Dancerev889 said:
You are speaking like a fan and not like a programmer. One of the reasons Pulse plays a classic record is because it is KTU's bread and butter. So now a listener of KTU is driving in their car and scanning the FM dial and they come across 87.7 and hear TKA Maria, they are going to stay and listen. Its good marketing. After TKA they can play Ben DJ. If Pulse plays lets say 13 songs an hour and 4 are gold records, thats still 9 records that are new. Whats the problem with that? BPM is a niche station. A current only dance station right now wont work. Where is the core artist to help push it? If Pulse did that they would have shut the doors on the station last April because it wont work. The hardcore dance fan audience is small, but the causal fan is a lot larger.
New freestyle songs for the most part are awful. Thats why Judy has gone in different direction
Thank God I am a fan!
Brett, from my end the New York Dance Music Coalition has always been about getting the entire dance music "collective" under one umbrella to push awareness with dance music with the intention of getting more radio airplay on the FM dial.` It has expanded, since its "humble beginnings", to include online streamers, podcasters, as well as emerging technologies (aka smartphones, 3G car stereos, etc).
In the beginnings this
WAS a fan based organization only. I did some college radio (though not enough) to have some inkling of what radio is about. When the coalition started, I knew off the bat that just people saying "we want dance music" wasn't enough. So I had gathered up as much information about radio as possible, wrote newsletters and sent them around to the dance oriented record stores (this all done BEFORE the Internet took off as it did) as well as the media. Along the way, DJ's, clubs, promoters, record labels, radio industry, and artists joined us in support of what we were trying to do and it was clear then that in order for things to prosper, we had to look into our own "house" to see how things could possibly change and improve, since there wasn't the huge money that larger labels could afford.
I approach things in the manner that I do, certainly not apolgetic for it, because despite my thoughts, rants, studies, etc., I am still a fan deep down. As such, when fellow dance music fans talk to me, I listen and try to be as fair-minded as possible. We've created that "outlet" because there was no central source in the past. And it all goes under the basic logic that one person alone can't succeed, but as a group we can accomplish more. So, whatever I say post in here and other boards (and not just radio), more or less, come direct from the fan's mouth based on feedback they are giving me, since they either DON'T know who to turn to or fear that whatever they say will fall on corporate "deaf ears". The only numbers that matter to the coalition are the amount of people in our group.
I had to go into that large intro first since this isn't the first time you had gotten to me about being a fan vs. a programmer. I've known you here for quite awhile and am well aware of your reputation, which is positive. I'm not out to step on your toes at all; I thought we were, at the very least "amicable" towards one another. We may not always agree on things but we do want what is best for dance music as a whole.
Getting back to post, I'm not suggesting that freestyle be TOTALLY thrown out of the window. Yeah, Pulse and 'KTU get listenership via freestyle. And for 'KTU being a 25-54 station with most of the listeners that grew up with that sound from the Hot 97 days, it makes perfect sense. The majority of people AT Beatstock were still 'KTU fans...some weren't even aware, even at 6 months that there was a Pulse 87, because of their anomalies. But for Pulse being current, I don't think they should harp on freestyle to the extent that they do. Not saying NEVER play it, but for what it is...not like 1988 (yeah, I'm repeating myself on this). And regarding "gold" records, there are other dance tracks that could be heard from other genres but aren't; I always have realized that recurrents play a role. however, those 4 gold records don't ALL have to be freestyle. And I would say the same thing on that....don't harp on it as if we were living in that "time". 9 currents within there, fine!
BPM, before the merger, came off with a Z-100 style playlist of currents. That's eventually the direction I would like to see for dance music and hopefully down the road, it will. Core artist? I thought Cascada was it. But if it has to take R&B remixes to establish a core for dance in this country, I would not have any problem seeing Chris Brown, Beyonce or Akon "represent".
Regarding new freestyle, I've heard a few. Yeah, there are tracks that I would never want to hear ever again, but there are others that deserve a chance. And if the "freestyle legends" did something current and caught the attention of fans at a Beatstock event, radio would perhaps open up to it. I wish for next year those legends can do more and be able to perform new material, if they have it.
Yeah, I am a fan...but one that will give his right arm for the music if it helps!
