Savage said:
Maybe Sherlock can chime in on this one. How many of you remember the incredibly annoying practice at WBBF, back in its heyday, of cueing past the intros of hit songs, simply rolling the record from when the vocal began?? IIRC this practice continued from the early to late 60s.
I'm sure it was done "for time" to accomodate the station's incredibly commercial-packed and cluttery format, which I recall actually clocking on one weekday afternoon in 1968 at 23 minutes, 40 units. Not counting: sports updates, news, stocks, promos and jingles and so forth. Most readers here will be interested to learn the the AFTRA contract at WBBF actually compensated the jocks for every spot which aired within their shows, live or recorded, done by that jock, somebody else or an agency. I think it was 55 cents per spot. The "talent fees" comprised a significant part of your paycheck.
From a listener's perspective it was very frustrating to hear "My World Is Empty Without You" by the Supremes or "Black Is Black" by Los Bravos with their energetic, dramatic intros lopped off, just so The Beehive could squeeze in one more Pepsi or Fred Walker Ford spot.
To the Bobs (Savage and Smith)...
I really don't remember cutting off the beginnings of tunes at least in my time there. Once LIN Broadcasting bought the station, we were running 20-22 minutes of commercials an hour in prime hours although I might have a few tunes one Sunday afternoon.
Funny story, but not so funny at the time --
I was on the air and stopped for a five minute newscast at the bottom of the hour. The new News Director was in from Miami and insisted on as many actualities as possible in each newscast. News guys and board ops hated him because of it. The news guys would enter the control room with stacks of 5 inch reels of tape (before they converted the newsroom to carts) before each newscast and plunk them down for the board op to play on one of three reel to reel recorders including a console mounted Magnecorder when called for.
Howard Gates, the news guy, proceeded to ramble on for about 9 or 10 minutes, just banging out those actualities, never once stopping to look at the clock in the newsbooth. The only problem was that I had to shoehorn in about ten minutes of commercials, plus sports and jingles that remained to be played in what was left of the half-hour. I might have played 3 records during the remaining 20 minutes. (Stopsets that rivaled what you might hear today, huh?)
WBBF was an AFTRA station. As I recall, jocks were paid 4% of the selling rate of any commercial that played within their show. Of course, when I started on the all night show in Jan. ‘65 there were darned few spots and most of them that were on my show were trade commercials (no pay). Guys like Jerry Fogel, Joe Deane, Jack Palvino and Nick Nickson were making very good bucks back then. Joe, Jack and Nick were also allowed to sell (Nick was the top salesperson on staff, too).
Regarding WENY - as someone who started in radio in the Elmira area I remember those days at WENY. Before and early in my marriage, my wife was the Traffic Director there during '63-'64. I remember they had her schedule short PSA's between the commercials adding further to the unit count. Go figure! Maybe they thought it bought them points at the FCC.
Those were the good ol' days...