Maybe I'm just used to a different model for Alternative Radio. I was in Orlando a short time ago where there are three Alternatives (two full-time, one a talk/rock hybrid). One is dedicated to the harder end of things (we really need a station like WJRR in Monmouth/Ocean), one (WTKS, which is the talk/rock station) is Alternative with lots of seldom heard gold tracks and no Mom Rock, and the other one (WOCL) is the closest to G Rock but is unafraid to play harder acts like Tool, Deftones and Bullet For My Valentine.
You want to play current Mom Rock and Teenie Rock, that's fine - be my guest. The disappointing thing is that G Rock finds the time to play all of this older Mom Rock (Puddle Of Mudd's "Blurry", Linkin Park's "In The End") and Teenie Rock (Blink 182's "All The Small Things", Wheatus's "Teenage Dirtbag") when they could be playing more Classic Alternative like what we heard on FM 106.3 (read: Sonic Youth, Catherine Wheel, Charlatans, They Might Be Giants, Primus, etc.) and more of the edgier Alternative Rock out there. The listeners request music along the lines of the latter categories, but aside from the special features, how often do we hear it? Not often at all. Heaven forbid they stop playing The Killers and Green Day once an hour.
On a related note: I mentioned Linkin Park before, and G Rock plays certain songs from them a lot. "One Step Closer" and "Faint" are among the biggest hits they have had on the Alternative format, but do they play them? Must be the vendetta against harder rock. The same applies to Staind - they have had some harder songs chart pretty well but you never hear them. I could take or leave both of these acts but I mention them to prove a point.
mjb1124 said:
To me, bands like Fall Out Boy, Yellowcard, Sum 41, and the All-American Rejects fit in just fine at Alternative. (So do MCR, but I would put them in a different category from those bands.) It may be true that their basic style isn't that far removed from Simple Plan, but their music isn't as overproduced, and it just strikes me as having more of an edge and coming more from the heart. It's hard to describe, but it's just a vibe I get. It also doesn't hurt that all of those bands had an underground following before breaking into the mainstream, and have all shown willingness to evolve from album to album. And really, is there that much of a difference between those bands and old Green Day and Offspring?
I'll give you FOB and Yellowcard. But to my knowledge Sum 41 and AAR have no independent background to speak of - it's all just radio-ready pop/punk that I've heard. Nowadays the frontman of Sum 41 is married to pop tart Avril Lavigne, and the recent offerings of both bands have been very slick balladry in the vein of Bon Jovi (i.e. Sum 41's "Pieces" and AAR's "It Ends Tonight"). I know for a fact that AAR has charted poorly on Alternative and is now pushed as a Hot AC/CHR act. Most of these acts just scream "Radio Disney" to me and sound juvenile to my ears, but that's beside the point. If you play bands like this too much on Alternative, you are going to lose the older (read: over 25) part of your audience.
On Green Day and Offspring: Both of these bands have had a slight edge over the years that set them apart from the current crop of
pop/punkers. They both released several albums on indies and are on a different level lyrically. Yes, Green Day might have put out several Mom Rock songs and Offspring might be releasing several cheesy novelty songs, but they have had their moments. I tend to think that Blink 182, with their overproduced sound and songs about puppy love, were a bigger influence on all these bands anyway.
mjb1124 said:
To omit them from a Alternative playlist would just scream elitism.
But what Alternative doesn't practice elitism? WFNX and Indie don't play Mom Rock or much Teenie Rock. WJRR, despite being categorized as Alternative, seems to have heavy guitar-based acts at the core of their playlist and suffice to say, you won't be hearing Depeche Mode or The Smiths, let alone The Killers or Franz Ferdinand. And on the other side of the coin you have G Rock who practically never play Tool, Rage or System Of A Down. So they think their listeners would rather hear corporate fluff like Evanescence and Fuel than the latter group of acts who have proven success on Alternative and receive minimal play anywhere else. This kind of elitism in a market with no competition doesn't make sense to me.
mjb1124 said:
Honestly, at this point, I can't really think of anything that G Rock should completely stop playing. If they could just stop the heavy rotation of recurrents, and drop their vendetta against heavy acts (how about some Rage songs to go along with those tickets you're giving away?), they'd be completely fine in my book.
I totally agree with that - if they improved on these fronts it would be much easier to look past my least favorite subgenres of Alternative. It would also be nice if they dug just a little deeper into their vaults - there are some great acts that receive little to no airplay, and it's a shame. I remember when FM 106.3 was pulling in better ratings on one frequency than G Rock currently is on two. One of the factors that kept listeners tuning in was not knowing what they would hear next. G Rock needs to get back to that as well. They have improved drastically in that department, but I know they're capable of even better.
On a related note: I did hear them play "Killing In The Name" by Rage the other day, but they absolutely butchered the song by completely removing the "F--k you I won't do what you tell me" part. I understand taking out the objectionable word, but no station has ever done that before and it ruined the song for me. If they did it for time constraints, that doesn't explain why it's alright to play certain 6 minute Pearl Jam songs (read: the overplayed ones from Ten) ad nauseum. Whatever the case may be, I get the feeling that they're done with Rage now that the ticket promotion is over. Never mind the fact that they were bombarded with calls throughout the day for tickets - that must mean that people hate the band, right?