Lkeller said:
When I moved to the Bay Area (73) I was too rock-centric to get into middle-of-the-road KSFO. My radio addictions were KFRC, KYA, KSAN, and KTIM in Marin - even though I'd been a fan of Golden West sister station KMPC as a kid in LA. So I mostly missed the last best years of the "world's greatest radio station." - But I did stumble into John Gilliland's show in the mid 70s, and listened often in the evening. It first caught my ear because I remembered John from KRLA, the brilliant Credibility Gap, and the Pop Chronicles. His KSFO show was a great combination of music, old radio shows, comedy, and the CBS Mystery Theater.
I also used to listen to Jean Sheppard's great radio essays around that time - but can't remember if they were part of Gilliland's show, or not. Maybe the Production God remembers?
Well LKeller, thanks for upgrading me to a God, I think I'll stay with Boy though. You did hear Jean Sheppards essays on Gillilands show, Comedy Hour. Anyone remember Horn Man? I workred with JG a lot during his time a KSFO. And was one of the people who helped advise Johns Sister to get his Vast Audio collection from pop chronicles donated and digitzed to JG's College (I think TCU.) They now reside in the library there. I would be interested Boss Radio if I'm mentioned on any of those Pop Chronicles Airchecks...No Kidding, John would come in with a hand full of open real tapes, 45's, Carts,
and LP's and we would produce the show live frome time to time, John would call the Update shows. I produced about a dozen of them live in the KSFO Control Room. On 2 turntables, 4 Sparta cart machines and 2 open reel Ampex decks.
God it's great to be young...What a blast. I remember John doing a Beatles update Pop Chronicles, They had long since broken up, but John did the show from the perspective that they were still together, but were doing solo albums. What a blast. Compleat with The lads comments from the Pop Chronicles interview archives. Now that Boy's and Girls Was REAL RADIO, Live production. Now thats why I got into this business!
I was also working with John the night he decided to play Carlins 7 words you can't say...No Kidding, there was a reporter from one of the east bay papers there. John had given the tape to Pat Hilliard, Terry's engineer, to edit
in SFX where the F-Bombs were...John started the show, cued me for the tape and, and about three words into the bit
we discovered on the ait that Pat had missed Mother-F*&#@. We just froze...the reporter was in hysterics...JG opened the Mic, and I had allready potted down...I think John said somthing like "Yes that is a word you can't say on the Radio. Nothing happened, I think I did write the worlds longest discrep, and when the show was over john and I went to the Tonga Room for a drink. I think I was about 23 at the time...It seemed like life and death at the time,
now it's just a great funny story about a great radio station. I know I still have a copy of the article the reporter
wrote...He noted that when it happened I shot straight up out of my seat like I had be hit with High Voltage.
John left the station to return home to Quana TX, to care for his Dad. True story, JG would come into the
station with a 1/2 Gallon of Jug Wine and 2 Packs of Camel Unfiltered Cigs. By the end of the shift they were both gone.
I'll have to guess that may have contributed to his fatal heart attack at age 63.
John, taught me so much about live production, how to edit interviews, how to be a good broadcaster, and how less was more, and the music, at the time, was the most important thing. What a Pro. I do miss him.
You know I was 22 years old when I went to work at KSFO, I was still at SF State, and I got to work with John Gilliland,
Jim Lange, Terry McGovern, Russ the Moose, Gene Nelson, Scott Beach, Dick McGarvin, Jeff Skov, Mike Powell, Aaron
Edwards, Bill Heyward, Elma Greer, Don Sherwood, Rick Cimino, Lon Simmons, Al Michaels, Dave Henderson. Al Neuman,
Pete Scott, Buddy Hatton, John Hardy,Carter B...Sorry, I know I missed a few. WOW! I was lucky enough to work with them, and to call them my friends. Many of them are gone now. All were/are consumate performers, most only need a live mic to hold your attention, because they were bigger than life. They/It's the reason I got into radio, and it's why I do what I do today. And I thank God every day I still get to work for people who still think that's important.
So you see my young broadcast friends, it can be done, all it takes is talent...And when some young person comes to me and starts blathering about equipment and software, and imaging voices, and lines they have recorded off some TV
show or movie...I usually just say, "Well for me it's the content not the equipment that's the most important thing."
Don't get me wrong, I use ProTools and a good mic I got CD's. They all aid creativity, But they are not a substitute for it. The most important tool in my studio is my imagination and creativity.
Forgive me, but that's what 38 years of doing radio gets you...Stories.
