopped trying a few years ago.
Great Ben story (which would warm the hearts of any GOOD PD!):
at WABK, Ben would begin each shift by removing the box from the studio's compression unit and cranking the settings until the fillings would be sucked out of his teeth (through his headphones), thereby giving him (at least) the impression that he had a "voice of God." Tim Smith (TimTron) took to placing the studio's mic compression/EQ unit into a "sealed" box which bore the label: Do Not Open Unless You ARE TimTron. Well, when you opened the "sealed box," and found the electronic's unit, the label on top of the box said :
"BEN: I SAID DO NOT OPEN THIS THIS - signed: TimTron"
true story.