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Worst Moves In Cleveland Radio

I'm just wondering what you think was the worst move of all-time in Cleveland radio.

Mine would be when WZJM flipped from Top 40 to Jammin' Oldies. I thought that was a bad move considering how popular the CHR format got that year (1999). I know there's another thread talking about that format, but I think it was poorly done.
 
The WZJM flip is a strong candidate for the worst move, ever. They were successful. "Jammin' Oldies" turned out to be a "flavor of the month" or maybe year format for some in corporate radio. I remember reading an article about the switch in which a corporate spokesman was quoted as saying ... "The CHR format is doing well, but we think we can do better".
 
Here's my top 10 (or bottom 10, depending on how you want to look at it) list of Worst Moves in Cleveland Radio:

1. The unnecessary blowing up of "Jam'n 92" for "Jammin' Oldies." What made their execution of the format worse was the retaining of a majority of the "Jam'n" airstaff, who, aside from Action Jackson, were totally out of place. And when they already had WMJI ruling the roost, with a far better presentation AND Lanigan AND the Browns... it was doomed from day one.

2. Not just the blow up of G98, but Metropolis' entire tenure as owners of WGCL-WNCX/98.5 and WERE/1300 qualifies. They literally ran out of money before WNCX launched (even forcing Danny Wright into an inglorious 2a-6a board-op shift just so they could finish his contract) and sold out to Norman Wain and Bob Weiss for a mere pittance. What makes it even more depressing was that one of Metropolis' owners even passed away from a brain tumor before the sale.

3. Kevin Metheny's orchestrated disposal of Glenn Beck for Jerry Springer. Dumb dumb idea.

4. WMMS' "Death of the Buzzard" stunt. In theory, it was a brilliant idea - but after Boom had to announce the revelation that the Death was "a stunt," it destroyed whatever goodwill from the (however many) remaining listeners from either the old days or the NextGen era.

5. WKNR cutting off an hour from their longest-running and most popular show on the station - "The Jim Rome Show" - and placing it on their internet sister station "KNR2." Another dumb dumb idea.

6. WMMS putting in the dreadful Rover-carbon-copy "Aftermath" with Mike Toomey and Shawn Street as a placeholder before debuting Alan Cox. Talk about throwing Alan behind the ratings 8-ball with that idea.

7. WCLV's original 2001-2003 interpretation of "Classic Pops 1420," which was heavily laden with showtunes and pre-50s selections that the demos aged too much to recover from - even after the playlist reverted to a more contemporary blend and took back the WRMR calls.

8. OmniAmerica selling off WHK in a fire sale to Salem. The local sports media scene STILL has never recovered from that sad day.

9. CBS selecting Rover to be a part of their Free FM experiment, and moving his show to Chicago. Which bombed badly in every market he landed in BUT Cleveland, where he returned to several months later, following low ratings and Robert Feder's scathing reviews.

10. WQAL's dismissal of Larry Morrow without affording him a chance to say goodbye (a final Friday show was promised to Larry, but reneged by management at the last minute). Same goes with the dismissals of Billy Bass, Scott Howitt and Denny Sanders from WMJI, Danny Wright and Jim Mantel from WGAR, Paul Rado and Marty Allen from WTAM, and Brian & Joe from WMVX.
 
re: Bottom 10

Don't forget WGAR's John Arthur was cut loose as was Erin Weber. She landed at country WYCD/Detroit. I believe Arthur and Weber cut loose not long before Danny, Denny and Scott. After WGAR Arthur went to work at oldies KGOR/Omaha, with big success. John past away in 2004. What a voice! Billy Bass' exit from WMJI was a budgetary cut. Forced Denny back on the air, live then VT'd. Nights were better with Denny (and Chris Quinn for that matter). Especially Denny's Thursday night "Cleveland Top 25 Countdown" more often than not #1 7p-9p. When I went to Raleigh we eventually adopted the Top 25 show for WTRG. Big hit. Until then SVPP Marc Chase heard The Who on the Countdown. The show was axed the following day by the OM... who weeks earlier championed the show.
 
rubberchicken said:
4. WMMS' "Death of the Buzzard" stunt.

