heydaybegone said:That said, it's hardly uncommon for broadcast non-profits to get a huge grant and suddenly think the money will last forever...and they put too much time/effort/money into simply producing the show instead of figuring out how to make it last when the grant money runs out.
My, my...we have taken Americana to the non-coms? Agreement at 100% double AA!!! Looks very familiar to bail-out's ...no? I haven't decided if this is human nature in the biz world, or just plain ignorance (or my life experience..as long as it has now been...says otherwise ;D). I'm not sure 'ole George had this in mind when they put him on the dollar...but it sure makes for some "not show schmart" financial exchanges!!
I have experienced that...it takes longer to make it than to spend it....ERGO...when that booty check shows in the mail....HELLO!!! ;D
Just sayin.
HDBG
(FDIC insured disclaimer : as a commercial side passionate fool...I never had fond images of the non-coms...just because they could ASK for money- the rest of us busted hump to "earn" it)
I work with a lot of commercial broadcasters who feel the same way you do. One of their biggest complaints is the lavish equipment non-coms manage to purchase, along with nice studios, while some commercial stations continue to patch and repair because of budget restraints.
On the other hand I also work with non-coms (especially in smaller markets) that have next to nothing when it comes to staff and equipment.
As for grant monies: Remember once those funds are gone, so are the people hired under those grants; at least at some stations. There are a few that try to keep personnel, but at the cost of other staff losing their jobs. IE: Early retirement incentives or elimination of positions, which mysteriously re-appear under a new job title just months later.