Beejus said:
Heaven forbid they play the hits the listeners want to hear. Audioslave, Coldplay, Incubus, and Pearl Jam are proven Alternative staples. Counting Crows have had their success at Alt as well. Plain White T's are tearing up the charts with Hey There Delilah (even Indie 103.1 in LA, The End in Seattle, and 96.5 the Buzz in Kansas City have picked up on it). Playing these artists means GRock IS focusing on being a great Alternative station. It's YOUR definition of Alternative that doesn't match.
To clarify: They played lite rock songs from Audioslave (Like A Stone) and Pearl Jam (Better Man) - it's not about the band they chose to play, but that it was yet another soft rock song thrown in the mix. If they had played "Cochise" or "Go" at this time it would have been a different story. As for Coldplay, they have found far greater success on AC and Hot AC than Alternative, which is befitting for a band that sounds an awful lot like Air Supply at times, particularly on the sappy "Yellow" and "Speed Of Sound".
I don't object to most of this music getting played (Puddle Of Mudd, on the other hand - it's almost as if Fred Durst had to go out and find a band worse than his own). What I don't understand is G Rock's reluctance to embrace the heavier side of the Alternative format, as you're lucky to even hear it late at night. It would help to provide balance to a station that sounds too soft at times. To illustrate this point - surprisingly light rotation for NIN's "Survivalism" and Chevelle's "Well Enough Alone" (this even with the opening scream taken out) and edgier acts on the charts yet to receive adds (Tool, Bullet For My Valentine, Marilyn Manson). Furthermore, you seldom hear any harder rock music on the other rocker in the market as well, which is too busy pushing the nauseating likes of Nickelback, Hinder and Daughtry. There's a whole group out there that would love to hear the occasional heavy song on the radio, and no one is providing it for them.
Yet when GRock plays an artist twice within a span that you listen, you get in a huff, hop on the boards, and whine about it. Hypocrite much?
Perhaps. But in this case it's different, since it's an act we don't hear constantly. It's a lot less objectionable than, say, Green Day or Incubus. Not that I necessarily dislike these bands, but they are both ridiculously overplayed where something else could fit in just fine.
Fall Out Boy, Plain White T's and Green Day are hot at alterative right now. Just because YOU don't like it doesn't mean the rest of the listeners don't like it. (Plain White T's nationally are testing VERY well with males at Alternative right now too... blowing your "only teenage girls like them theory.)
Fall Out Boy: The very Justin Timberlake sounding "This Ain't A Scene..." didn't do so hot on Alternative for a band of their popularity (despite having all the advantages in the world, it only peaked at #8), and was far more successful on Hot AC and CHR. Like Simple Plan and Bowling For Soup, this band really is too poppy and overproduced for Alternative. Add to this their incessant appearances in teenybopper mags and Pete Wentz dating waste of space Ashlee Simpson, and that further indicates why this bubblegum pop act has no place on the format that dares to be different. They make Green Day sound like Crass.
Plain White T's: The males that like the song are probably deeply in love which could be the only explanation why they would enjoy such a piece of sentimental piffle. They probably also watch soap operas and MTV with their girlfriends as well. Aside from Hey There Delilah, all of their songs sound the same and are pretty much about the same thing. Clearly a band that's only in it for the money. To heck with them.
Green Day: They may think of themselves as punk rock, but they're a slick pop group and have been from the start. I think they helped create a monster and paved the way for acts who bill themselves as punk but aren't in any way. Since "Good Riddance" they've made a few attempts at riding the cheesy "woe is me" ballad gravy train to success, as is the case with soccer mom smashes like "Wake Me Up When September Ends". Basically, they wore off the grooves on these discs when the songs were current, so there really isn't a need to play them as much as they do - that's why people go out and buy CDs, or pick up the tracks on iTunes.