• Get involved.
    We want your input!
    Apply for Membership and join the conversations about everything related to broadcasting.

    After we receive your registration, a moderator will review it. After your registration is approved, you will be permitted to post.
    If you use a disposable or false email address, your registration will be rejected.

    After your membership is approved, please take a minute to tell us a little bit about yourself.
    https://www.radiodiscussions.com/forums/introduce-yourself.1088/

    Thanks in advance and have fun!
    RadioDiscussions Administrators

WCCR-AM 1260 happenings.

IIRC, "beautiful music" was still around on the FM dial in Cleveland until the early 80s. Perhaps not as plentiful as in the 60s and it might have transitioned a bit from orchestral "elevator music" (i.e. Percy Faith, the Living Strings, Andre Kostelanetz, etc.) to easy listening or soft hits. Growing up, I listened to it with my dad and I am not gone yet. :)
 
Last edited:
IIRC, "beautiful music" was still around on the FM dial in Cleveland until the early 80s. Perhaps not as plentiful as in the 60s and it might have transitioned a bit from orchestral "elevator music" (i.e. Percy Faith, the Living Strings, Andre Kostelanetz, etc.) to easy listening or soft hits. Growing up, I listened to it with my dad and I am not gone yet. :)
I recall that being WDOK which changed to soft hits later in the 80's. Our doctor usually had it on in the waiting room.
 
IIRC, "beautiful music" was still around on the FM dial in Cleveland until the early 80s.
WQAL flipped from easy-listening to soft AC on March 31, 1990. Cleveland was an anomaly of a market as it and WDOK were both in the format until 1987 (not counting rimshots like WDBN, WREO-FM and WHBC-FM) while every other major market only had one EZ station remaining. Even WBEA gave up in 1983 when they flipped to Top 40. The format disappeared totally in NYC by 1985 and in LA by 1989 with "Pirate Radio".
 
WQAL flipped from easy-listening to soft AC on March 31, 1990. Cleveland was an anomaly of a market as it and WDOK were both in the format until 1987 (not counting rimshots like WDBN, WREO-FM and WHBC-FM) while every other major market only had one EZ station remaining. Even WBEA gave up in 1983 when they flipped to Top 40. The format disappeared totally in NYC by 1985 and in LA by 1989 with "Pirate Radio".
Beautiful music disappeared completely from NYC around 1992 when WPAT first switched to light rock as the New 93.1 FM, totally killing off the instrumentals. Before that it was 90 percent instrumental with 10 percent vocals an hour.
 
Wrong. I'm still here. I can remember listening to them back in the 60s. Rough time growing up as a kid and that music helped with anxiety of divorcing parents and the new "dad" that was a nightmare. Towards the end of the decade I was switching back and forth between the Top 40 & Beautiful Music. For the life of me now, can't remember the call letters or frequency.
If I listen now, it's usually online overseas station. There's a great one out of Austria but again haven't listened in a while because a crashed computer took care of the bookmark for it.
Not sure how old you are, but -- aside from a few isolated retirement markets -- the beautiful music on broadcast radio is as dead as their original listeners. We are talking about a station which plays Mantovani, the 101 Strings, Andre Kostelaentz, Percy Faith, etc. These stations have almost completely vanished many years ago.
 
Worked to board part time at WMVO FM Mount Vernon for four years in the 70"s........ Went from County 94, " Where the stars always come out", to the Soft Touch, beautiful music with Mantovani, Percy and his gang and many more, to O 94, Rock....................... Talk about a transition period .......... Thought that the dentist office music was well received with the community, especially the older one. I would receive about 10 calls per night from 7 to midnight asking for certain music. I believe during that period beautiful music was a release from a long day. We don't have those anymore!
 
1) Didn't the "Beautiful (Elevator) Music" format die out because the "Music of Your Life" (Big Band/Hit Parade) format became the more popular format, despite the BM format being primarily on FM and the latter was on AM? It sounds like the FM stations were kicking the older folks back to the AM frequency at the time.

2) Back to the original 1260 transmitter in Seven Hills: When the WIXY 1260 era began, the studios were at the Seven Hills transmitter. When did they bring the studios to the 3940 Euclid address?
 