Wasn't it on this board that I read that it wasn't actually a stunt? The plan was to go Top 40 as Kiss 101 FM, adapted from Kiss 107 FM in Cinci I thought.

Indeed. It was all but set to change to WAKS "KISS 101 FM" but someone in Jacor's management team decided to renege on the format flip at the very last minute. IIRC, an airstaff was assembled and imaging for "KISS" was already being produced prior to the reversal.

But for all intents and purposes, it came off to the vast majority of the listening public as a stunt. And the Pain Feeler's then-radio critic Roger Brown wrote it off as a sham, and that it worked perfectly.

MEANWHILE, two weeks later, Jacor purchased a small CCM outlet in Lorain, WZLE/104.9. It didn't even merit a mention in the PD, but had a small blurb in the Lorain Journal. And, of course, WZLE flipped to CHR as "KISS 104.9" the following May - AND took the WAKS callsign in September 1999.
 
Great topic!

You can cut this up into two eras. Pre de-reg ( 1992 ) / Telecom Bill ( 1996 ) and post mega
clustering/aligning. Some of these blunders were " back in the day ". Some are the result the goverment changing the ownership rules.

In no order of importance or one being worse than the other here's few that come to mind.

1) Jammin to Jammin Oldies. Lots of mentions on this so far. Bad move. Classic example of corporate radio making nationwide decisions by plugging in a cookie cutter format. Cleveland had been without a strong CHR for decades it seems. That was a happening CHR. Bad flip.

2) Jammin Oldies to Nu-Metal. Sure CBS wanted a rock format on 92.3. Changing to alternative rock was the right move, but the flavor of the month nu-metal station called " Extreme " was hideous. Horrible programming with bad music & poor execution. No concept.
PD fired, then rehired. What was Walt Tiburski doing over there? What was CBS doing?
After a few years they made a decent alternative rocker out it. Now it is an oldies based alternative automated jockless soul less juke box that gets some ratings. Bad format execution. No plan.

3) The Fish. This debuted as a Christian Rock station, or CCM. All the music is about religion, but they try to fool you that it is not by saying " safe for the whole family " ad nauseum. Suprised it is still on. Cleveland has a million Catholics, but the right wing " born again " evangelicals running that group abhore catholicism. Bad flip. Wrong part of the country.

4) 1220 as Brokered Bible Thumpers. See #3. Moving the long running format exclusive Sports Talk station to 850 and the domino effect on the other AM formats was a bad post Telecom Bill move. Matter of fact, you could lump #3 & #4 together and call it Salem comes to Cleveland.
Bad group.

5) WMMS Flip to CHR. When was that anyway? 1985 or 1986? Did they do this to get CHR indie money for adding Michael Jackson records? Was this a reaction to G98 beating them in the ratings? Was it because that was a time when CHR music was at a high point in it's never ending up and down cycle? Was it greed? They had the young adults. Did they want the teens too? As far as I'm concerned that was the first time they " buried " the Buzzard. Didn't the staff sabotage/mass exodus led by Gorman to go to the competitor happen right after this mistake?
I wonder how many times they said " We should have stayed and fixed it! " ? If this thread was Letterman's Top 10 this might be the last one on the list, just sayin?

6) WNCX Morning Shows post Stern. For years Stern was their meal ticket. They knew he was leaving. They made no plans for his departure and replacement while Stern advertised satellite radio for a year? Blunder. No plan B.

7) Boom 107.3. Worst product debut. Didn't know they couldn't use that name? Hello?
An intern could have done a search! Playing Bruce Springsteen at the Agora tapes from 1994?
Whoever posted here and called it "Gorman's personal ipod" nailed it. Suprised Murray Saul wasn't doing the get down man schtick. I heard Gorman was cut loose from that operation. A little too late. Bad execution.

