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FredLeonard
Guest
TheBigA said:FredLeonard said:TheBigA said:But it wasn't "unique" programming. It was the exact same programming available on AM. Just with better fidelity.
Wrong! Oldies (all oldies, all the time). Progressive Rock (aka Underground Rock). Jazz. Classical. AM was Top 40, MOR, Full Service, Country, Ethnic/Foreign Language, Religion or R&B. Occasionally some blocks of other genres late at night or on weekends but they were not widely available.
Classical and jazz weren't formats that attracted the biggest numbers to FM. Progressive Rock was not a big audience attraction, and was gone by the mid-70s. The most popular FM stations were simply duplicates of the AM Top 40 stations. And in NYC, you had three FM Beautiful Music stations in the Top 10. That wasn't unique programming...it was the same exact programming those stations had done in the 60s before FM became popular. Oldies wasn't unique. These stations took songs that had been hits on AM and played them on FM. The real attraction was the sound quality. I mean WBAI was definitely unique programming, but I don't know anyone who bought an FM converter to listen to Bob Fass or Steve Post.
Classical attracted an elite audience that some advertisers coveted. For some marketers quality trumps quantity. To a lesser extent, so did Jazz.
Progressive Rock morphed into AOR or AAA.
Top 40 stations played maybe one Oldie an hour.
These formats were not available on AM and offered listeners additional content choices.
Stop quibbling over semantics.
Sound quality was a factor but FM's better sound quality had been there since the 40s. FM didn't take off until it offered programming which AM did not - "unique" or otherwise.