That was in the early to mid 60's. By the time the non-AM duplication rules entered into effect around 1968, we had everything from oldies to lots of album and progressive rock stations. For example, while Washington D.C. had 3 Beautiful Music FMs, it had a Spanish pop station, an oldies station, an improved Top 40 station with full coverage and a variety of rock stations.

Anyone who listened to Beautiful Music in the sixties is likely long gone now.
Some of us are still around. From the Spring of 1958 I used to be able to get the Muzak over WMMW FM Meriden being broadcast to clients. When they moved that to MX they ran Muzak's Programatic for about a year. Many of the same Muzak artists but with vocals and without the flat sound peculiar to normal Muzak processing then.
 
Not sure how old you are, but -- aside from a few isolated retirement markets -- the beautiful music on broadcast radio is as dead as their original listeners. We are talking about a station which plays Mantovani, the 101 Strings, Andre Kostelaentz, Percy Faith, etc. These stations have almost completely vanished many years ago.
The major stations all jumped ship in the early 90s, if not before. There were a few hundred smaller outlets through much of the 1990s I used to hear Bob Bittner's WJIB AM up to 2004 when he went to Adult Standards/Oldies. An exciting development has been the wealth of internet broadcasters over the years who have chosen to work in that format. Several of them surpassed anything I ever heard on terrestrial radio. More interesting and diverse, looser presentation, if you will.
 
When 107.9 was WELW-FM, and probably back with WNOB, Muzak leased their subcarrier. There was a locked metal cabinet in the transmitter room which was, basically, an automatic record changer that played metal discs, supplied and serviced by Muzak. Every once in a while a Muzak technician would come out and change the discs.
As operators, all we were allowed to do was to click on a monitor when we took meter readings to see if there was audio. If it was silent for a long time, we could go down and push a button marked reject on the cabinet. If that didn't work, we called Muzak.
I think WZAK, WXEN and WÈRE FM also had Muzak leases, each with a different type or format for different stores or businesses.
With satellite and now internet a nice income stream for small stations was lost.
 
I think WZAK, WXEN and WÈRE FM also had Muzak leases, each with a different type or format for different stores or businesses.
With satellite and now internet a nice income stream for small stations was lost.
WZAK's callsign was derived from Muzak; it was originally a joint venture between former WXEN exec Xenophon Zapis and the Ohio Music Corp., a regional Muzak franchise that held the CP for the station. From the start it was a block ethnic format and did not carry Muzak on the primary channel.
 
1) Didn't the "Beautiful (Elevator) Music" format die out because the "Music of Your Life" (Big Band/Hit Parade) format became the more popular format, despite the BM format being primarily on FM and the latter was on AM? It sounds like the FM stations were kicking the older folks back to the AM frequency at the time.

2) Back to the original 1260 transmitter in Seven Hills: When the WIXY 1260 era began, the studios were at the Seven Hills transmitter. When did they bring the studios to the 3940 Euclid address?
1) No although Music Of Your Life attracted many listeners as the first original artists syndicated format focusing on record hits from the 1940s and '50s. What happened to Beautiful Music radio was that increasingly from 1981 the older generation became anathema to the young agency time buyers. They just started thinking they were death to business or didn't want to think about them at all. Didn't so much matter if a Beautiful outlet was #1 even 12+ - they looked to see what its 24 to 54 numbers were. And by the end of the decade, as the editor of M Street Journal observed in 1992, they had been removed from radio "with a crowbar" as the popular Beautiful stations dropped the format in 1990 and 1991. Of course underlying it all was that the record companies had stopped producing it mostly by the end of the 1960s when that generation stopped buying records. So after that there was very little new product being made to keep the format fresh - outside of a certain amount of custom recording done by Beautiful Music syndicators on their own or banding together. The format was attracting few younger listeners in spite of attempts by some stations and syndicators to add more rhythmically modern selections and more Adult Contemporary vocals. So stations, even those still doing very well, were facing years of increasing attrition and erosion of their traditional listener base and just gave up and moved on to something else.
 
I remember seeing the billing reports of Cleveland stations about the time when 850 had the adult standards format. This was about 1999. WRMR was a top 10 rated station, but the billing was among the lowest of any station. Advertisers were not interested in 65+ regardless of how many of these people a station attracted. No way they were going to keep a format like that.
 
If that is true, why is the news/talk format still common when their demos skew 50 plus and older? Are there reasons why old talk is more desirable to sell than old music?
 


Back
Top Bottom