Here's an update on KAAM's Saturday night clown.....Either someone at KAAM reads this message board or someone in management at KAAM had a little talk with the Saturday night clown. For the last couple of weeks, he hasn't cued any cds on the air or left his microphone on while he was talking to phone callers. Both of these things are an improvement from a technical point of view. He also seems to be doing less talking between songs and is keeping his on air phone calls shorter. I don't think that either of these things happened for nothing. Somebody must have had a little talk with him. Having said that, he is still awful as an announcer in every way. He has no sense of radio timing. His hillbilly accent is grating. Probably the worst thing about him is that when he does talk on the air, he is always totally unprepared. You can hear the wheels turning in his brain (and I use the word "brain" in the loosest possible terms) if he has to adlib more than five seconds. I spent time listening to some of his breaks counting the amount of times he said "uh" and "um" on the air. Again, put this guy somewhere on a radio station in a really small market somewhere in Mississippi, Alabama or Georgia and he would be right in his element. Even though KAAM pulls a .7 share and sounds like the smallest of small market stations, it is still in a market of over 5,000,000 people. What this means is that if Crawford Broadcasting ever decided to run KAAM like a real major market station, and spend some money on disc jockeys, jingles, salesmen and promotions, they would have a good chance to get saleable numbers rather than running the infomercials that they presently run. Another thing, I don't think that any dj on KAAM makes more than $10 an hour. You get what you pay for. Two of the people on KAAM are millionaires from the sale of 620 A. M. to Disney so they are not working there for the money but, more to pass the time and for their egos. The two millionaires in question are the program director and morning drive dj, Jaan Mccoy and the chief engineer and sometimes dj, Hue Beavers. What motivation do they have for trying to make this sound like a real radio station?