justpassingthough said:
Color me wrong here, but I think that Mike Phillips gets a bum rap. The station became predictable and stale later in his tenure. Early on he gave the station focus. But his philosophy was for a tight playlist when he programmed CHR and it worked at first at KRTH. Remember too that we don't know what corporate control was in play then as well. The man's dead, can't defend himself now and quite frankly was a great programmer for most of his life.
KRTH is very well programmed now and I think that as long as they keep up with their audience they'll do just fine.
I agree that Mike Phillips does get a little bit of a bum wrap, because if you recall KRTH in the 80s, despite an open and interesting playlist, was kind of all over the place. While there were some great shows, like Mr. Rock and Roll's noon countdown, but the station at the time had too much of an AOR feel to it.
Starting in 1990 and into 1991 Phillips, along with Bill Drake and even Ron Jacobs brought back what everybody wanted, a 93/KHJ reunion with Robert W. Morgan and The Real Don Steele, along with the high-pace energy and the Mann jingles. With this also came a tight, overly research playlist.
With these elements in place it worked.
The ratings showed many people didn't prefer a WCBS-FM type station that KODJ/KCBS was attempting to do or a pre-Beatles oldies format that KRLA was doing at the time prior to 1994 (as most may recall in 1994 KRLA went to a R&B "Art Laboe oldies" format), and that people apparently liked and wanted "the same old song."
I think what happened with Phillips' era KRTH was part management fault and part fault of circumstantial events.
Under Phillips' watch two of the biggest names in L.A. radio, who helped KRTH achieve high ratings, died. Having Shotgun Tom Kelly do afternoons and doing the gimmicky morning show "auditions" with people like Dave Diamond and Dan Ingram, and of course have the voice of KRTH do the morning show, worked for a time.
The problem was by late 1997, early 1998 a lot of casual listeners were complaining about 101.1's now infamous tight playlist and it was until (I believe) the spring 98 book that KRTH's ratings plummeted. The reaction to that, if anybody remembers, was this rather odd move to add a handful of 80s songs, which sounded very out of place.
Almost from that moment on until Mr Kaye took over KRTH for a few years had some struggles with the ratings.