musichead1029 said:Easier to sell a group of 3 urbans than 2 urbans and a standalone alternative. Different audiences. Don't let slip to the FCC though. They want to tell you who you must target advertising to in the name of political correctness.
Turnpike Tuner said:musichead1029 said:Easier to sell a group of 3 urbans than 2 urbans and a standalone alternative. Different audiences. Don't let slip to the FCC though. They want to tell you who you must target advertising to in the name of political correctness.
I must have missed that part of the FCC rulebook. Care to point it out?
Well thats one of the reasons radio one was on the verge of bankruptcy a while back. To be fair at the time y100 was taken off the air alternative was on the decline in the city & y100 was a expensive station to run because it was personality driven. If radio one knew they could run it on the cheap like 1045 is, and that the format would make a come back, they might have kept it longer. Still even now its a hard sell to advertisers. I remember hearing that radio1045 doesn't solely try to make money on ads, but by getting listeners to their website, where then music is purchased. Thats why they can have less ads then other stations, yet still do well. Not sure radio one could do this considering they only recently got around to havning listen live ability on their sites.Nick said:It's sheer brilliance on the part of Radio One to throw away high sales from an alternative rocker just to have all urban stations in Philly. May be easier to sell 3 urbans, but if the cluster as a whole is making more money with 2 urbans and Y100, wouldn't that be better?
It's unlikely the fully staffed personality version of Y-100 would have survived due to the decline in the format's marketability and terrestrial radio's financial condition in general. Y-100 today would be much like 104.5 with perhaps some more personality. In order to maintain its personality profile, it would have had to widen its musical appeal, much like WMMR has. But WMMR got there first. That, and its heritage position, is why MMR does well financially despite paying healthy salaries to Preston and Steve and Pierre. WYSP and 104.5 have the same problem - a narrow musical approach. 104.5 is still working out ratings-wise, but how well does the format bill (sell advertising)? Apparently not well enough to justify hiring personalities.evolve991 said:You(')re right D(,) if Y100 were still on a main FM signal(,) listeners wouldn't have to settle for Cheap Channel(')s version of alternative radio.
Dance fans fight for their music too. It's just that there aren't enough of them to make an advertiser-supported radio format viable. Increasingly, the 'Alternative' format finds itself in the same boat. The format saw its heyday, the music ran its course. The only way to maintain an Alternative station without adding some fresh sounding music to the format is to scale back on the expenses, hence a skeleton station like 104.5. Were not Philly a rock town, there would likely be no full time Alternative station and some of that music - the cream of the format - would be incorporated by WMMR and/or WYSP. Be thankful for what you have.I love how it's pointed out that Modern/Alternative was "in decline" when it's the alternative fans who protest and band together to fight for thier (sic) stations and those same listeners who find ways to get thier (sic) music despite corporate denial.
If you have a strong morning show, such as y110 did you can survive. Even radio one waited till P&S were done before flipping. Had Y100 kept P&S I see no reason why they couldn't keep an airstaff from 6:00 to 1:00 still. weekenders probably would've been let go, but at worst the night jock would've been laid off, which would still have left someone onair to 8:00.musichead1029 said:It's unlikely the fully staffed personality version of Y-100 would have survived due to the decline in the format's marketability and terrestrial radio's financial condition in general. Y-100 today would be much like 104.5 with perhaps some more personality. In order to maintain its personality profile, it would have had to widen its musical appeal, much like WMMR has. But WMMR got there first. That, and its heritage position, is why MMR does well financially despite paying healthy salaries to Preston and Steve and Pierre. WYSP and 104.5 have the same problem - a narrow musical approach. 104.5 is still working out ratings-wise, but how well does the format bill (sell advertising)? Apparently not well enough to justify hiring personalities.