DavidEduardo said:
Carmine5 said:
It was reported in Inside Radio yesterday that the Country format is skewing older, in the 45-54 range. Are we now to assume that, like Smooth Jazz, Country music will eventually be consigned to the format scrap heap and that we'll see Country stations all across the U.S. frantically flip away to some other format?
Or will agencies and the radio industry get a clue and realize that demographics as it relates to age is meaningless.
Country stations will make efforts to lower the ages of the listeners so that the advertisers who tell their agencies what ages to buy will continute to buy them.
And then why didn't smooth jazz stations try to make the same adjustment as country is doing? Maybe those who controlled the direction just missed the boat and what they are attempting to do now is too little and way too late. As always David, you offer nothing new to the discussion and if you could, please refrain yourself from always trying to educate the heathen. I don't mind being hipped to the facts but I do mind being talked down to. I'll ask you again to please help make this a productive, forward moving collection of ideas instead of a myopic glare into the rear view mirror.
C5 is right that the boomers are the "pig in a python" (a huge lump) moving through the population. This group is just one of the problems that terrestial radio and smooth jazz is facing in the immediate future. Chris Mays who's been a very successful PD and is now a consultant had an interesting view on Arbitron and PPM in the December 2nd "Taylor 0n Radio-Info" which follows:
“The PPM methodology is ‘drive-by’ listening, coming at the expense of all the special P1-loyal stations.” Thoughts from Seattle-based major-market PD and consultant Chris Mays, ahead of today’s House Oversight Committee grilling of Arbitron over the People Meter’s effect on minority stations and listeners. Chris emails me to say “While I am sympathetic to the plight of Hispanic and Urban stations, it seems to me that they have had a slightly unfair advantage over the years with the diary methodology. Their loyal fans were able to ‘vote’ with their pens in a way that may or may not have accurately reflected listening.” But Chris says there’s a larger story. “The PPM methodology is affecting radio in a bigger way. It is ‘drive-by’ listening, which moves the stations that are very few peoples’ P1 stations, but everyone’s P2 or P3 station, to the top. This is coming at the expense of all special P1-loyal stations. The most generic, cume-friendly stations are rising, while the stations based on loyal fans are falling. This includes AAA in most markets. And Smooth Jazz.” She says “This is sad. It is making owners take fewer chances and radio formats more generic in general.” Chris specializes in the adult alternative format, and she’s at
[email protected] and 206-547-4268 206-547-4268."
(By the way, if you don't know what Chris if refering to, Hispanic and Urban diarys in Arbitron's old methodology are weighed heavier than other diaries. In other words, one diary counts more, which I believe was a vital reason for the urban vocal slant of smooth jazz stations.)
So, we have an aging audience that does not appeal to advertisers (which advertisers?), huge trouble with the ratings system and a format direction that's riding with Thelma and Louise but the audience is still there and the music is still viable. It's no longer about "broadcasting" but serving the niche. I'd rather have 100 who love me than a 500 who think I'm as important as their toaster. The new world is about serving the "Tribe" and the "Tribe" is heading to new hills to connect. Smooth jazz still has the ability to take a smaller audience and make it profitable. That's the way it started out and that's the way it will be done again.