8) Clear Channel. Stellar job there huh folks? Magic Oldies is the only station that came out of that okay. The employees and their families that suffered through the yearly lay-offs and upheavals in their lives is unconscionable. Add CBS to that thought. Bad group.

9) Mel's kid runs WKNR. Call the trust fund kids and give 'em a computer to read ESPN and microphone to repeat it. Cut your #1 show by 1/3rd.

I'm sure I can name a few more, but for now these are the ones that flow top of mind.
 
Hey guys, this is my first port here, didn't know there was a community that shared my interest in radio.

Anyway, first off I was/am a diehard Maxwell fan so my main beefs with Cleveland radio directly involve him

My first beef, naturally is with Clear Channel/WMMS for not only letting him leave, but handling it the way they did. I understand there was bad blood, but to et Rover of all people (allegedly) falsify the conditions of his departure, and then haphazardly rush Dumb and Charlie in to replace him was just awful. Nothing against those two really, except how they acted on their "experiment". Specifically the engagement of the MWL fans.

Secondly, I am happy he is back on WNCX, but the show is not the same. Playing music 2-4 times an hour, plus they are much more censored in what they say from what I can tell (which is probably a good thing as I doubt CBS would put up with his old antics since he's not pulling numbers like he's used to.) When I first heard of him coming to NCX I thought FINALLY MICHAEL G-D STANLEY IS GONE!, but no :( Maybe I'm just jaded as they have only a a couple handfuls of songs I like on that station. I'm younger, I'm into more obscure indie/alternative music I guess you would say. Too bad 92.3 can't improve their signal, as I think CS moving him to afternoons their would hugely improve HIS ratings, although maybe drop NCX's slightly, ans I noticed they are currently ranked higher than WMMS. Although I'm sure Rover is still dominating over MWL at this point. Hell even just ripping the music and letting him talk from 530-10 instead of 6-9 (they now play Classic Rock Academy at 9 starting today I guess) I think would bring in his old demo more, maybe some away from rover. I don't know, I went through half of broadcasting school (til I decided I needed real education) so my knowledge of behind the scenes info is limited.

Sorry for the wall of text, but would appreciate any thoughts or dialogue on my opinions! Cheers!
 
Hey dasfonzie, welcome to the board. You are welcome with your thoughts anytime. :)

I think with WMMS, they probably wanted to change their direction with their afternoon host, but I think they did it badly. Letting Maxwell leave with bad blood and having Dumb and Charlie do afternoons for a while was a horrible. Pretty much the handing of Maxwell's departure, letting Rover speaking his mind about it, and the whole trash talking of Maxwell was what turned off many listeners from WMMS. I know Nate on this board mentioned many times he stopped listening to the station after MWL left due to constant disrespect, and I don't think he's alone. That's also why a lot of people, including Nate, have not heard Alan Cox's show.

WNCX has a morning show that is more listenable now to me than Scott and Jeff. If the station sticks with Maxwell, then maybe he might get an audience and the station might get an increase in ratings. Plus, I'm sick of Rover dominating the morning audience too.
 
On my first post, I started with agreeing with the R&B oldies thing being #1 dumb. Moving on, the shabby treatment of Mr. Rado and Mr. Allen, after around 20 years of service to that one host was despicable. Shameful thing for one person to do just for more money, when he was already making a good living. Uncaring and mean spirited also come to mind. Immoral?

As mentioned as well, the WCLV-AM version of "The Music of Your Life", Boorrriiingg. They forgot it was 2001, not 1951. A few show tunes and opera-light sounding things might be ok, but oye-vey. Seemed like too many of their target audience were residents of Erieview (the cemetery).
While the format will never be a favorite within the advertising community, I believe programmed well, with a firm foundation of who will listen in 2011 and why, it could hold its own.

I knew that the Nu-Metal thing on 92.3 would only last so long.

