donta1974 said:
DavidEduardo said:
donta1974 said:
DavidEduardo said:
donta1974 said:
Those are the Ad revenue numbers released this month or next lets see how much money WPGC made in 2012 and that will determine what direction CBS Radio goes with the station.
WPGC has been essentially flat in revenue from 2009 to 2012. It was up less than 2% from 2011 to 2012.
It's the second highest biller in the market, although WTOP bills over three times as much.
OK what`s your point? WPGC`s billing was flat btw 09-12 but so was everyone else`s no other DC station other than WTOP has been able to pass it in billing during that time. My point is even with PPM it out bills its ratings despite it being flat. Flat does not matter when no on else other than WTOP the best biller in the US can not pass you in market #7. Number 2 is number 2.
The point, besides saying that the 2012 data has been out for several weeks, is that the billing level does not support talk of significant programming changes.
Ok cool you have access to billing numbers that the public does not have access to. DCRTV.COM(Dave Hughes) usually has the local billing numbers for the DC market posted and he has not posted the 2012 numbers yet on his site and that`s where I see them. He had the Top Ten billing stations in the country posted on his site and WTOP(DC) is the Top biller in the country with 64 million but not the Top Ten DC stations yet. People here have a problem with WPGC`s content but they will not change the format but so much because of billing it will be either (young end 18-34 Hip-Hop Urban) or this current (18-34) Rhythmic Hits Hybrid format.
Well, you know I will always say the former rather than latter because the former is what brought it to prominence in the market and nationwide as a contemporary radio station. Also over duplication of what can be here on any given rhythmic top 40 outlet is boring. Whereas when WPGC was doing their thing you heard go-go music songs (covers and original tracks) along with actual local artists prior to going nationwide like Raheem DeVaughn, J. Holiday, Wale, etc. in the 00s. Honestly, they could find a safe medium between those 2 like KMEL has and still bill well. Nevertheless, that is the fallacy of CBS Radio these days, they have no faith in urban format outside of the Deep South with WVEE and WPEG/WBAV. This current patronizing the hell out of the urban audience is tiring and will come back to bite them in their bottom line...