Come on...it has nothing to do with "societal norms" or being "anti corporate." You are emotional about this change...I understand.I didn't blame radio. I said that Alternative as a genre of music is anti-corprate and anti-social norm. As a radio format, Alternative has been most successful artistically when two things have been happening. One (and most important), as many on here say, is when there's a consensus amongst the listeners as to what they want to hear. That's missing right now. Two, is when an independent owner is more passionate about the genre.
What historically have been the most acclaimed (artistically) Alternative stations? Who's owened them? I think of Indie 103.1 in LA, WFNX in Boston, and so on. But what happened to all these stations? They all eventually ran out of money and failed; because Alternative as a genre and Alternative as a radio format don't work well together currently. My opinion, as originally advice from Big A is to really look towards college stations for more artistic Alternative stations. That, and satellite and/or internet only stations.
But I'm not blaming corporate radio. I see it the same as another genre of music that I enjoy, The Blues. Great music, but not commercially viable on FM radio. So, I go to satellite and internet.
The wheel of formats and brandings spun multiple times since he left shows how much of a factor he made the station. Not even Opie and Anthony could save K-Rock 2.0.The station would have existed with or without him. He has not been on the air since 2004. He is irrelevant to terrestrial radio and WNYL.
This idea you must have an all talk morning show on a music station is the reason why radio is dying. People that want to hear music will just go to streaming in the morning and not ever return.The wheel of formats and brandings spun multiple times since he left shows how much of a factor he made the station. Not even Opie and Anthony could save K-Rock 2.0.
I agree, you really have to give Audacy a thumbs up in the way they handled the switch.At least, I assume it was his say, Chris Oliviero let the airstaff say their goodbyes and pay tribute to whatever legacy 92.3 had in its various iterations as a music station, similar to how 94.7 signed off its country format. Compared to the way 97.1 Now ended in LA during that flip to news, this was generous.
In contrast to Alt 92.3, New York's Country 94.7's listeners were only notified the morning the format was dropped, a year ago. Their personalities had only a few hours to reminisce.At least, I assume it was his say, Chris Oliviero let the airstaff say their goodbyes and pay tribute to whatever legacy 92.3 had in its various iterations as a music station, similar to how 94.7 signed off its country format.
Then explain how Stern and K-Rock were significantly successful with an all-talk morning show in the 1990s, to the point it was syndicated nationally.This idea you must have an all talk morning show on a music station is the reason why radio is dying. People that want to hear music will just go to streaming in the morning and not ever return.
Then explain how Stern and K-Rock were significantly successful with an all-talk morning show in the 1990s, to the point it was syndicated nationally.
It’s all about the personality.
This is true, but the norm is to often pull the plug before the DJ's give a goodbye. The fact they even did that with such short notice is generous.In contrast to Alt 92.3, New York's Country 94.7's listeners were only notified the morning the format was dropped, a year ago. Their personalities had only a few hours to reminisce.
It is not the 90s anymore.Then explain how Stern and K-Rock were significantly successful with an all-talk morning show in the 1990s, to the point it was syndicated nationally.
It’s all about the personality.
Yes the music is important too, but personality is what radio has to offer to be successful in 2022. The stations that are in the alternative rock format now that are successful by some metric often have very strong personalities to accompany the music.It’s all about the personality.
^This.Yes the music is important too, but personality is what radio has to offer to be successful in 2022. The stations that are in the alternative rock format now that are successful by some metric often have very strong personalities to accompany the music.
In this case, since they're responsible for a lot of Audacy's national programming, a lot of them are probably not fired. So it's basically "Be good or you will be fired"This is true, but the norm is to often pull the plug before the DJ's give a goodbye. The fact they even did that with such short notice is generous.
KYSR outdraws KROQ by multiple levels now, and of course it includes mornings.The Woody Show is also successful at L.A.'s KYSR and it's syndicated out to other markets. I'm personally not a fan but it does well on Alternative stations. In fact, isn't it beating a music focused morning show on rival alternative KROQ in L.A.?
And to be clear this is certainly not me defending Elliot in the Morning. In the case of Alt 92.3, morning drive was panned and the music didn’t come into line until it was too late. If they had played the game a bit better, the move that happened today would’ve happened maybe 2-3 years or even not at all.^This.
WQMP-HD3 in the Orlando market is now the flagship of ‘New Arrivals’ (heard it last night).What is on HD3? I wonder what happens to the "New Arrivals" channel on HD2.