On the other side of the ledger, I'm happy that Salem came to Cleveland. We wouldn't be graced with the well thought out commentary of Dennis Prager if they weren't here. As for "The Fish", they give us something different to listen to in the Pop/Adult Contemporary vein. I like it.
LONG LIVE SALEM IN CLEVELAND! And, this comes from a Christian who happens to be Catholic.
 
If they'd moved forward with the KISS 101 FM plans, imagine what the radio landscape would look like now. Would Kiss knock off Jammin? Would Jammin not switch to Jammin Oldies and instead battle it out with the new Kiss? Or would it have picked up the rock format? 96.5 when they moved into the market? Or someone else? All what ifs.

Changing gears to Maxwell and WNCX. Would the incorporation of some newer rock be a bad thing? Not to a full Active Rocker, but a Heritage Rock that plays some of the harder acts of the 90's and 2000's and killing off some of the slower classics? A lot of that music is now heard on WMJI. WMMS talks for 9 hours a day. With the addition of Maxwell to WNCX, they may have a bigger impact on WMMS if they added some newer stuff.
 
Capulet said:
2) Jammin Oldies to Nu-Metal. Sure CBS wanted a rock format on 92.3. Changing to alternative rock was the right move, but the flavor of the month nu-metal station called " Extreme " was hideous. Horrible programming with bad music & poor execution. No concept.
PD fired, then rehired. What was Walt Tiburski doing over there? What was CBS doing?
After a few years they made a decent alternative rocker out it. Now it is an oldies based alternative automated jockless soul less juke box that gets some ratings. Bad format execution. No plan.

It was only when 92.3 aired Opie & Anthony the first time (up until their infamous "Sex for Sam" firing) and Rover when they got ANY ratings of note. Otherwise, 92.3 - even in the K-Rock years - was a non-factor in the ratings.

When Rover left, O&A finally scooted to mornings, and 92.3 adjusted their music rotation into a near-clone of WMMS. Both moves flamed out in spectacular fashion.

It's a sad irony that the current WKRK - with no personalities and a cookie-cutter modern rock-ish format - is getting their best ratings since... well, since "Jam'n 92" was blown up.

Capulet said:
3) The Fish. This debuted as a Christian Rock station, or CCM. All the music is about religion, but they try to fool you that it is not by saying " safe for the whole family " ad nauseum. Suprised it is still on. Cleveland has a million Catholics, but the right wing " born again " evangelicals running that group abhore catholicism. Bad flip. Wrong part of the country.

It may come as a surprise, but the Fish has been a majority sponsor for "The Fest" - an annual day-long festival that the Cleveland Catholic Diocese runs at one of their seminaries - since 2002.

Regardless of Ed Atsinger's thoughts towards Catholicism, remember that they also operated WKNR - with a format even more incompatible towards Salem's M.O. - for many years, even with many of their advertisers (beer, night clubs, sports betting sites, Ohio Lottery) were and are 100% anathema to Salem.

And as you noted, Cleveland has 1M Catholics. That's a target audience worth pursuing with a CCM.

Capulet said:
4) 1220 as Brokered Bible Thumpers. See #3. Moving the long running format exclusive Sports Talk station to 850 and the domino effect on the other AM formats was a bad post Telecom Bill move. Matter of fact, you could lump #3 & #4 together and call it Salem comes to Cleveland.
Bad group.

It was addition by subtraction. "The Word" had to go somewhere in July 2001 after Salem gave up the 1420 facility to Radio Seaway. Problem was that move subsequently destoryed any chance that WKNR could get any relevant PBP ever again. Until they go on FM, the ceding of 1220's night signal (1220 at night is far from perfect, but at least it's receivable west of Crocker Road in Westlake, as opposed to the non-existent 850 night signal) will always come back to haunt them like none other.

WHKW is a wasted 50kW signal, but it's the equivalent to an ATM for Salem. It also justifies throwing money away into running conservatalkers like WHK.

