carolinaradio said:I like what I'm hearing so far. I like their music more than WLS...
erwin33 said:Great station so far, big sounding processing (what they are using?). Sounds very vintage and 80's-like. Maybe they fired up some old Orban 8100 with a set of prisms ;-)?
The jingles reminds me of Z100, the flamethrower.
Mark Jeffries said:BRNout said:Good pick! Starting off on the right foot......
Those of you who heard the Jack to CBS-FM switch in NY would've found the sweep building up to the 1:04 p.m. format switch very familiar (although our version started in 1965 and went through the entire 80s).
And the top of hour? Just replace Sinatra singing "New York New York" with "My Kind of Town" and the call letters and you'd think you were listening to CBS-FM.
BOBBY.B said:where's the 60's and motown? ? same old thing.
BRNout said:BOBBY.B said:where's the 60's and motown? ? same old thing.
In answer to your question: at 94.7 WLS-FM.
This is one of the clear differences between WLS-FM and the new K-Hits. If you want to hear the Supremes, Four Tops, 60s Marvin Gaye, and most other 60s pop, then you'd better head to 94.7. Because CBS Radio is more focused on the 1970s and 1980s with K-Hits. It also leans toward rock-based hits, though not quite as much as I expected prior to the launch.
Nonetheless, although K-Hits plays the occasional (burned to a crisp) Motown title, they are few and far between there. If that's the music you're looking for then WLS-FM is one of the only places where you'll hear it.
tpizzle said:I REALLY like this station so far. Eddie and Jobo sound great and yesterday Bo sounded really good. With the exception of a few "clunky" 80's titles (and they need to watch that...you can sure hurt the credibility out of the gate playing novelty music), the songs are right on track. And don't turn the titles over too quick. The listeners of this format are compassionate about the music and don't want to burn out. Same stuff to quick will equal fear of burn out and listeners will rest the station for sure.
The post from audioguy or whatever his name is, about the processing being out of date, he/she needs to realize that the audio processing helps set the stage. At this point it's not about an open natural sound, it's about setting the mood. Like it or not, audio processing set in high gear gives an exciting sound and feeds into the energy they are trying to project.
Good luck to a station/company that is live again, with energy ONLY captured by a full live staff. This is one type of delivery that JUST CAN'T BE VOICETRACKED. It HAS TO BE LIVE to be good. Jocks with headphones on hearing the exciting processing, live phone calls pouring in, the fun stress of not screwing up because there are no retakes in live radio, editing phoners to air live, givaways, mixing, tight board work, it's what this whole business was built on that the Cumulus's and Investment firms will never be able to grasp because of the pressure, greed and dept. NO EXCEPTIONS PERIOD.
Hats off to CBS and the programming staff that put this together. If you keep this up, radio may get exciting again!!!!
radioman148 said:tpizzle said:Hats off to CBS and the programming staff that put this together. If you keep this up, radio may get exciting again!!!!
And what's your position with the company?
Mark Jeffries said:radioman148 said:tpizzle said:Hats off to CBS and the programming staff that put this together. If you keep this up, radio may get exciting again!!!!
And what's your position with the company?
And what's wrong about being excited about a radio station and a potential jim-dandy of a format war? No station in today's version of oldies/classic hits/greatest hits is going to play doo-wop--EVER. You want doo-wop? You go subscribe to Sirius XM or go on Live365. Today's listeners to the format will be very happy with K-Hits, thank you very much.