I number of years ago it was very difficult for U.S. talent to cross the border and work in Canada. Any idea on how difficult it is for American citizens to get jobs at Canadian stations these days.
mightymoose said:I number of years ago it was very difficult for U.S. talent to cross the border and work in Canada. Any idea on how difficult it is for American citizens to get jobs at Canadian stations these days.
mightymoose said:Radio in the U.S. is such a bloody damn mess I just wonder about the viability of moving north of the border. Now I am under no illusion that radio in the U.S. is going to return to the good old days (how ever you define them). Nor do I believe any other part of the world is like going off to Neverland where radio is beautiful every day. The world wide web will someday be wireless & seamless across the globe. And everyone can have their own internet station (oooooooo goody).
It's just that Canadian radio doesn't seem to have quite the level of screwed-up-ness (like that?) that US radio owner/operators have bought themselves...and believe me they did buy it for themselves. No one put a gun to their weasely little heads and made them screw it up the way it is, they did it willingly.
(now quietly putting away soap box)
mightymoose said:Darned right Bong - it's a short drive from some big American markets to some big Canadian markets. Why not take a road trip with a few CD's in hand. I understand November is nice in Canada (lol!)
mightymoose said:Christ almighty, you freakin' kids 'n yer 40th!
Bongwater said:mightymoose said:Christ almighty, you freakin' kids 'n yer 40th!
Yup....and I'm a survivor....not a "kid" exactly (but thanks for the compliment.) I'm still young enough to want fun and excitement. I may be 40, but I don't feel much different from 20 (besides extra gravity....)
radioguybroadcasting said:Bongwater said:mightymoose said:Christ almighty, you freakin' kids 'n yer 40th!
Yup....and I'm a survivor....not a "kid" exactly (but thanks for the compliment.) I'm still young enough to want fun and excitement. I may be 40, but I don't feel much different from 20 (besides extra gravity....)
God, I'm the young one here.. turning 25 in a few days!
mightymoose said:I could no more keep up with a 30 year old woman than I could fly to the moon).
Bongwater said:mightymoose said:I could no more keep up with a 30 year old woman than I could fly to the moon).
It's when you start getting to that stage that you realize you're in bigger trouble than you ever thought.
But back to the subject: CISL flipped to standards yesterday.......the big sign off for 600 AM begins Thursday at 5:30pm. Be listening or be listening.........
radioguybroadcasting said:Bongwater said:mightymoose said:I could no more keep up with a 30 year old woman than I could fly to the moon).
It's when you start getting to that stage that you realize you're in bigger trouble than you ever thought.
But back to the subject: CISL flipped to standards yesterday.......the big sign off for 600 AM begins Thursday at 5:30pm. Be listening or be listening.........
I've been reading where AM 600 won't sign off, but simulcast the FM for awhile.
neumann sennheiser said:So here I am, looking at the reverse move. I'm a Canadian citizen, married to an American, living in the Seattle area (Bremerton), and thinking seriously about getting back to work. I've got my green card interview early in December ( a rubber stamp situation really, all the big hoops have already been cleared) and that'll give me full legal status for work and other landed immigrant rights. The good news for me; I have a long, proven track record in Canadian radio in a major market (Vancouver). I'm damn good on air and in voice over work and I'm realistic about money and ego. The bad news: I'm in my mid 50's, out of radio for eight years, and I see myself ideally working a couple or three days a week at KPLU or some aspect of NPR.
I did a lot of years of the: "And The Hits Just Keep On Coming" style of radio and later Soft Hits (ala WARM 107) but I don't feel that's who I am now. I could do oldies but there's already a lot of very talented people in Seattle looking for those gigs (particularly in light of recent format flips and adjustments).
So what doors would you knock on?
Maybe I'll be sorry I asked.