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KROQ

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Interesting that WDZN in Maryland just flipped from classic hits to an alternative/active rock hybrid. Apparently this is a viable format, in the right markets.
WDZN Stream
 
Interesting that WDZN in Maryland just flipped from classic hits to an alternative/active rock hybrid. Apparently this is a viable format, in the right markets.

It's a 1Khz station in Cumberland MD. I bet the deer just love this station. I've been in that area. Not a lot of people.

Their first song after they flipped was "Smells Like Teen Spirit." They're taking a lot of chances musically.
 
Keep in mind the purpose of playing music on the radio is to attract an audience that they can sell to advertisers. They're looking for music that appeals to a consensus. That's almost impossible in this format. It becomes this constant battle between what's too familiar and what's too obscure. Everyone wants their own personal radio station. You don't see this in other genres.

So yes, there's a whole world of music out there. For example there are bands getting played on country radio stations right now that could easily fit on alternative radio. The only reason they get airplay on country is they're from southern states and they got signed to Nashville record labels. Otherwise their music could fit on alternative. But that's not the point.
That's why Alternative stations need to have great air talent and a top notch promotions department to give the station the right image. If you run this format like a jukebox, it will fail. Especially, in this day an age with streaming companies like Spotify. You have to give the listeners a compelling reason to tune in that goes beyond the music. You know this is successful when people are willing to tune in and continue to listen, even if they don't really care for a small percentage of the music.
 
For example there are bands getting played on country radio stations right now that could easily fit on alternative radio. The only reason they get airplay on country is they're from southern states and they got signed to Nashville record labels. Otherwise their music could fit on alternative. But that's not the point.
Country music is not Seagram's. It's not the mixer that mixes with everything. They made that mistake with hip-hop in the 1990s. We got a lot of pioneering, but ultimately forgettable (and more than a few regrettable-Nu-Metal, anyone?) crossovers. But not much else.

And with Country-whatever, it's happening again...
 
Country music is not Seagram's. It's not the mixer that mixes with everything.

Only when it's called country. You put a label on it, and the prejudices take over.

But if you listen to the music without knowing what it is, some of it has all the elements of alternative rock.

The bands are realizing the country format is more inclusive, so they have a better chance of connecting there.
 
For instance: "wine, beer, whiskey" by Little Big Town. Alternative WIIS in Key West played it.

Yes, it's a drinking song, it's Key West, and formats there can be a bit eclectic. But it didn't sound out of place.
 
For instance: "wine, beer, whiskey" by Little Big Town. Alternative WIIS in Key West played it.

Yes, it's a drinking song, it's Key West, and formats there can be a bit eclectic. But it didn't sound out of place.
Jason Aldean's "Trouble With a Heartache" and the Cole Swindell/Lainey Wilson duet "Never Say Never" have some of that crunchy alt sound as well.

I wonder if the current No. 1, Chris Stapleton's "You Should Probably Leave," would work at alt, or is it best suited for AAA, where I assume it have been getting played since before it was chosen as a single.

If alt were in more of a mid-'90s Lilith Fair mood, songs like Miranda Lambert's "Bluebird" and that gorgeous Carly Pearce/Ashley McBryde duet "Never Wanted to Be That Girl" could have a chance, but the format doesn't seem very female-friendly right now. Yes, as MarkW has pointed out many times, some stations are trying to attract more advertiser-desirable female listeners with gold from Third Eye Blind and the like, but they're not adding many songs actually sung by women, right?
 
Sometimes I wonder if programmers don't actually try hard enough. There is a whole world of music out there that would fit within the Alternative format, but programmers are transfixed on burnt out music that may well serve the older (end of the) audience, but does very little to grow the younger end. I've always maintained that the format needs to be fresh, but there is way to much gold, that is now also on Classic Rock/Classic Hits stations.
The problem is that, other than the big older songs, there are very few newer ones that the whole alternative rock public like. There are many that are loved by some, liked by others, tolerated by still more people and detested by a large group. Take each song in the genre, and nearly all split into one or two of the partisan groups, but are fairly well disliked by others. So, unless you want every third song to drive away a big piece of the audience, you only play the widely accepted songs.
 
It's a 1Khz station in Cumberland MD. I bet the deer just love this station. I've been in that area. Not a lot of people.

Well over 100,000 people in its 60 dbu.
 
Then Kroq better start going live and local from 7 to midnight.
The question is "why?" There is very, very little "local" that can be inserted into that format at night. Better to have a really good talent, irrespective of where they are.
 
The question is "why?" There is very, very little "local" that can be inserted into that format at night. Better to have a really good talent, irrespective of where they are.
It's also a time slot when all radio listening falls off a cliff, right? Or are alt fans somehow more likely to be using radio from 7 to midnight than fans of other genres?
 
It's also a time slot when all radio listening falls off a cliff, right? Or are alt fans somehow more likely to be using radio from 7 to midnight than fans of other genres?
I don't know if this is still the case these days, but back in the 2000's and I was a teenaged card-carrying member of "Alt Nation", yes Alt listeners tended to flock to the 7-midnight slot. That's when the new songs were more likely to come on with a DJ who sounded younger and hipper than the daytime people mixing skits, snark, and trivia with the music. It was like having an older brother or sister on the air and they had all of the cool new stuff to show you.

I remember one of the old Q101 skits being them mixing the "cowbell" SNL skit with Christopher Walken in with the intro to Queens of the Stone Age's "Little Sister", aha.
 
Am noticing more rock and less pop on KROQ this morning. For example heard back to back: System of a Down, Maneskin, Nirvana. Something is happening, maybe a gradual shift perhaps.
 
For instance: "wine, beer, whiskey" by Little Big Town. Alternative WIIS in Key West played it.

Yes, it's a drinking song, it's Key West, and formats there can be a bit eclectic. But it didn't sound out of place.
But that's Key West. It is it's own alcohol-fueled musical organism that's off the grid from everywhere else. That's why I can understand why Country party tunes would work on a station like WIIS. And bless 'em for it. But I look more to stations like WEQX and KEXP for an actual direction.

The trouble with mainstream modern Country is Alternative fans in general everywhere else have had a long running and often particular annoyance with it. And any disturbingly frequent number of songs about pickin' up Lurleen in my pickup an' goin' to the tractor pull on a Friday night on mainstream Alternative rock radio these days are going to viewed with suspicion.

Just sayin'. It isn't like it isn't a nice gesture. But it won't be long before somebody catches on.....
 
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