PaulyBoy said:
You missed the point...
Vorsis AP-2000 could not even beat the Omnia.One. The Vorsis top of the line box got beat by the other guy's low cost box. Not a good way to get repositioned I might add.
Beat how? Did they have a transmitter in the display with a working and calibrated modulation monitor or analyzer as calibrated by the manufacturer? Did they have a Vorsis expert to counter the Omnia experts to set the processors? Was there a Vorsis manual? Could they prove both were being fed not only the same audio, but that both processors had the same level of headroom from whatever distribution system they used? Could you listen to source and processed audio via an audio switch? Was the Vorsis set level wise as per factory instructions? Were the internal stages properly set so that one stage wasn't over driving another? Were the playing prepackaged audio or were users allowed to sample their own audio? What type of monitors were used?
I wouldn't take anything from a box racked up in a competitors display. I remember seeing an 8500 in the rack with an Aphex 2020 at the Aphex display at NAB.... somehow the 8500 never sounded "right". Then again, neither did the 2020, so in that case it was a wash.
If you want to see what any of these boxes do, demo them, put them on the air. The NAB show floor is not the place to get critical about actual use, especially in a competitors booth. But most people who actually know processing know that already, right?
I remember hearing a "sample" of 8400 audio in the BGS/Telos booth back at NAB Philly in 2003. The sample sounded awful, yet I've worked with an 8400 and never got it anywhere as bad as that unless I totally cranked it.