Remember, the website that posts the numbers as a news item determines and assigns the format names and owners, and is not provided that data from Nielsen.They have Entercom listed under its new name Audacy under WVEI-FM (RI), but still as Entercom on all their others.
It is still great to see two heritage AM stations continue to be in the top 10 in the age 6 and up ratings.https://ratings.****************/cgi-bin/rol.exe/arb013
WROR #1
WBZ FM #2
I am unclear why WBZ FM would be so high
Both WBZ and WRKO are holding up well in spite of predictions on their decline.

Boston is also unique in having so many spoken word stations among the top ratings winners.
Six of the top stations are spoken word. In Dallas, there are no spoken word stations in the top 12, none. In Houston, there's only one spoken word station in the top 16! Should I draw some conclusions from this?
The former PD of WIP in Philadelphia once mentioned to me that a good sports talk station is really "guy talk" and there is lots of stuff that fits in when there are fewer sports topics to discuss and, also, to lend some variety to shows.My theory is that Sports Hub now occupies the space of two traditional formats. If you want to hear talk and you don't want the particular political and social flavor that is WRKO 24/7, where else are you going to go? There's always been a market for less political lifestyle talk in Boston - it used to go to WHDH during the day and WBZ at night, and then it was a lot of what powered WEEI's success over the years, and now it's helping Sports Hub.
Oooh, very nicely stated; love it!I also think the very lame Rock music offerings in the market help the talk stations
WZLX is lame?Oooh, very nicely stated; love it!
If they've de-emphasized the real classics of the 60s and 70s in order to accommodate the 80s, 90s, and beyond, then, yeah: lame. It's not my fault if stations and advertisers don't want to reach us 65+ listeners.WZLX is lame?
I'm convinced it's run its course as a mass appeal genre.TBH rock itself is kinda lame at the moment.
To the extent that it survives, it's a niche format. The splintering of rock into alt-rock and classic (read: mainstream) rock in the 1990s was a warning sign. It's no accident that a lot of classic rock fans now listen to country for their contemporary music fix.I'm convinced it's run its course as a mass appeal genre.
Actually, few campaigns target anyone over 55, not just 65.If they've de-emphasized the real classics of the 60s and 70s in order to accommodate the 80s, 90s, and beyond, then, yeah: lame. It's not my fault if stations and advertisers don't want to reach us 65+ listeners.