DJ_Perry said:This silly thread has completely gone off topic. Less is More. Squash all those sub genres and lables. Dance already has an identity crisis, so let's not make it worse.
I wouldn't necessarily call this thread "silly". It's just one to think on. God knows I've been arguing about this here in NYC to all of the freestyle fans as well as symposiums geared to the music.
And LET'S take it back if you want. Back in the 80's when dance music was HUGE on the radio, there were many genres and labels happening. House was starting to grow outside of Chicago, freestyle was making waves in Miami, Philly and NYC, Europe took the techno genre from Detroit and made their own thing with it. So if having these subgenres and labels is the reason why dance music had this "identity crisis" then we've been at this all along...the only exception being when disco was out.
I still can't go with the theory of Akon, Ne-Yo, or Lady GaGa as "freestyle" even though lyrically I could somewhat see the comparison. Freestyle isn't just a music but a background as well. Just go to a freestyle venue and see the crowd you have in there.....Latinos, Italians, Jewish mainly coming from predominant blue-collar, working class backgrounds in the outer boroughs (for Philly's sake, So. Philly and parts of So. Jersey). Go to areas such as Castle Hill/Soundview, a large Puerto Rican enclave in The Bronx, Throgs Neck or Morris Park in The Bronx, and you'll see what I mean. THAT'S the basis of the sound and if there is going to be any validity for a future genre that you can associate with that target audience, you have to get at those areas to the 20-something generation living there so as to bring about the proverbial "next level". Philly has that freestyle background too (Tazmania Records) so that's the basis.
That's why I can't accept the artists you've mentioned as freestyle KDM. They are pop/rhythmic but not freestyle.
But I wouldn't call this thread "silly" because it did make me think