Interesting that WDZN in Maryland just flipped from classic hits to an alternative/active rock hybrid. Apparently this is a viable format, in the right markets.
WDZN Stream
WDZN Stream
Interesting that WDZN in Maryland just flipped from classic hits to an alternative/active rock hybrid. Apparently this is a viable format, in the right markets.
Everybody wants to be KPNT…Interesting that WDZN in Maryland just flipped from classic hits to an alternative/active rock hybrid. Apparently this is a viable format, in the right markets.
WDZN Stream
That's why Alternative stations need to have great air talent and a top notch promotions department to give the station the right image. If you run this format like a jukebox, it will fail. Especially, in this day an age with streaming companies like Spotify. You have to give the listeners a compelling reason to tune in that goes beyond the music. You know this is successful when people are willing to tune in and continue to listen, even if they don't really care for a small percentage of the music.Keep in mind the purpose of playing music on the radio is to attract an audience that they can sell to advertisers. They're looking for music that appeals to a consensus. That's almost impossible in this format. It becomes this constant battle between what's too familiar and what's too obscure. Everyone wants their own personal radio station. You don't see this in other genres.
So yes, there's a whole world of music out there. For example there are bands getting played on country radio stations right now that could easily fit on alternative radio. The only reason they get airplay on country is they're from southern states and they got signed to Nashville record labels. Otherwise their music could fit on alternative. But that's not the point.
Country music is not Seagram's. It's not the mixer that mixes with everything. They made that mistake with hip-hop in the 1990s. We got a lot of pioneering, but ultimately forgettable (and more than a few regrettable-Nu-Metal, anyone?) crossovers. But not much else.For example there are bands getting played on country radio stations right now that could easily fit on alternative radio. The only reason they get airplay on country is they're from southern states and they got signed to Nashville record labels. Otherwise their music could fit on alternative. But that's not the point.
Country music is not Seagram's. It's not the mixer that mixes with everything.
Jason Aldean's "Trouble With a Heartache" and the Cole Swindell/Lainey Wilson duet "Never Say Never" have some of that crunchy alt sound as well.For instance: "wine, beer, whiskey" by Little Big Town. Alternative WIIS in Key West played it.
Yes, it's a drinking song, it's Key West, and formats there can be a bit eclectic. But it didn't sound out of place.
The problem is that, other than the big older songs, there are very few newer ones that the whole alternative rock public like. There are many that are loved by some, liked by others, tolerated by still more people and detested by a large group. Take each song in the genre, and nearly all split into one or two of the partisan groups, but are fairly well disliked by others. So, unless you want every third song to drive away a big piece of the audience, you only play the widely accepted songs.Sometimes I wonder if programmers don't actually try hard enough. There is a whole world of music out there that would fit within the Alternative format, but programmers are transfixed on burnt out music that may well serve the older (end of the) audience, but does very little to grow the younger end. I've always maintained that the format needs to be fresh, but there is way to much gold, that is now also on Classic Rock/Classic Hits stations.
It's a 1Khz station in Cumberland MD. I bet the deer just love this station. I've been in that area. Not a lot of people.
The question is "why?" There is very, very little "local" that can be inserted into that format at night. Better to have a really good talent, irrespective of where they are.Then Kroq better start going live and local from 7 to midnight.
It's also a time slot when all radio listening falls off a cliff, right? Or are alt fans somehow more likely to be using radio from 7 to midnight than fans of other genres?The question is "why?" There is very, very little "local" that can be inserted into that format at night. Better to have a really good talent, irrespective of where they are.
I don't know if this is still the case these days, but back in the 2000's and I was a teenaged card-carrying member of "Alt Nation", yes Alt listeners tended to flock to the 7-midnight slot. That's when the new songs were more likely to come on with a DJ who sounded younger and hipper than the daytime people mixing skits, snark, and trivia with the music. It was like having an older brother or sister on the air and they had all of the cool new stuff to show you.It's also a time slot when all radio listening falls off a cliff, right? Or are alt fans somehow more likely to be using radio from 7 to midnight than fans of other genres?
Nirvana is to Alternative, what Led Zeppelin is to AOR/Classic Rock. It's a defining music group for the format. Will always be there.I can do without the same ole nirvana tunes. Now they just have to get people to notice
You can do without them, but they test well. They'd still play the Thompson Twins if they tested well. It's not about you, it's about the test. It's the radio equivalent of "nothing personal, it's just business".I can do without the same ole nirvana tunes. Now they just have to get people to notice
But that's Key West. It is it's own alcohol-fueled musical organism that's off the grid from everywhere else. That's why I can understand why Country party tunes would work on a station like WIIS. And bless 'em for it. But I look more to stations like WEQX and KEXP for an actual direction.For instance: "wine, beer, whiskey" by Little Big Town. Alternative WIIS in Key West played it.
Yes, it's a drinking song, it's Key West, and formats there can be a bit eclectic. But it didn't sound out of place.