Capulet said:
5) WMMS Flip to CHR. When was that anyway? 1985 or 1986? Did they do this to get CHR indie money for adding Michael Jackson records? Was this a reaction to G98 beating them in the ratings? Was it because that was a time when CHR music was at a high point in it's never ending up and down cycle? Was it greed? They had the young adults. Did they want the teens too? As far as I'm concerned that was the first time they " buried " the Buzzard. Didn't the staff sabotage/mass exodus led by Gorman to go to the competitor happen right after this mistake?
I wonder how many times they said " We should have stayed and fixed it! " ? If this thread was Letterman's Top 10 this might be the last one on the list, just sayin?

It began to happen in 1983, when "Billy Jean" was suddenly added to the rotation. WMMS ID'ed itself as "CHR" to trade papers for purposes of getting the same product that G98 was getting.

At first, it was to capitalize on both Micheal Jackson and Madonna, who were undisputed megastars in the pop world. WMMS wasn't getting that type of material with the AOR format - in fact, that format slowly ceased introducing new artists as early as 1980! It's also why WMMS took to adding some new wave acts a la carte to quickly go after 92Rock as soon as they flipped to 80s rock.

The tipping point, IIRC, was when Prince's label refused to give WMMS any material, seeing their "AOR" format registration and pigeonholed them right off the bat. The label became a liability, so it was 'conveniently' discarded for CHR.

This was also due to the "worst-to-first" sudden success story of Z100. WMMS started to copy many of Z100's elements - most notably, the "morning zoo" handle - because WHTZ was now a major cash cow and ratings monster for Malrite.

It's been said that the mass exodus was due to office politics at the top of Malrite (Carl Hirsch had already left under less-than-favorable circumstances) as well as longstanding loyalty to Gorman and Sanders.

And the station kept a semblance of CHR in some way until late 1989, when in the middle of constant turnover in the PD chair, it flipped back to AOR.

Capulet said:
6) WNCX Morning Shows post Stern. For years Stern was their meal ticket. They knew he was leaving. They made no plans for his departure and replacement while Stern advertised satellite radio for a year? Blunder. No plan B.

That's because CBS never gave WNCX a plan B. Opie & Anthony was actually the "plan B" for every other Free FM station that ditched David Lee Roth, but management saw it as incompatible on WNCX and instead sought to place O&A on 92.3 - in tape delay, no less.

So WNCX really was left holding the bag.
 
rubberchicken said:
If they'd moved forward with the KISS 101 FM plans, imagine what the radio landscape would look like now. Would Kiss knock off Jammin? Would Jammin not switch to Jammin Oldies and instead battle it out with the new Kiss? Or would it have picked up the rock format? 96.5 when they moved into the market? Or someone else? All what ifs.

Changing gears to Maxwell and WNCX. Would the incorporation of some newer rock be a bad thing? Not to a full Active Rocker, but a Heritage Rock that plays some of the harder acts of the 90's and 2000's and killing off some of the slower classics? A lot of that music is now heard on WMJI. WMMS talks for 9 hours a day. With the addition of Maxwell to WNCX, they may have a bigger impact on WMMS if they added some newer stuff.

Had KISS 101 come into fruition, the 2001 format/station swap that WCLV orchestrated may never have occured. Or at the very least, they make an arrangement to move WCLV's programming to 1420, and donated that to the NPO (and by extension, the reverse LMA back to Radio Seaway).

Maybe 104.9 would have been used as a move-in for another automated format of some sort - or even a revival of WMMS! Or maybe 104.9 ended up staying in CC's hands and wound up years later at the FM simulcast to WTAM.

WKDD likely would have remained in Akron on 96.5 and still have been a factor in the market, and WHLO would still be in Salem control. (Remember, WHLO was sold to CC as an additional condition of the 2001 swap; Salem wanted out of Akron/Canton completely after that - and what about 98.1?) Literally anything would be possible.

With regards to WNCX, well, as long as Bill Louis, Micheal Stanley and Paula Balish stay on board, they will never ever change or 'freshen up' their music delivery. It's been the same since Mike McVay instituted it in 1988, so why stop now?

And it's not just WMJI, but The Lake is also playing a good deal of the limited music library that WNCX has always had. That's not a good sign IMO.
 
