Well, lets see. As I sat in my office Labor Day Weekend 1985 when hurricane elana was blowing in at 4pm, I flipped on the WFLA-AM, the N/T station to find College Football on. Same thing that night as she churned off-shore.
Perhaps you didn't hear the wall-to-wall coverage they did all day Sunday. One of the anchors, interestingly enough, was Chuck Harder. There were other stations that did coverage -- WPLP comes to mind, but they were forced out by flooding for about a day Saturday -- which is when WFLA got the drop on them. Perhaps that was the day 970 began to take over the talk radio crown. Remember too, that WFLA was still forming its news-talk identity in 1985 after years of bouncing like a pinball between Jack Harris in the morning, nighttime talk and sports, and bizarre things in the middays like simulcasting their FM.
So has radio really changed? I would not know a hurricane was 50 miles offshore then - would not know it today
But in between -- specifically, 1988 to 2006, the era of "Our Newsroom Never Closes" -- you definitely would have known, and been informed by hurricane-savvy veterans like Robert Pankau and the late Don Richards.
The talent is better on WFLA today than it was 20 years ago as well. It might not be local, but its better. Yes, they still have issues - but again I believe far too many forget the issues of years ago.
Coming from someone with your background, this is a jaw-dropper. The Tedd Webb- Lassiter - Dick Norman combo seamlessly carried audiences all through the day. I think if WFLA could find their equivalents today, they'd be doing noticeably better than their current shares. It would cost more, though.
Bottom line 1) The talent isn't there to have great local shows in all markets 2) The Management (Programmers) were never good enough to coach and help talent find their full potential at the local market level 3) Agents got involved and feed so much BS to any talent that would listen that talent quit listening to local management anyway.
The talent isn't there to have great local shows in Market 183. It WAS there to have great local shows in Market 21 (Tampa's rank at the time) and if the current corporate entities are dismantled, perhaps it would be again. Just look at all the talent that has earned network or major market rungs following their sojourn in Tampa talk: Lionel, Harrison (Harry Dangler), Jay Marvin, the Fabulous Sports Babe...
But Lassiter was axed because he didn't have very good ratings in his second stint at 970. The station was ranked 18th during afternoon drive in the final ratings book before he was let go. (Technically speaking, his contract wasn't renewed. But the end result is the same
Need some context here. In addition to the "support group" mentality, Lassiter was on after Dr. Laura. I can't imagine his core hearing the harridan and sticking around for him. Not to mention that for half the year, his 5 - 8 p.m. show was sawed off at 6:30 for Devil Rays baseball.
Just for grins I pulled out the numbers from Spring 1990. In the money demo, P25-54, WFLA-AM was 11th overall, mornings, middays and afternoons. They were 14th at night.
Again, some context. When the Spring 1990 book began, WFLA had perhaps the most intense competition in its talk history. THREE other stations were doing general talk formats -- WTKN (the former WPLP), WEND and WSUN. Those three stations took about half the talk share (give or take) between them with WFLA holding the other half. Also, Norman had died and Lassiter had left. Jay Marvin hadn't arrived yet. Rush was three books in (proof that his alleged salvation of AM radio didn't take place instantaneously), and nights were held down by somebody named Joe Flores who hasn't been heard from since. Compare with Spring '89, (Lassiter's last book in his first 970 sojourn) when WFLA was 7th in P25-54 M-F 6 a - 7 p.
The fact that radio IS a business is often ignored.
If anything, what's getting ignored these days is the SHOW part of radio, not the business part. That line about "turning DJs into accountants" from a recent book never rang truer...
Today they are easily Top 5 in 12+ and P25-54.
... and in-format they have LESS competition, not more, both in quantity and quality, than in 1990.