Nathan,

I think Milton Maltz had enough money to go out and buy few Prince albums for the on air studio!~ ;D
 
CleveFan said:
Hey dasfonzie, welcome to the board. You are welcome with your thoughts anytime. :)

I think with WMMS, they probably wanted to change their direction with their afternoon host, but I think they did it badly. Letting Maxwell leave with bad blood and having Dumb and Charlie do afternoons for a while was a horrible. Pretty much the handing of Maxwell's departure, letting Rover speaking his mind about it, and the whole trash talking of Maxwell was what turned off many listeners from WMMS. I know Nate on this board mentioned many times he stopped listening to the station after MWL left due to constant disrespect, and I don't think he's alone. That's also why a lot of people, including Nate, have not heard Alan Cox's show.

WNCX has a morning show that is more listenable now to me than Scott and Jeff. If the station sticks with Maxwell, then maybe he might get an audience and the station might get an increase in ratings. Plus, I'm sick of Rover dominating the morning audience too.

I listen to Alan Cox every now and again. Chad Zumock tends to get on my nerves a lot though, I was never a fan of his stand up either, seems very generic in my opinion. I thought he might just playing the jerk character on the show, but I've had several conversations with him off-air and although he can be a cool guy, he just seems very close minded and gets angry when his opinions are challenged. Two things that just make me want to ignore a person. Alan on the other hand I find funny, and identify with, as a fellow "word nerd" (I'm a linguistics/philosophy major). I just wish they had gotten Dalton or something to play his number 2. I can't imagine that Alan, who seems somewhat stuck up (just a little) and very well read would be happy would along side someone like Chad.
 
CleveFan said:
Pretty much the handing of Maxwell's departure, letting Rover speaking his mind about it, and the whole trash talking of Maxwell was what turned off many listeners from WMMS. I know Nate on this board mentioned many times he stopped listening to the station after MWL left due to constant disrespect, and I don't think he's alone. That's also why a lot of people, including Nate, have not heard Alan Cox's show.

Although I do agree with some of the points on here, Maxwell isn't the innocent victim he's being portrayed to be. He was offered a contract by CC and chose to decline. He got jealous of the budget for the Rover show. Anyone in radio knows if you want to make the big bucks, you don't work afternoons, you work mornings. When he didn't get offered what he wanted, he declined the contract, only to realize it was a mistake, and tried to go back to CC, but CC didn't want to deal with it anymore and told him it was too late.

What is the morning man on the station who just lost their afternoon show supposed to do? Ignore it? Of course not, it was one of the hottest topics in the city and there's no way he couldn't address it. Maybe he didn't handle it with grace, but people aren't listening because of Rover's christian values and views, they are listening to hear his commentary on society. It was his viewpoint.

No body blames Howard Stern for Jackie Martling leaving the show in the early 2000's, yet it's almost the same situation. Mr. Martling was offered a contract, turned it down, only to realize he should have accepted and tried to go back. Howard moved on, as did WMMS. So why blame WMMS when Maxwell was the one who decided he was worth more?
 
I'm not blaming WMMS is any way. I was just stating what a lot of Maxwell fans felt about the station and situation. There are those who think he was the victim. I don't think he was a victim. He just wanted more than what he was offered.
 
Good Topic!

The WNCX Morning situation post-Stern is pretty amazing to me. Have we forgotten how bad Mudd, Mike, and Miholic were? The money they supposedly threw at Mudd to get him here makes that even worse.

I used to like Maxwell in the afternoon on WMMS, but honestly I think that show jumped the shark after Krackerman was booted, I thought the three of them had great chemistry. The show really sounds out of place on WNCX, and kind of reminds me when Opie and Anthony got booted and then came back...its just never the same.

I can really see V107.3 ending up being a huge disappointment. Nice idea, but the execution has been bad. They are playing some really cool music, especially the newer stuff. But the dinosaur air-staff and the bland imaging really brings that station down.
 
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